Readers who know Milan Kundera’s earlier books know that the wish to incorporate an element of the “unserious” in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author’s wife, says to her husband: “you’ve often told me you meant to write a book one day that would have not a single serious word in it…I warn you: watch out. Your enemies are lying in wait.”Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

    

    While driving home exhausted, the boys are involved in a fatal car accident on a deserted road. Two of the boys are wearing seat belts; one goes through the windshield. The doctors declare him brain-dead shortly after arriving at the hospital, but his heart is still beating.The Heart takes place over the twenty-four hours surrounding the resulting heart transplant, as life is taken from a young man and given to a woman close to death. In gorgeous, ruminative prose, it examines the deepest feelings of everyone involved as they navigate decisions of life and death.As stylistically audacious as it is emotionally explosive, The Heart mesmerized readers in France, where it has been hailed as the breakthrough work of a new literary star. With the precision of a surgeon and the language of a poet, de Kerangal has made a major contribution to both medicine and literature with an epic tale of grief, hope, and survival.

    He was also a French translator of American hard-boiled crime novels. One of his discoveries was an African-American writer by the name of Vernon Sullivan. Vian translated Sullivan's I Spit on Your Graves. The book is about a 'white Negro' who acts out an act of revenge against a small Southern town, in repayment for the death of his brother, who was lynched by an all white mob. Upon its release, I Spit on Your Graves became a bestseller in France, as well as a instruction manual for a copycat killer whose copy of I Spit on Your Graves was found by the murdered body of a prostitute with certain violent passages underlined. A censorship trail also came up where Sullivan as the author was held responsible for the material. It was later disclosed that Vian himself wrote the book and made up the identity of Vernon Sullivan! This edition is a translation by Vian, that was never published in America. I Spit on Your Graves is an extremely violent sexy hard-boiled novel about racial and class prejudice, revenge, justice, and is itself a literary oddity due to the fact that it was written by a jazz-loving white Frenchman, who had never been to America.

    Naïma's father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind--including their secrets.The Algerian War for Independence sent Naïma's grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma's family fit into this history? How do they fit into France's future?Alice Zeniter's The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people's history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

    Slowly regaining vague memories of a man and young child, she vows to piece her life back together--though she can't help but feel she may be in danger. A budding friendship with the chef of a charming nearby restaurant takes her mind off of her foggy past, as does a startling mystery from decades prior...In Nazi-occupied Paris, young widow Celine lives a quiet life with her father, the local florist, and her daughter, Cosi. When a ruthless German officer discovers the family's Jewish ancestry, he blackmails Celine, forcing her to become his mistress in exchange for the others' safety. The trio plans an escape, but their mission goes horribly awry and Celine's beloved father and daughter are sent away to a cruel fate. Initially distraught, Celine fears the worst. Yet she soon discovers that Cosi has snuck away and followed her into captivity. More motivated than ever, Celine must now fight to hide and protect the person she loves most.Parallel timelines intersect when Caroline discovers Celine's diary tucked away in a closet, and it is revealed that the walls of her apartment harbor dark secrets. With the help of a local student from the Sorbonne, she realizes that she may have more in common with Celine than she could ever imagine.

    But he has found a way to break the cycle—Bilodo has taken to stealing people's mail, steaming open the envelopes, and reading the letters inside. And so it is he comes across Ségolène's letters. She is corresponding with Gaston, a master poet, and their letters are each composed of only three lines. They are writing each other haikus. The simplicity and elegance of their poems move Bilado and he begins to fall in love with her. But one day, out on his round, he witnesses a terrible and tragic accident. Just as Gaston is walking up to the post-box to mail his next haiku to Ségolène, he is hit by a car and dies on the side of the road. And so Bilodo makes an extraordinary decision—he will impersonate Gaston and continue to write to Ségolène under this guise. But how long can the deception continue for? Denis Thériault weaves a passionate and elegant tale, comic and tragic with a love story at its heart.

    But I’m not dead yet. I still need to keep things interesting. Sylvie, too. I mean, we’re kids, hospice-hostages or not. We freak out visitors; I get my uncle to sneak me out for one insane Halloween night. Stuff like that. And Sylvie wants to make things even more interesting. That girl’s got big plans.Only Sylvie’s father is so nuclear-blasted by what’s happened to his little girl, he glows orange, I swear. That’s one scary man, and he’s not real fond of me. So we got a major family feud going on, right here in hospice. DO NOT CROSS line running down the middle of the hall, me on one side, her on the other. It’s crazy.In the middle of all of this, really, there’s just me and Sylvie, a guy and a girl. And we want to live, in our way, by our own rules, in whatever time we’ve got. We will pack in some living before we go, trust me.

    One of Molière's best-known plays, Don Juan was written while Tartuffe was still banned on the stages of Paris, and shared much with the outlawed play. Modern directors transformed Don Juan in every new era, as each director finds something new to highlight in this timeless classic. Richard Wilbur's flawless translation will be the standard for generations to come, as have his translations of Molière's other plays. Witty, urbane, and poetic in its prose, Don Juan is, most importantly, as funny now as it was for audiences when it was first presented.About the translator:Richard Wilbur, National Book Award winner, is one of America's great living poets. He has won every major literary award (including two Pulitzer Prizes) and has a devoted poetry following, and is anthologized in every important volume on the subject. He is a member of the American Institute of Arts and Letters, the American Academy of Arts and Sciences, and the Academy of American Poets. He has written, translated, and/or edited twenty-five books.

    He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men.A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon upon himself a curse that will destroy his entire dynasty ...

    The creator of the Arthurian romance as a genre, Chrétien is revealed in this work as a witty, versatile writer who mastered both the soaring flight of emotion and the devastating aside and was as skillful a debater of the finer points of love as he was a describer of battles.

    Sagan's second novel tells the story of Dominique, a bored twenty-year-old law student at the Sorbonne in mid-1950's Paris, who embarks on a love affair with a middle-aged man.

    While Jeremy can’t remember the previous year, he savors the miracle of waking up alongside the woman he loves.The next time he wakes, another year has passed and he finds himself a spectator of his own life. Victoria now carries his child, but the man alongside her is a disturbingly different person—a cruel, egotistical, seemingly unknowable Jeremy. Is it amnesia? Insanity? Or has the God Jeremy defied with his selfish act now cursed him?This strange and beautiful novel tells the tale of a man lost between life and death, but connected by the love—as friend, lover, son, and father—given and taken over the course of a lifetime, a love that simply won’t let go.

    The first takes place in the desert between 1909 and 1912 and evokes the migration of a young adolescent boy, Nour, and his people, the Blue Men, notorious warriors of the desert. Driven from their lands by French colonial soldiers, Nour's tribe has come to the valley of the Saguiet El Hamra to seek the aid of the great spiritual leader known as Water of the Eyes. The religious chief sends them out from the holy city of Smara into the desert to travel still further. Spurred on by thirst, hunger, and suffering, Nour's tribe and others flee northward in the hopes of finding a land that can harbor them at last.The second narrative relates the contemporary story of Lalla, a descendant of the Blue Men. Though she is an orphan living in a shantytown known as the Project near a coastal city in Morocco, the blood of her proud, obstinate tribe runs in her veins. All too soon, Lalla must flee to escape a forced marriage with an older, wealthy man. She travels to France, undergoing many trials there, from working in a brothel to success as a highly paid fashion model, but she never betrays the blood of her ancestors.

    'A work of genius ... jaw-dropping' Daily Express.Ends with one of the most reverberating shocks in modern crime fiction' Sunday TimesThis is the story of thirteen days that begin with one murder and end with another. Jérôme Morval, a man whose passion for art was matched only by his passion for women, has been found dead in the stream that runs through the gardens at Giverny, where Monet did his famous paintings. In Jérôme's pocket is a postcard of Monet's Water Lilies with the words: Eleven years old. Happy Birthday. Entangled in the mystery are three women: a young painting prodigy, the seductive village schoolteacher and an old widow who watches over the village from a mill by the stream. All three of them share a secret. But what do they know about the discovery of Jérôme Morval's corpse? And what is the connection to the mysterious Black Water Lilies, a rumoured masterpiece by Monet that has never been found...'This elegant crime mystery shimmers as delicately as the paintings of Claude Monet that lie at its heart . . . A bestseller in France, it is a dazzling, unexpected and haunting masterpiece' Daily MailAn enchanting tale that kept me absolutely hooked as Bussi cleverly breaks all the perceived rules of plotting in a story containing riddles within riddles . . . stunning' Daily Express