The beautiful young must find a way to restore herself and her aunt to respectability, preferably without accepting either of two repugnant offers. One is from an older, very rich and rather corpulent lord whose reputation for licentious behavior disgusts her; the other from the young, puppyish scion of a noble family whose relatives are convinced she is a fortune hunter.Lady Mablethorpe was aghast. Her young son Adrian was marrying Miss Deborah Grantham--a gambling-club wench! Thus she sent her trusted nephew, the vastly wealthy, clever, and imperturbable Max Ravenscar, speeding to the faro tables to buy the hussy off. To Ravenscar's surprise, Deborah turned out to be remarkably handsome, witty, and--he could scarcely believe it--well-bred. Nevertheless, he expected she'd be grateful for the price he offered to give up her young suitor. Arrogant Ravenscar comes to buy her off, an insult so scathing that it leads to a volley of passionate reprisals, escalating between them to a level of flair and fury that can only have one conclusion....The CorinthianPenelope Creed will do anything to avoid marrying her repulsive cousin. Dressed in boy's clothing, she's fleeing from London when she's discovered by Sir Richard Wyndham, himself on the verge of the most momentous decision of his life.When Sir Richard encounters the lovely young fugitive, he knows he can't allow her to travel to the countryside all alone, so he offers himself as her protector. As it happens, at that very moment Sir Richard could use an escape of his own...The NonesuchWhen they learned that Sir Waldo Hawkridge was coming, the village gentry were thrown into a flurry. The famed sportsman himself! Heir to an uncounted fortune, and a leader of London society! The local youths idolized "the Nonesuch"; the fathers disapproved; and the mothers and daughters saw him as the most eligible--and elusive--man in the kingdom.But one person remained calm. When she became a governess, Ancilla Trent had put away romance, and at first she could only be amused at the fuss over Sir Waldo. But when he ignored the well-born beauties of the district, a shocking question began to form: could the celebrated gentleman be courting her?

    Jones Dues Dale Peck Speckle Trout Ron Rash Sphinxes Timothy Crouse Grace Paula Fox Snowbound Liza Ward Tea Nancy Reisman Christie Caitlin Macy Refuge in London Ruth Prawer Jhabvala The Drowned Woman Frances De Pontes Peebles The Card Trick Tessa Hadley What You Pawn I Will Redeem Sherman Alexie

    The discomforts of travel on trains, large and heavy suitcases that must be carried by unwilling porters, standing in line at the post office (then to learn that your package is improperly tied), malicious fogs that blot out the race track at the last lap, the sand that gets kicked into one's face at the beach, vitamins and their puffery, and all the petty annoyances that we grumble about ourselves but laugh at when they befall others.The 39 prodigal pieces greatly enlarge the corpus of the best Benchley. Forty-four original illustrations, mostly by Peter Arno, are included.

    From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. This sumptuous book takes a decade-by-decade look at the world as seen by the magazine, stopping to describe the incomparable editor Frank Crowninshield and the birth of the Jazz Age Vanity Fair, the magazine’s controversial rebirth in 1983, and the history of the glamorous Vanity Fair Oscar Party.With its exhaustive sweep, visual impact, and time-capsule format, Vanity Fair 100 Years is the book everyone will want in 2013.<!--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /--> Praise for Vanity Fair 100 Years: “The book is a stunning artifact that begets staring, less for the words and publishing industry than as an exercise in visual storytelling reflected through the prism of society and celebrity. The best photographers, the best designers, the best illustrators all came together over Vanity Fair’s contents, and the book unfolds in page after page of stunningly rendered images, some iconic and some that never even ran.” —New York Times Book Review

    The four chapbooks collected in A PECULIAR FEELING OF RESTLESSNESS, three of them finalists and one of them the winner of the Rose Metal Press first annual short short chapbook contest, all revel in the succinctness of their form, the underlying tension anchored beneath each story of 1,000 words or less. These stories are peculiar; they resonate with restlessness. They are deft, they are gritty, and they are lyrical. Laughter, Applause. Laughter, Music, Applause by Kathy Fish, Wanting by Amy L. Clark, Sixteen Miles Outside of Phoenix by Elizabeth Ellen, and The Sky Is a Well by Claudia Smith combine four multi-layered portrayals of beautiful uneasiness into a collection rich with wit, grace, and originality.

    When Satish offers a bribe to Jitesh, the latter abuses the industrialist and threatens to call the police. Undeterred by all this, Satish approaches Arora who is Jitesh’s senior officer and offers him a share in his business. Arora puts pressure on Jitesh to ignore certain norms and stipulations and approve the loan, but Jitesh succumbs neither to greed nor pressure. Arora and Satish turn hostile towards Jitesh. A few days later at the bank, Jitesh helps an unknown customer, who claims to be illiterate, to fill his withdrawal form. The customer is later identified as a conman who fraudulently withdraws money from someone else’s account. His arch rival Arora manipulates facts and Jitesh is named in the chargesheet. Jitesh is suspended from his job and faces a judicial inquiry that lasts for 14 long and painful years. During the long ordeal, Jitesh is flooded with offers to bribe his way out of the matter and this includes vigilance officers, bank officials, CID officers, court clerks and even the judge. Arora connives with businessmen and amasses huge wealth through underhand means. Arora ignores his family and takes to the wrong path in personal life also. What has destiny in store for him? Is he able to escape from the clutches of justice? ********************************** ABOUT THE AUTHOR: Gireesh Sharma, soldier-turned-author, writes straight from his heart. Born in 1973 in a small hamlet near Aligarh, he was brought up by his grandfather-in-law, an active political leader. It was under his tutelage that he developed patriotic fervour and on turning 17 years of age, chose to join the Indian Air Force to serve the nation. After his retirement, he worked with several youth organisations and today actively participates in socio-political activities to bring a positive change in the country. He is working as a marketing manager in a software company and enjoys writing books during his spare time. I Refused to Bribe is his first fiction, though he has written three popular non-fictions: 'Office Politics', 'How to Win the Heart of Your Wife' and 'Stay Free, Stay Happy'.http://www.amazon.com/gp/search/ref=s...

    Includes the Academy Award winning screenplay. The original controversial ending of the novel. Many exclusive photos never published before.

    Two brothers live in a house in North Philly. Although adults, there is something child-like about these orphans. The eldest supports himself and his slightly retarded brother by petty thievery. One night he brings home a rich older man to get him drunk and rob him. It turns out that the man-Harold is very rich and on the lam from a hitman. Harold establishes the house as a base of operations and, in a strange, hilarious and moving way, becomes the father figure the boys have always yearned for. "A weird, wonderful thriller filled with suspense, pathos and packing an emotional wallop."-WMCA Radio "Keeps you transfixed."-New York Daily News

    (doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

    Laugh and cry over the most poignant love story of them all--about a young enchantress with a short time to live and a lifetime of courage to give.

    Since the Boston police are investigating the death of one of their own, Bogie believes his trip will be a short condolence visit and a chance to meet his secret love child. Although Bogie wants to contact his ex-lover, Bailey Hampfield, he’s reluctant to do so since Bailey dumped him four years earlier. Knowing that Bailey had his child after she cut him loose, Bogie thinks it’s time to establish a relationship with the three year old daughter he’s never met. While he considers his options, Bailey gets in touch with him and asks for protection. Someone is trying to kill her. Bogie doesn’t want to get involved in the BPD investigation into his brother’s death, but he continues to be drawn into it while trying to discover who is attempting to kill Bailey Hampfield. The investigations seem to parallel each other, then intersect and become intertwined. As the story develops, Isabella, a precocious child obsessed with martial arts, slowly becomes the focus. The underlying theme of this fast-paced mystery is lies. Everyone seems to be runing on lies and half truths. The only true character is The Girl in White Pajamas.

    

    

    Until she comes to New Mexico. During one summer in Agua Dulce, a village haunted by a phantom herd of wild horses and where ravens embody the spirits of ancestors, Charlotte’s world is upended as she unearths the details of her mother’s forbidden love affair, chilling murder, and courageous last act of redemption. Pursued by a madman hell-bent on killing her, Charlotte finds shelter, romance, and her own misplaced soul at the desert camp of a surprisingly sophisticated cowboy, and learns how love in its myriad forms is the only path to lasting salvation.

    According to author David Wojahn, a three-time winner of the Pushcart Prize, this collection of poetry “is the best collection yet by a poet who has become one of the most individual and necessary voices of his generation. An almost prophetic rage seems to inhabit these poems, which present us with a speaker who is tender and brutally rueful by turns. Bob Hicok asks to be a voice of conscience in a conscience-less world. And, like all true prophets, his rage and consternation in the end transform themselves into a form of prayer, what one of his poems calls a ‘mad . . . devotion.’ Hicok is able to instruct and console us, and that is a very rare thing indeed.”