They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, shedrinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met.As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.

    Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.

    Once loved and respected in their community and in their church, they are ostracized by their neighbors, led by their church leader, and a seventeen-year feud between the Delaneys and the church ensues. Ava and her family are displaced from the community even as they continue to live within it, trapped inside their creaky, shadowy old house.When a mysterious woman arrives unexpectedly for a visit, her presence stirs up the past and ghosts and other restless things begin to emerge. And something is reignited in Ava: the indifferent woman she has become begins to give way to the wild girl, and the passionate artist, she used to be. But not without a struggle that threatens her well-being and, ultimately, her life.Mia McKenzie is a winner of the Astraea Foundation's Writers Fund Award and the Leeway Foundation's Transformation Award. She describes herself as "a black feminist and a freaking queer." Her work has been recommended by The Root, Colorlines, Feministing, Angry Asian Man, and Crunk Feminist Collective, among others. She is the creator of the blog BlackGirlDangerous.org.

    When she meets the rebellious Amina who confounds the Indian community by driving a taxi and setting up a cafe with a black man, her world is turned upside down.

    Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

    As he learns about science in his day school, Lev begins his own extracurricular study of the Bible’s Tree of Knowledge with neighbor Mr. Katz, who is building his own Tree out of trash. Meanwhile his sister Samara is secretly studying for her Bat Mitzvah with next-door neighbor and Holocaust survivor, Mr. Glassman. All the while his father, David, a professor of Jewish mysticism, is a non-believer.When, years later, David has a heart attack, he begins to believe God is speaking to him. While having an affair with one of his students, he delves into the complexities of Kabbalah. Months later Samara, too, grows obsessed with the Kabbalah’s Tree of Life—hiding her interest from those who love her most–and is overcome with reaching the Tree’s highest heights. The neighbors of Mile End have been there all along, but only one of them can catch her when she falls.

    But Jude doesn't fit in. He's not part of The Crew because he isn't about to do anything unless it's court-appointed; he's not an Extra because nothing about him is anonymous; and he's not a Movie Star because even though everyone know his name like an A-lister, he isn't invited to the cool parties. As the director calls action, Jude is the flamer that lights the set on fire.Before everything turns to ashes from the resulting inferno, Jude drags his best friend Angela off the casting couch and into enough melodrama to incite the paparazzi, all while trying to fend off the haters and win the heart of his favourite co-star Luke Morris. It's a total train wreck!But train wrecks always make the front page.

    Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

    At school she is an ace at quantum physics. At home she sneaks off to her parents’ scooter garage to read the Kamasutra. Before long she has seduced an elegant older divorcée and the family servant, and has caught the eye of a classmate coveted by all the boys.With the world of adulthood dancing before her, Anamika confronts questions that would test someone twice her age. Ebullient, unfettered, and introducing one of the most charming heroines in contemporary fiction, Babyji is irresistible.

    These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed.Shut Up You're Pretty is the first book to be published under the imprint VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of colour.

    It is the end of the summer, 1974. Since her brother’s death, her Mama curls inside a whiskey bottle and her Papa shuts himself in the barn. Big sister Kathy — in love with her best friend, Stacey — reinvents the bedtime stories she reads to Egg so that they end in a happily ever after.Confronted by bullies and the perplexing quirks of the adults around her, Egg watches, a quiet witness to her unraveling family as she trys to find her place in a bewildering world.The sisters increasingly depend on one another for protection and support but the girls’ relationship is threatened when Kathy’s stories clash with the realities of their small town of Bittercreek­. How can Egg trust someone who has lied to her about everything?

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    She rolls her eyes instead of screaming when they blatantly favor her brother and she dresses conservatively at home, saving her crop tops and makeup for parties her parents don’t know about. Luckily, only a few more months stand between her carefully monitored life in Seattle and her new life at Caltech, where she can pursue her dream of becoming an engineer.But when her parents catch her kissing her girlfriend Ariana, all of Rukhsana’s plans fall apart. Her parents are devastated; being gay may as well be a death sentence in the Bengali community. They immediately whisk Rukhsana off to Bangladesh, where she is thrown headfirst into a world of arranged marriages and tradition. Only through reading her grandmother’s old diary is Rukhsana able to gain some much needed perspective. Rukhsana realizes she must find the courage to fight for her love, but can she do so without losing everyone and everything in her life?

    A genial orderly at a downtown hospital, he has been accused of sexually assaulting a girl. Although he is innocent, traditional propriety prompts him to question the purity of his own thoughts. Ultimately, his friendship with the enlightened Sushila offers him an alluring freedom from a past that haunts him, a marriage that has become routine, and from the trials of coping with teenage children. Introducing us to a cast of vividly drawn characters within this immigrant community, Vassanji is a keen observer of lives caught between one world and another.

    At the center of the novel is Pooja Kapoor, a betrayed wife and mother who is forced to question her faith and marriage when she discovers that her banker husband Rahul has fallen in love with a young Muslim illegal immigrant man who happens to be their son’s age. Faced with the potential of losing faith in Rahul, divine intervention and family, she is forced to confront painful truths about the past and the duality in God and husband. The Two Krishnas draws inspiration from archetypal Hindu mythology and romantic Sufi poetry, evoking unforgettable characters to explore how, with a new world come new freedoms, and with them, the choices that could change everything we know about those we thought we knew – including ourselves.  “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of Cracking India "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyond his years.”—Mark Jude Poirier, author of Goats  ADVANCE PRAISE FOR THE TWO KRISHNAS “In The Two Krishnas, a novel filled with unexpected turns and beauty, Ghalib Shiraz Dhalla has examined with perceptive compassion the complex and heart-wrenching ties that bind families and the secret desires that pull them apart.”—Chitra Divakaruni, bestselling author of The Palace of Illusions “Shiraz immerses us in his gripping narrative as he delves into the nooks and crannies of human desire and explores both its splendor and the havoc it can wreak. A formidably intelligent and adept writer, he has stretched my understanding of a world I know very little about with this touching and masterfully written novel.”—Bapsi Sidhwa, author of New York Times Notable Novel Cracking India "Ghalib Shiraz Dhalla writes with a voice that is both agile and compassionate. He renders scenes of great emotion with equal parts passion and precision. At it's core, The Two Krishnas is a classic tale of tragic, forbidden love, but Dhalla infuses it with an astute discussion of Hindu culture that should appeal to a broad cross-section of readers.”—Christopher Rice, New York Times bestselling author of A Density of Souls and Blind Fall "The Two Krishnas is a powerful, sure footed novel of love, longing and loss that richly portrays life like no other work of fiction I've read. With his complex cast of characters and poetically drawn landscapes, Dhalla's talent shines and he shows us he's wise beyondhis years.”—Mark Jude Poirier, author of Goats and Modern Ranch Living