Crews was born in the middle of the Great Depression, in a one-room sharecropper's cabin at the end of a dirt road in rural South Georgia. If Bacon County was a place of grinding poverty, poor soil, and blood feuds, it was also a deeply mystical place, where snakes talked, birds could possess a small boy by spitting in his mouth, and faith healers and conjure women kept ghosts and devils at bay.At once shocking and elegiac, heartrending and comical, A Childhood not only recalls the transforming events of Crews's youth but conveys his growing sense of self in a world "in which survival depended on raw courage, a courage born out of desperation and sustained by a lack of alternatives."Amid portraits of relatives and neighbors, Bacon County lore, and details of farm life, Crews tells of his father's death; his friendship with Willalee Bookatee, the son of a black hired hand; his bout with polio; his mother and stepfather's failing marriage; his near-fatal scalding at a hog-killing; and a five-month sojourn in Jacksonville, Florida. These and other memories define, with reverence and affection, Harry Crews's childhood world: "its people and its customs and all its loveliness and all its ugliness." Imaginative and gripping, A Childhood re-creates in detail one writer's search for past and self, a search for a time and place lost forever except in memory.

    Cataloochee is a slice of southern Americana told in the classic tradition of Flannery O’Connor and William Faulkner.Nestled in the mountains of North Carolina sits Cataloochee. In a time when “where you was born was where God wanted you,” the Wrights and the Carters, both farming families, travel to the valley to escape the rapid growth of neighboring towns and to have a few hundred acres all to themselves. But progress eventually winds its way to Cataloochee, too, and year after year the population swells as more people come to the valley to stake their fortune. Never one to pass on opportunity, Ezra Banks, an ambitious young man seeking some land of his own, arrives in Cataloochee in the 1880s. His first order of business is to marry a Carter girl, Hannah, the daughter of the valley’s largest landowner. From there Ezra’s brood grows, as do those of the Carters and the Wrights. With hard work and determination, the burgeouning community transforms wilderness into home, to be passed on through generations.But the idyll is not to last, nor to be inherited: The government takes steps to relocate folks to make room for the Great Smoky Mountain National Park, and tragedy will touch one of the clans in a single, unimaginable act.Wayne Caldwell brings to life the community’s historic struggles and close kinships over a span of six decades. Full of humor, darkness, beauty, and wisdom, Cataloochee is a classic novel of place and family.From the Hardcover edition.

    When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave—an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. On Earth reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

    The author of Revenants and Shut Up Shut Down, he is also a frequent contributor to the Poetry Foundation’s Harriet blog.

    Even during his lifetime, tales of the sharpshooting, skilled woodsman were—to his delight—told, retold, and elaborated on. As a US congressman, the former Creek War militiaman steadfastly opposed President Andrew Jackson’s Indian Removal Act. As a soldier, he made the ultimate sacrifice fighting for an independent Texas. Nearly two centuries after his untimely demise, he remains a legendary figure in American lore.   In this fictional account of Crockett’s life, author Cameron Judd offers a nuanced portrait of the man behind the myth. He depicts Crockett’s triumphs as a hunter, cattle drover, warrior, and legislator in riveting detail and poignantly illustrates his subject’s hardscrabble youth and complicated relationship with his father. Meticulously researched and rich in vibrant action, Crockett of Tennessee captures the charisma, ambition, and bravery of the man known as the “King of the Wild Frontier.”

    I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

    Against all privations and the forces that would subdue her, Ellen is sustained by a sense of wonder and by an awareness of her own being. Reduced to the bare elements of life, her world becomes a ceremony of daily duties that bind her to the natural world and her family. The Time of Man stands as a beautifully written tribute to the human spirit.

    Here Wright adds to his third trilogy (Chickamauga [1995], Black Zodiac [1997], and Appalachia [1998]) a section of new poems that suggest new directions in the work of this sensuous, spirit-haunted poet.

    I didn't know that if a girl broke your heart, another girl, virtuous at least in spirit, could mend it on the same night. And I didn't know that the enthalpy decrease in a converging passage could be transformed into jet kinetic energy if a divergent passage was added. The other boys discovered their own truths when we built our rockets, but those were mine."So begins Homer "Sonny" Hickam Jr.'s extraordinary memoir of life in Coalwood, West Virginia - a hard-scrabble little mining company town where the only things that mattered were coal mining and high school football and where the future was regarded with more fear than hope. Looking back after a distinguished NASA career, Hickam shares the story of his youth, taking readers into the life of the little mining town of Coalwood and the boys who would come to embody its dreams. In 1957 a young man watched the Soviet satellite Sputnik shoot across the Appalachian sky and soon found his future in the stars. 'Sonny' and a handful of his friends, Roy Lee Cook, Sherman O'Dell and Quentin Wilson were inspired to start designing and launching the home-made rockets that would change their lives forever.Step by step, with the help (and occasional hindrance) of a collection of unforgettable characters, the boys learn not only how to turn scrap into sophisticated rockets that fly miles into the sky, but how to sustain their dreams as they dared to imagine a life beyond its borders in a town that the postwar boom was passing by.A powerful story of growing up and of getting out, of a mother's love and a father's fears, Homer Hickam's memoir Rocket Boys proves, like Angela's Ashes and Russell Baker's Growing Up before it, that the right storyteller and the right story can touch readers' hearts and enchant their souls.A uniquely endearing book with universal themes of class, family, coming of age, and the thrill of discovery, Homer Hickam's Rocket Boys is evocative, vivid storytelling at its most magical.In 1999, Rocket Boys was made into a Hollywood movie named October Sky starring Chris Cooper, Jake Gyllenhaal and Laura Dern. October Sky is an anagram of Rocket Boys. It is also used in a period radio broadcast describing Sputnik 1 as it crossed the 'October sky'. Homer Hickam stated that "Universal Studios marketing people got involved and they just had to change the title because, according to their research, women over thirty would never see a movie titled Rocket Boys" so Universal Pictures changed the title to be more inviting to a wider audience. The book was later re-released with the name October Sky in order to capitalize on interest in the movie.

    A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness. The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive. Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love-and love that's handed down-can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own. The first title featured in Wiley Cash's Book Club!

    Willie Stark, Warren’s lightly disguised version of Huey Long, the one time Louisiana strongman/governor, begins as a genuine tribune of the people and ends as a murderous populist demagogue. Jack Burden is his press agent, who carries out the boss’s orders, first without objection, then in the face of his own increasingly troubled conscience. And the politics? For Warren, that’s simply the arena most likely to prove that man is a fallen creature. Which it does.

    At that tender age, her little sister disappeared-never to be found. It was a loss that slowly eroded the family bonds she once relied on. As an adult with a prestigious job in the arts, Julie meets a struggling artist who reminds her so much of her sister, she can't help feeling protective. It is a friendship that begins a long and painful process of healing for Julie, leading her to a house on the Gulf Coast, ravaged by hurricane Katrina, and to stories of family that take her deep into the past.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.

    The soldier-boy in the picture never changed. In a way that made him dependable. But he seemed so innocent. "Astronauts have been to the moon," she blurted out to the picture. "You missed Watergate. I was in the second grade."She stared at the picture, squinting her eyes, as if she expected it to come to life. But Dwayne had died with his secrets. Emmett was walking around with his. Anyone who survived Vietnam seemed to regard it as something personal and embarrassing. Granddad had said they were embarrassed that they were still alive. "I guess you're not embarrassed," she said to the picture.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    Louis, living the quintessential bachelor life with his young son, Quint. He is also a man who aspires beyond his means and class. When Gerald meets the wealthy divorcée Ann Lauterbach and the two marry, life changes irrevocably for Quint. He enters a social world of private schools and debutante balls known to him only through his father's longings. As Quint's attachment to his stepmother and her "means" grows, her marriage to his father begins to crumble in small, subtle ways, which ultimately leads to larger, more devastating consequences.