In the jungles of Malaysia, a mysterious buyer purchases deadly cavitation technology, built to his specifications. In Vancouver, a small research submarine is leased for use in the waters off New Guinea. And in Tokyo, an intelligence agent tries to understand what it all means. Thus begins Michael Crichton's exciting and provocative technothriller, State of Fear. Only Michael Crichton's unique ability to blend science fact and pulse-pounding fiction could bring such disparate elements to a heart-stopping conclusion. This is Michael Crichton's most wide-ranging thriller. State of Fear takes the reader from the glaciers of Iceland to the volcanoes of Antarctica, from the Arizona desert to the deadly jungles of the Solomon Islands, from the streets of Paris to the beaches of Los Angeles. The novel races forward, taking the reader on a rollercoaster thrill ride, all the while keeping the brain in high gear. Gripping and thought-provoking, State of Fear is Michael Crichton at his very best.

    The hunt is on for...ATLANTISMarine archaeologist Jack Howard has stumbled upon the keys to an ancient puzzle. With a crack team of scientific experts and ex–Special Forces commandos, he is heading for what he believes could be the greatest archaeological find of all time——the site of fabled Atlantis——while a ruthless adversary watches his every move and prepares to strike.But neither of them could have imagined what awaits them in the murky depths. Not only a shocking truth about a lost world, but an explosive secret that could have devastating consequences today. Jack is determined to stop the legacy of Atlantis from falling into the wrong hands, whatever the cost. But first he must do battle to prevent a global catastrophe.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Even worse, the police are mystified: the victims have nothing in common, defying all profiling, and all that connects them is that each received a sick postcard in the mail before they died - a postcard that announced their date of death. In desperation, the FBI assigns the case to maverick agent Will Piper, once the most accomplished serial killing expert in the bureau's history, now on a dissolute spiral to retirement. Battling his own demons, Will is soon drawn back into a world he both loves and hates, determined to catch the killer whatever it takes. But his search takes him in a direction he could never have predicted, uncovering a shocking secret that has been closely guarded for centuries. A secret that once lay buried in an underground library beneath an 8th Century monastery, but which has now been unearthed - with deadly consequences. A select few defend the secret of the library with their lives - and as Will closes in on the truth, they are determined to stop him, at any cost...Some crimes should never be solved; some secrets are best left buried.Secret of the Seventh Son is a debut thriller by Glenn Cooper about predestination and fate.

    ONE MAN PAYS THE PRICE.In response to the growing use of sophisticated digital encryption to conceal potential threats to the United States, the National Security Agency has ushered forth the new dawn of intelligence-gathering techniques. The top-secret initiative is dubbed Third Echelon. Its existence denied by the U.S. government, Third Echelon deploys a lone field operative. He is sharp, nearly invisible, and deadly. And he has the right to spy, steal, destroy, and assassinate to protect American freedoms.His name is Sam Fisher. He is a Splinter Cel®.

    But when a hit goes wrong and Schumann is nabbed, he’s offered a stark choice: kill Reinhard Ernst, the man behind Hitler’s rearmament scheme, and walk free forever—or be sent to Sing-Sing and the electric chair.The instant Paul sets foot in Berlin his mission becomes a deadly cat-and-mouse chase, with danger and betrayal lurking at every turn. For the next forty-eight hours, as the city prepares for the coming summer Olympics, Schumann stalks Ernst, while a dogged criminal police officer and the entire Third Reich security apparatus search frantically for the American. Packed with fascinating period detail and featuring a cast of perfectly realized local characters, Olympic athletes, and senior Nazi officials—some real, some fictional—Garden of Beasts dishes up breathtaking action, a wrenching look at Nazi-era Berlin, and a series of stunning plot twists. It is classic Deaver. (And there is also a slight Lincoln Rhyme connection for the discerning reader to find.)

    In the first a doctor has to confront his father's killer, in the second a detective investigates a series of horrific murders, and in the third an international organization devises a masterplan of apocalyptic dimensions.

    The ruins of the technologically-advanced, eerily-enigmatic ancient civilization promise their discoverer fame, fortune, and power... but hold earth-shattering secrets about the origin of man.While world-famous linguist and archaeologist, Thomas Lourds, is shooting a film that dramatizes his flamboyant life and scientific achievements, satellites spot impossibly ancient ruins along the Spanish coast. Lourds knows exactly what it means: the Lost Continent of Atlantis has been found. The race is on, and Lourds' challengers will do anything to get there first.Whoever controls the Lost Continent will control the world.

    No one knew why Aprile, the last great American Don, had adopted Astorre Viola many years before in Sicily; no one suspected how he had carefully trained him ... and how, while the Don's children claimed respectable careers in America, Astorre Viola waited for his time to come.Now his time has arrived. The Don is dead, his murder one bloody act in a drama of ambition and deceit --- from the deadly compromises made by an FBI agent to the greed of two crooked NYPD detectives and the frightening plans of a South American Mob kingpin. In a collision of enemies and lovers, betrayers and loyal soldiers, Astorre Viola will claim his destiny. Because after all these years, this moment is in his blood ...

    Within hours Lang is butting heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femmes fatales, whilst trying to save a beautiful lady ...and prevent an international bloodbath to boot.

    And in the air, a lone plane struggles to reach its destination. Over the course of seven pulse-pounding hours, a tense human drama plays out as a brilliant airport manager, an arrogant pilot, a tough maintenance man, and a beautiful stewardess strive to avert disaster.Featuring a diverse cast of vibrant characters, Airport is both a realistic depiction of the airline industry and a novel of nail-biting suspense.

    For Faith has done too much, knows too much, and will tell too much. Feared by some of the most powerful men in the world, Faith has been targeted to die. But when a private investigator walks into the middle of the assassination attempt, the shooting suddenly goes wrong, and an FBI agent is killed. Now Faith Lockhart must flee for her life--with her story, her deadly secret, and an unknown man she's forced to trust...

    Twenty-six-year-old Nicholai Hel has spent the last three years in solitary confinement at the hands of the Americans. Hel is a master of hoda korosu, or "naked kill," is fluent in seven languages, and has honed extraordinary "proximity sense"-an extra-awareness of the presence of danger. He has the skills to be the world's most fearsome assassin and now the CIA needs him.The Americans offer Hel freedom, money, and a neutral passport in exchange for one small service: to go to Beijing and kill the Soviet Union's commissioner to China. It's almost certainly a suicide mission, but Hel accepts. Now he must survive chaos, violence, suspicion, and betrayal while trying to achieve his ultimate goal of satori-the possibility of true understanding and harmony with the world.

    It's 318 BC in the deserts of Libya, and Alexander the Great is buried as only a God should be, placed in a Crystal Sarcophagus in a catacomb of chambers, each packed with diamonds, rubies and gold. This was how he should have remained, but time waits for no-one. It's 2007 and underwater archaeologist Daniel Knox has been on the trail of Alexander's Gold ever since he can remember. When a tomb is uncovered on the construction site of a new hotel, Daniel believes he has found the clue to what he has been working towards for years. But the discovery has alerted two of the most dangerous men in the world, and Daniel is now a marked man.

    Now in Jerusalem, she mediates peace talks between Israel and Palestine, which have broken down after two high-profile deaths. Right-wing Zionist Shimon Guttman was gunned down during a supposed attempt to assassinate the Israeli prime minister. "This will change everything," Guttman had cryptically warned the prime minister before he was killed. Palestinian Ahmed Nour, a respected archaeologist, has also been killed on suspicions of being a collaborator. When Maggie discovers that the two men were colleagues, she is plunged into a mystery rooted in an unsolved riddle of the Bible. It all leads back to an ancient clay tablet looted from Baghdad's Museum of Antiquities and a secret that could end a war-or spark a new one.