Presents an illustrated history of North American Indians from their origins to the present, and includes contemporary interviews and excerpts from journals.

    The popular tellings of the Mahabharata are about Duryodhana'sdeviousness, obstinacy and greed for power that would bring about thebattle of Kurukshetra between the Kauravas and the Pandavas, and hisown downfall. But was there more to him? Was he all black, or was it a matter ofshades of grey? What was he? True heir or pretender to the throne?Arch villain or brave prince defending his rajadharma?Ace strategist or wicked schemer? History, they say, is written by the victors. So we have never heard theside that Duryodhana presents. The epic's enigmatic villain finally hashis say -- on people, their motives and their machinations. For the firsttime we read a different meaning into episodes we may be familiar with --be it the attempted killing of Bhima, the burning of the wax house, thefamous game of dice or even Draupadi's vastraharan -- and get insightsinto the story we may not have come across before. Here is the crownprince of Hastinapura as we have never known him, adding yet anotherdimension to the labyrinth that is the Mahabharata.

    This Special Issue describes the events of the tenth canto which narrates the life of the most beloved god in Hindu mythology - Krishna. Beginning with the miraculous birth of Krishna, the story traces his childhood exploits, including the slaying of dangerous demons and the performing of miraculous acts. The comic also describes Krishna’s battle with Kamsa as he retrieves the kingdom of Mathura for his aging grandfather, Ugrasena. In the Bhagawat, Krishna is seen as a son, brother, husband, friend and warrior.

    Americans all, they were among the famous figures whose paths intertwined with the mystical and esoteric movement broadly known as the occult. Brought over from the Old World and spread throughout the New by some of the most obscure but gifted men and women of early U.S. history, this “hidden wisdom” transformed the spiritual life of the still-young nation and, through it, much of the Western world.Yet the story of the American occult has remained largely untold. Now a leading writer on the subject of alternative spirituality brings it out of the shadows. Here is a rich, fascinating, and colorful history of a religious revolution and an epic of offbeat history. From the meaning of the symbols on the one-dollar bill to the origins of the Ouija board, Occult America briskly sweeps from the nation’s earliest days to the birth of the New Age era and traces many people and episodes, including:•The spirit medium who became America’s first female religious leader in 1776 •The supernatural passions that marked the career of Mormon prophet Joseph Smith •The rural Sunday-school teacher whose clairvoyant visions instigated the dawn of the New Age •The prominence of mind-power mysticism in the black-nationalist politics of Marcus Garvey•The Idaho druggist whose mail-order mystical religion ranked as the eighth-largest faith in the world during the Great Depression Here, too, are America’s homegrown religious movements, from transcendentalism to spiritualism to Christian Science to the positive-thinking philosophy that continues to exert such a powerful pull on the public today. A feast for believers in alternative spirituality, an eye-opener for anyone curious about the unknown byroads of American history, Occult America is an engaging, long-overdue portrait of one nation, under many gods, whose revolutionary influence is still being felt in every corner of the globe.

    

    McLaughlin, in writing Myths and Legends of the Sioux, aimed to create a written account of the many oral myths and legends that have been passed down by the Sioux people for hundreds of years, in order to guard against their loss to history.Containing nearly 40 tales, McLaughlin has assembled a robust collection of Sioux legends. Most of these stories are quite brief, with some chalking in at less than two pages. As with all good fables, the majority of these stories contain a fairly simple message. There is the story The Rabbit and the Elk, a brief tale about an elk tricking a rabbit into thinking it had been caught, which is a classic "don't count your chickens until they've hatched" story. There is also the tale The Artichoke and the Muskrat, a story which carries the message of respecting the differences between people. The legends included in this collection all proceed in a similar fashion and carry similarly simple yet important messages about how best to live life and treat others.The myths and legends included in this collection do not serve only to teach life lessons, but also offer valuable insight into the beliefs and priorities of the Sioux people. A profound respect for nature and its creatures is apparent throughout McLaughlin's book, and one cannot help but admire this aspect of the Sioux.Whether being read to children as bedtime stories, or being examined by a scholar for insight into the Sioux people, Myths and Legends of the Sioux is a valuable collection. McLaughlin's book is enjoyable on a number of levels, and is thus highly recommended to all fans of myths, legends and fairy tales.

    Today this work continues to stand as one of the major summaries of the indigenous societies of North America with its explication of such universal subjects as monotheism, war, capitalism, and sex.

    Often the age-old customs, whose relevance is lost to modern times, are dismissed as meaningless superstitions. The truth, however, is that these practices reveal the philosophical and scientific approach to life that has characterized Hindu thought since ancient times; it is important to revive their original meanings today. This handy book tells the fascinating stories and explains the science behind the Hindu rites and rituals that we sometimes follow blindly. It is essential reading for anyone interested in India's cultural tradition.

    Written by well-known authorities in Indian history and culture, this comprehensive volume spans thousands of years. Lavishly illustrated with photos and works by both comtemporary and historical artists.

    But it seems the world around her won't cooperate -- she keeps getting involved with the wrong friends, the wrong older man, even the wrong Mr. Right. Her relationship with her family is downright dysfunctional -- while her mother is a holdover from the 1950s, her father embraces the go-go 1970s with abandon. So Taylor, left to her own devices, determines her life's road map -- a plan that will get her out of her house and out of Houston. A plan that will get her somewhere. "The Way to Somewhere" traces Taylor's odyssey as she moves from teenager to woman, with equal parts awkwardness, conflict, and resolve. All the while, Taylor struggles to shape reality into her dreams of the forever after. When a complex romantic entanglement leads to a fascination with furniture restoration, Taylor seems to have found the precise balance of science and logic that she desperately seeks. Yet somehow, her experiences continue to be more surprising and disastrous than smoothly aligned, until eventually all of these wrong turns set her life further on its own true course.Resonant and moving, funny and wise, "The Way to Somewhere" charts Taylor's growth as she flings herself headlong into sex, love, relationships, and renewal. In the end, Taylor's happiness hinges on learning not only to accept but to embrace those elements of her life that she had once tossed aside in search of better things.With the quick wit of Tom Perrotta's "Bad Haircut" and the emotional timbre of Wally Lamb's "She's Come Undone," Angie Day's "The Way to Somewhere" is an exceptional exploration ofthat fragile bridge between adolescence and adulthood, and what shores us up -- or breaks us apart.

    After the Civil War, the trickle of white settlers encroaching on tribal land in northern Texas suddenly turned inot a tidal wave. Within a few short years, the great buffalo herds, a source of food and clothing for the Indians from time immemorial, had been hunted to the verge of extinction in an orgy of greed and destruction. The Indians' cherished way of life was being stolen from them.Quanah Parker was the fiercest and bravest of the Comanches who fought desperately to preserve their culture. He led his warriors on daring and bloody raids against the white settlers and hunters. He resisted to the last, heading a band of Comanches, the Quahadas, after the majority of the tribe had acquiesced to resettlement on a reservation. But even the Comanches—legendary horsemen of the Plains who had held off Spanish and Mexican expansion for two centuries—could not turn back the massive influex of people and eaponry from the East.Faced with the bitter choice between extermination or compromise, Quanah stepped off the warpath and sat down at the bargaining table. With remarkable skill, the Comanche warrior adapted to the new challenges he faced, learning English and the art of diplomacy. Working to bridge two very different worlds, he fought endlessly to gain a better deal for his people. As the tribe's elder statesman, Quanah lobbied Congress in Washington, D.C., entertained President Teddy Roosevelt and other dignitaries at his home, invested in the railroad, and enjoyed the honor of having a Texas town named after him. The Last Comanche Chief is a moving portayal of this famed leader. His story is an inspiring and compelling chapter in the history of Native Americans and of the American West.

    Without Vishnu, he was afraid, chaos would ensue. So he and his son Narada, the wandering sage, set in motion a plan to get Vishnu to return to earth.A talking anthill, an arrogant sage, an irate cowherd, and even the asura king Ravana, each have their parts to play in these stories that describe the founding of the Venkateshwara temple at Tirupati. Set amongst the lovely Tirumala hills, this temple to Lord Vishnu, is one of the most beautiful temples in the world. It is said that more than 50,000 people visit this shrine every day, to pray to Venkateshwara to wash away their sins.

    Now comes a new edition that includes many pieces cut from the original as well as fresh material added by the author. Here finally, after twenty-two years of gathering dust, is the complete version of the groundbreaking bestseller.In this, her best-loved work, Anne Cameron has created a timeless retelling of northwest coast Native myths that together create a sublime image of the social and spiritual power of woman. Cameron weaves together the lives of legendary and imaginary characters, creating a work of fiction with an intensity of style matched by the power of its subject.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    In Walking on the Land, he returns to write about the Arctic for the first time in two decades. Using a seminal trip he took through the eastern Arctic as his starting point, Mowat interweaves the stories and the fate of the Barrenground Inuit who were his friends with stunning, lyrical description of the land that was their traditional homeland. With great beauty and terrible anguish, Mowat traces the history of the Barrenground Inuit, revealing how the decimation of the caribou herds in the early part of the century, unleashed a series of famines and epidemics that virtually wiped out their population and left them reliant on a far-away government that understood too little of their needs and circumstances. Through his continued friendship with the survivors, Mowat brings us into the present, showing how the remnant population has survived. No Mowat work is complete without a cast of larger-than-life characters and his trademark marvellous storytelling. Walking on the Land is no exception. Old-time Hudson`s Bay company men, eccentric priests, wild bush pilots and well-meaning interlopers people the pages, bringing to life one of Canada`s most haunted places.