For her seventh birthday, Katarina and her Uncle Eddie traveled to Austria…to steal the crown jewels. When Kat turned fifteen, she planned a con of her own—scamming her way into the best boarding school in the country, determined to leave the family business behind. Unfortunately, leaving “the life” for a normal life proves harder than she’d expected.Soon, Kat's friend and former co-conspirator, Hale, appears out of nowhere to bring Kat back into the world she tried so hard to escape. But he has a good reason: a powerful mobster has been robbed of his priceless art collection and wants to retrieve it. Only a master thief could have pulled this job, and Kat's father isn't just on the suspect list, he is the list. Caught between Interpol and a far more deadly enemy, Kat’s dad needs her help.For Kat, there is only one solution: track down the paintings and steal them back. So what if it's a spectacularly impossible job? She's got two weeks, a teenage crew, and hopefully just enough talent to pull off the biggest heist in her family's history--and, with any luck, steal her life back along the way.

    Now Ellie has been missing for months, and the police, fearing the worst, are searching for her body. Swamped with guilt and the knowledge that acting on her love for Marcus would tear their families apart, Jackie pushes her cousin away. The plan is to fall out of love, and, just as she hoped he would, Marcus falls for the new girl in town. But something isn't right about this stranger, and Jackie's suspicions about the new girl's secrets only drive the wedge deeper between Jackie and Marcus--and deepens Jackie's despair.Then Marcus is forced to pay the price for someone else's lies as the mystery around Ellie's disappearance starts to become horribly clear. Jackie has to face terrible choices. Can she leave her first love behind, and can she go on living with the fact that she failed her best friend?

    Zero, the devastating depression born of Catherine’s bipolar disease, has almost triumphed once, propelling Catherine to her first suicide attempt. With Zero only temporarily restrained by the latest med du jour, time is running out. In an old ballet shoebox, Catherine stockpiles meds, preparing to take her own life when Zero next arrives.But Zero’s return is delayed. Unexpected relationships along with the care of a new psychiatrist start to alter Catherine's perception of her diagnosis. But will this be enough? This is a story of loss and grief and hope and how the many shapes of love – maternal, romantic and platonic – impact a young woman’s struggle with mental illness.The manuscript was awarded the 2014 SCBWI Work-in-Progress Grant in the Contemporary YA category, named a finalist in the 2015 Tassey-Walden Awards and won the Serendipity Literary Agency 2013 YA First Page/Novel Discovery Contest.

    Jenny is a 16-year-old girl stifled by the tedium of adolescence; she can’t wait for her sophisticated adult life to begin. One rainy day her suburban existence is upended by the arrival of David, a much older suitor who introduces her to a glittering new world of concerts, art, smoky bars, urban nightlife, and his glamorous friends, replacing her traditional education with his own version. It could be her awakening or her undoing. This edition of Hornby’s adapted screenplay, which includes stills from the film, is a perfect accompaniment to the highly anticipated movie, which stars Carey Mulligan as Jenny, Peter Sarsgaard, Emma Thompson, Dominic Cooper, and Alfred Molina. It is a must-have for fans of Hornby’s novels, featuring his signature pitch-perfect dialogue, mordant wit, and the resonant humanity of his writing.

    Instead, the goth girl finds herself sucked into his world of sci-fi movies, charity work, and even -ugh!- bowling. To truly belong with him -and with her new foster family- she must first come to terms with her violent past.

    For Justine, they're real life.The premise was simple: five kids, just living their lives. There'd be a new movie about them every five years, starting in kindergarten. But no one could have predicted what the cameras would capture. And no one could have predicted that Justine would be the star.Now sixteen, Justine doesn't feel like a star anymore. In fact, when she hears the crew has gotten the green light to film Five at Sixteen, all she feels is dread. The kids who shared the same table in kindergarten have become teenagers who hardly know one another. And Justine, who was so funny and edgy in the first two movies, feels like a disappointment.But these teens have a bond that goes deeper than what's on film. They've all shared the painful details of their lives with countless viewers. They all know how it feels to have fans as well as friends. So when this latest movie gives them the chance to reunite, Justine and her costars are going to take it. Because sometimes, the only way to see yourself is through someone else's eyes.Smart, fresh, and frequently funny, You Look Different in Real Life is a piercing novel about life in an age where the lines between what's personal and what's public aren't always clear.

    But as she sits in a school where nobody understands her, she dreams of Polish summer skies and the place where she once belonged. Then Anya meets bad boy Dan. He's no angel but she's sure there's a sweeter side to him.

    She takes care of her ill, widowed mother and her younger brother, Jahan. With the arrival of a summons for Rukhsana to appear before the infamous Ministry for the Propagation of Virtue and Prevention of Vice, the family’s world is shattered. The Minister, zorak Wahidi, has two goals in mind: to threaten the anti-Taliban news reporters and to announce the Taliban’s intention to hold a cricket tournament, the winner of which will represent Afghanistan in international cricket and give the brutal regime a cloak of respectability in the world.Rukhsana knows this is a ludicrous idea—the Taliban could never embrace a game rooted in civility, fair play and equality. And no one in Afghanistan even plays cricket—no one, that is, except Rukhsana.This could be, however, a way to get her male cousins and her brother out of Afghanistan for good. But Wahidi has a third goal in mind—to marry Rukhsana. The union would be her death sentence, wrenching her away from her family and placing her under Wahidi’s complete control. Forced into hiding and desperate to escape the country, Rukhsana realizes that Wahidi may have given her a way out, too. When her loyal, beloved cousins ask for her help, she sets about teaching them how to win their own freedom—with a bat and a ball.

    In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew. Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.