The Ptolemaic kings of Egypt—successors of Alexander the Great—had a staggering ambition: to house all of the books ever written under one roof, and the story of the universal library and its destruction still has the power to move us.But what was the library, and where was it? Did it exist at all? Contemporary descriptions are vague and contradictory. The fate of the precious books themselves is a subject of endless speculation.Canfora resolves these puzzles in one of the most unusual books of classical history ever written. He recreates the world of Egypt and the Greeks in brief chapters that marry the craft of the novelist and the discipline of the historian. Anecdotes, conversations, and reconstructions give The Vanished Library the compulsion of an exotic tale, yet Canfora bases all of them on historical and literary sources, which he discusses with great panache. As the chilling conclusion to this elegant piece of historical detective work he establishes who burned the books.This volume has benefited from the collegial support of The Wake Forest University Studium.

    He was the most popular writer of his day, and his writings are voluminous and diverse, ranging from satire to philosophical "consolations" against grief, from metaphysical theory to moral and political discussions of virtue and anger. He was also the author of disturbing, violent tragedies, which present monstrous characters in a world gone wrong. But Seneca was also deeply engaged with the turbulent political events of his time. Exiled by the emperor Claudius for supposed involvement in a sex scandal, he was eventually brought back to Rome to become tutor and, later, speech-writer and advisor to Nero. He was an important eyewitness to one of the most interesting periods of Roman history, living under the rule of five of the most famous--and infamous--emperors (Augustus, Tiberius, Caligula, Claudius, and Nero), through the Great Fire of Rome (64AD), and at a time of expansion and consolidation of Roman imperial power throughout the Mediterranean world, as well as various foreign and internal conflicts. Suspected of plotting against Nero, Seneca was condemned and ultimately took his own life in what became one of the most iconic suicides in Western history. The life and works of Seneca pose a number of fascinating challenges. How can we reconcile his bloody, passionate tragedies with his prose works advocating a life of Stoic tranquility? Furthermore, how are we to reconcile Seneca the Stoic philosopher, the man of principle, who advocated a life of calm and simplicity, with Seneca the man of the moment, who amassed a vast personal fortune in the service of an emperor seen by many, at the time and afterwards, as an insane tyrant? In this vivid biography, Emily Wilson presents Seneca as a man under enormous pressure, struggling for compromise in a world of absolutism. The Greatest Empire: A Life of Seneca thusoffers us, in fascinating ways, the portrait of a man with all the fissures and cracks formed by the clash of the ideal and the real: the gulf between political hopes and fears, and philosophical ideals; the gap between what we want to be, and what we are.

    A. Kitchen, Journal of Near Eastern Studies “A reliable rendering of the Egyptian text that can be useful to students of Egyptology and provide the layman with delightful reading material.”—Mordechai Gilula, Cultura

    Placing the Roman conquest and occupation within the context of Romano-British society, this book incorporates the latest discoveries in order to reveal how Roman society in Britain functioned.

    Now in its 30th printing, this classic presents historical, archaeological, and anthropological evidence to support the theory that ancient Egypt was a black civilization.N.B (translation of sections of Antériorité des civilisations négres and Nations nègres et culture)

    In ancient monuments as far apart as Egypt’s Great Sphinx, the strange Andean ruins of Tihuanaco, and Mexico’s awe-inspiring Temples of the Sun and Moon, he reveals not only the clear fingerprints of an as-yet-unidentified civilization of remote antiquity, but also startling evidence of its vast sophistication, technological advancement, and evolved scientific knowledge. A record-breaking number one bestseller in Britain, Fingerprints of the Gods contains the makings of an intellectual revolution, a dramatic and irreversible change in the way that we understand our past—and so our future.And Fingerprints of the Gods tells us something more. As we recover the truth about prehistory, and discover the real meaning of ancient myths and monuments, it becomes apparent that a warning has been handed down to us, a warning of terrible cataclysm that afflicts the Earth in great cycles at irregular intervals of time—a cataclysm that may be about to recur.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    Not all the passages have survived, but in those that have the depth and diversity of genius are manifest. From a vicious, vituperative biography of Tiberius to the more straightforward accounts of Gaius (Caligula), Claudius and Nero, which reveal an extraordinary gift for pictorial description, the Annals carry conviction both as a work of art and as a history. Michael Grant's tranlation of The Annals is a fine one. It captures the emotional patriotism of Tacitus's moral tone, offset by a lucid understanding that Rome is doomed, and conveys with vigor the lives of the great emperors who laid the foundations of modern Europe.

    A few years ago, Mark Adams made a strange discovery: Everything we know about the lost city of Atlantis comes from the work of one man, the Greek philosopher Plato. Then he made a second, stranger discovery: Amateur explorers are still actively searching for this sunken city all around the world, based entirely on the clues Plato left behind. Exposed to the Atlantis obsession, Adams decides to track down these people and determine why they believe it’s possible to find the world’s most famous lost city and whether any of their theories could prove or disprove its existence. He visits scientists who use cutting-edge technology to find legendary civilizations once thought to be fictional. He examines the numerical and musical codes hidden in Plato’s writings, and with the help of some charismatic sleuths traces their roots back to Pythagoras, the sixth-century BC mathematician. He learns how ancient societies transmitted accounts of cataclysmic events—and how one might dig out the “kernel of truth” in Plato’s original tale.Meet Me in Atlantis is Adams’s enthralling account of his quest to solve one of history’s greatest mysteries; a travelogue that takes readers to fascinating locations to meet irresistible characters; and a deep, often humorous look at the human longing to rediscover a lost world.

    From lavish tomb paintings and imposing temple reliefs to humble household shrines, countless tributes throughout Egypt reflect the richness and complexity of their mythology. This book examines the evolution, worship, and eventual decline of the numerous gods and goddesses—from minor household figures such as Bes and Taweret to the all-powerful deities Amun and Rethat made Egypt the most completely theocratic society of the ancient world, and made Egyptians, according to Herodotus, "more religious than any other people."     • "Rise and Fall of the Gods" considers the origins of Egypt's deities, their struggles to control cosmic forces, and their eventual decline.     • "Nature of the Gods" examines the forms, appearances, and manifestations of the deities, as well as the transcendence of preeminent deities such as Amun.     • "Worship of the Gods" introduces the rituals and mysteries of formal Egyptian worship, including the importance of temples and festivals.     • "Kingship and the Gods" discusses the all-important position of the king, who served as a bridge between the gods and humanity.     • "The Many Faces of the Divine" is a unique catalogue of Egypt's gods and goddesses grouped according to their primary forms, discussing their iconography, mythology, and worship, and their influence over time.With hundreds of illustrations and specially commissioned drawings, this is a comprehensive and authoritative guide to the deities that lay at the heart of Egyptian religion and society.

    . . whom dreamers find always at the end of their dreams."-- Theophile Gautier, 1845Arrestingly beautiful and fiercely intelligent, Cleopatra VII of Egypt was barely more than a teenager when she inherited the richest empire in the world--one that stretched from the scorching deserts of lower Egypt to the shining Mediterranean metropolis of Alexandria, with its famed libraries, storehouses, and treasuries. Imperiled at every turn by court conspiracies and Roman treachery, the young queen was forced to flee Alexandria and live in exile while a foreign army overran her city and her own siblings plotted her downfall. With nothing to lose, Cleopatra brazenly sought a partnership with the only man who could secure Egypt's safety: Julius Caesar, a wily politician and battle-hardened general with a weakness for women. The result was a passionate love affair that scandalized Rome and thrust Cleopatra into the glittering but deadly world of imperial intrigue and warfare-- a world that she would mesmerize and manipulate even after Caesar was gone.At the height of her power and fame, Cleopatra fell in love with Caesar's protégé and successor, Marc Antony, a handsome general known as much for his drunken hedonism as for his victories in  battle. Brash, irresistible, and fatally unreliable, Antony's once-strong hold on the Roman Empire was slipping fast, and with it slipped Cleopatra's fortunes. When the tide had finally, irrevocably turned against her, the proud queen plotted a last, spectacular maneuver that was to save her children, her empire, and her place in the pantheon of gods. Colin Falconer's bold, sensuous prose takes the reader inside the walls of Alexandria's great palaces and into Cleopatra's very heart, creating a vivid portrait of an unforgettable woman who thrived and triumphed in a world ruled by men. This is the story of a legendary woman's most glorious time, a story that blazes through thousands of years of history to capture the imagination of readers today.From the Hardcover edition.

    In his capital at Constantinople he built the world's most beautiful building, married its most powerful empress, and wrote its most enduring legal code, seemingly restoring Rome's fortunes for the next five hundred years. Then, in the summer of 542, he encountered a flea. The ensuing outbreak of bubonic plague killed five thousand people a day in Constantinople and nearly killed Justinian himself. In Justinian's Flea, William Rosen tells the story of history's first pandemic plague seven centuries before the Black Death that killed tens of millions, devastated the empires of Persia and Rome, left a path of victims from Ireland to Iraq, and opened the way for the armies of Islam. Weaving together evolutionary microbiology, economics, military strategy, ecology, and ancient and modern medicine, Rosen offers a sweeping narrative of one of the great hinge moments in history, one that will appeal to readers of John Kelly's The Great Mortality, John Barry's The Great Influenza, and Jared Diamond's Collapse .

    Justinian, the great law-giver, appears as a hateful tyrant, wedded to an ex-prostitute, Theodora; and Belisarius, the brilliant general whose secretary Procopius had been, is seen as the pliable dupe of his wife Antonina, a woman as corrupt and scheming as Theodora herself.

    Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however, to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and–after his murder–three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra’s supple personality and the drama of her circumstances have been lost. In a masterly return to the classical sources, Stacy Schiff here boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order. Rich in detail, epic in scope, Schiff ‘s is a luminous, deeply original reconstruction of a dazzling life.

    to the 5th century A.D., including information that is hard to find and even harder to decipher. Clear, authoritative, and highly organized, Handbook to Life in Ancient Rome provides a uniquelook at a civilization whose art, literature, law, and engineering influenced the whole of Western Europe throughout the Middle Ages, the Renaissance, and beyond. The myriad topics covered include rulers; the legal and governmental system; architectural feats such as the famous Roman roads andaqueducts; the many Roman religions and festivals; the Roman system of personal names; contemporary poets and historians; even typical Roman leisure pursuits. Each chapter includes an extensive bibliography, as well as more than 125 site-specific photographs and line drawings. Maps chart theexpansion and contraction of the territory from the foundation city of Rome itself to the Byzantine Empire and the ultimate decline of the West.Combining both archaeological and historical evidence, the Handbook to Life in Ancient Rome is perfect for anyone interested in Roman history, the classics, or an overview of the amazing period in which the Romans ruled.