Certainly a landmark in the history of psychoanalysis."--Kenneth RexrothThis volume features two profound essays by one of the English language's most famous and controversial authors. D. H. Lawrence wrote Psychoanalysis and the Unconscious and Fantasia of the Unconscious in the early 1920s, during his most productive period. Initially intended as a response to psychoanalytic criticism of his novel Sons and Lovers, these works progressed into a counterproposal to the Freudian psychoanalytic theory of the unconscious and the incest motive. They also voice Lawrence's concepts of education, marriage, and social and political action."This pseudo-philosophy of mine," explained Lawrence, "was deduced from the novels and poems, not the reverse. The absolute need one has for some sort of satisfactory mental attitude towards oneself and things in general makes one try to abstract some definite conclusions from one's experiences as a writer and as a man." With these two essays, the author articulates his insights into the mental struggle to rationalize and reconcile the polarity that exists between emotional and intellectual identities. Critical to understanding Lawrence's other works, they offer a bold synthesis of literary theory and criticism of Freudian psychology.

    But he still feels alive, especially after an up-close and personal one-on-one session with Dorothy Parker.When he discovers that the two enigmatic doctors who run the institution are being torn apart by a thwarted love affair, he and the other writers must work together to save something that, for once, is bigger than their own gigantic egos.This is a love story. It's for anyone who loves writing and writers. It's also a story about the strange and terrible love affair between creativity and addiction, told by a charming, selfish bastard who finally confronts his demons in a place that's part Priory, part Purgatory, and where the wildest fiction can tell the soberest truth.

    He gives her a business card with a Baker Street address, and suggests she put her skills to good use. Within a month Frankie has joined the FANYs and started her training. Stationed first in England, then Africa, and finally Italy, Frankie and her fellow recruits work tirelessly decoding messages from agents in the field by day, and enjoying the wartime parties at night. But when she signs the Official Secrets Act she has no idea of the danger, adventure, and terrible choices that are in store.

    In many ways, this war, and the subsequent peace of Westphalia, would set the stage for the balance of power in Europe until the First World War in 1914. Fully illustrated to capture both the majesty and the horror of The Thirty Years' War.

    

    Elsa, who has not a penny to her name except the scrapings from last week's pay packet, goes with her rich, 48-year-old friend and employer, Victor, to spend her 19th birthday in the household of his millionaire friend, Hamish.

    But as he comes closer to his prize other questions present themselves. Is the androgenous Simona really worth it? Why doesn't she like sex? Is it possible to drink all day? With his unerring eye for absurdity and class satire Kingsley Amis shows us what happens when money meets naked ambition.

    A weary atheist, Edgar challenges people to put their money where their mouths are about their faith. If someone really believes that the 16th reincarnation of the Dalai Lama is the one true incarnation, or that God is love, or that his grandfather's spirit lives in a tree, Edgar reasons he should be willing to bet money on it. Edgar is right. The metaphysical betting shops become incredibly popular as people of all faiths rush to outdo each other. After placing a bet, the bettor is given a receipt verifying the bet and amount, and a button with a question mark, stamped "Who knows?" It's no wonder that Edgar goes on to become the richest man in the world.As the competitive rage spreads, the betting shops indirectly cause a dangerous faith war, resulting in multiple popes, a beautiful messianic woman who claims to be God's messenger, and a technological meltdown with artificially intelligent home appliances. Meanwhile, there's an optimistic supermarket trolley climbing Mt. Everest, looking for God...

    We spend our days catching buses and trains, tapping away at computers, shopping, queuing, lying on sofas... But we know almost nothing about these activities. Exploring the history of these subjects as they come up during a typical day, starting with breakfast and ending with bedtime, Joe Moran shows that they conceal all kinds of hidden histories and meanings. By looking closely at the normally unobserved, he tells a story about social and cultural change in Britain and the Western world, in particular since the Second World War. And along the way connections become apparent between what seem unrelated phenomena - pubs and the weather forecast, or sandwiches and commuting, or smoking and gossip.Drawing on his academic research on everyday life, but writing with wit and lucidity for a popular audience, Joe Moran shows that we know less about ourselves than we think...

    The fishermen call him The Spuddy. The only person to care for him is Andy, a young dumb boy. For both of them their meeting brings friendship after loneliness. But when they become friends with Jake, skipper of the Silver Crest, events take an unexpected turn...

    It was on this fateful day that "Monty Python's Flying Circus" debuted. From the Dead Parrot skit to the Lumberjack Song, The Attila the Hun Show to the Cheese Shop routine, the Pythons set a standard for irreverent, obnoxious, nonsensical comedy never before seen.

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."

    To find each work in the anthology, you must go to the "Go To" section of your Nook, and then select "Chapter." It might get a blank screen--if it does, then hit the page forward button and the work will appear. br/br/Contains two Early works of Dorothy Sayers. Works include: br/Clouds of Witness br/Whose Body?

    ‘Perhaps, Miss Marcella, it may be that in your last situation, the house did not have a panic room?’‘The School of English’ invites us behind the stucco façade of a Notting Hill mansion where fear and cruelty grip a household.