Winner of Poetry Magazine’s Levinson Prize, an illuminating collection from the middle of his career, Raymond Carver’s poems “function as distilled, heightened versions of his stories, offering us fugitive glimpses of ordinary lives on the edge” (Michiko Kakutani, The New York Times).

    Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.

    It is an anthology of twenty fascinating writers you will be hearing more from, chosen by panel of judges who are all acclaimed writers themselves: Paul Beatty, Patrick DeWitt, A.M. Homes, Kelly Link, Ben Marcus and Sigrid Rausing.

    THE SINNER AND THE SAINT is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story--and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic.The germ of CRIME AND PUNISHMENT came from the sensational story of Pierre Fran�ois Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov.Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good.The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love.Dostoevsky's great subject was self-consciousness. CRIME AND PUNISHMENT advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. THE SINNER AND THE SAINT now gives us the thrilling and definitive story of that triumph.

    He may look and sound privileged, but Eph is right out of gun-rack, Bible-thumping rural Alabama. His beloved Devon, though, has become a place of warring tribes, and there are landmines waiting for Eph that he is unequipped to see. The cultural rules are changing fast.Lulu Harris is an entitled freshman—er, firstyear—from Manhattan. Her singular ambition is to be a prominent socialite – an “It Girl.” While most would kill for a place at Devon, to her college is a dreary impediment. She is pleasantly surprised to find some people she can tolerate in the Fellingham Society, a group of self-professed campus monarchists. When things become socially difficult, Lulu is forced to re-channel her ambition in a most unexpected way – as a militant feminist. In the process, she and Eph will find their fates at odds.Also in the mix is Red Wheeler, who is in his seventh year at Devon, and is carefully managing his credits to stay longer. As the alpha dog atop Devon’s progressive hierarchy, Red is the most “woke” guy on campus. But when his position is threatened, he must take measures.All paths collide in a riotous climax. Campusland is a timely and gleeful skewering of the modern American campus and its tribal culture.

    A man of privilege, Carlo gives up everything to learn life lessons that he later puts to use in the service of God, church, and his fellow man.

    Unfortunately, that was before two dudes wielding high-tech gadgets made off with both his kegs and his brother. Now Clyde has to hunt down his sibling with only his most trusted lackey along to help. Will he manage to recover both his beer and Dougie? Will they survive the night as they unveil the mysterious secret of the kidnappers? Will the Earth be destroyed thanks to their bumbling incompetence? Probably that last one, but you’ll have to read it to find out.

    aIam reading the OED so you donat have to. If you are interested in vocabulary that is both spectacularly useful and beautifully useless, read on...a So reports Ammon Shea, the tireless, word-obsessed, and more than slightly masochistic author of Reading the OED, The word loveras Mount Everest, the OED has enthralled logophiles since its initial publication 80 years ago. Weighing in at 137 pounds, it is the dictionary to end all dictionaries. In 26 chapters filled with sharp wit, sheer delight, and a documentarianas keen eye, Shea shares his year inside the OED, delivering a hair-pulling, eye-crossing account of reading every word, and revealing the most obscure, hilarious, and wonderful gems he discovers along the way.

    He tries to do everything right according to the standard American success story - but life is not a straight line for him. He stars in high school sports, but has to abandon his athletic ambitions to go to work. He labors hard at the local filling station and works his way up to buying it, but is frustrated by obstacles in his way. He meets a rich and beautiful older woman who takes him into her bed, and has the misfortune to witness her child's mysterious murder. He marries his childhood sweetheart, and finds himself on a battleground that lies between desire and responsibility. While nothing turns out as Reuben expects, his incredible spirit and core of strength, his refusal to break down or cave in, is evidenced by his readiness to love again after he meets the beautiful Pearl. And his struggle to become the person he had envisioned gives insight into what it costs him to become a man in a world he never made but learns to accept. Moving from the still landscape of the Fifties and through the riven fault lines of the Sixties and Seventies, The Book of Reuben explores the contours of time and place. Nodd's Ridge and its people come alive as Tabitha King's deeply involving novel captures the searing, gritty reality of small-town America. Bristling with explosive emotions and filled with anger, love, confrontation, and reconciliation, it touches a common nerve and casts a light on our own lives.

    He explores the boundaries of human fallibility both in candid personal poems, such as the title piece—a plea for his father, a victim of Alzheimer’s wandering the hallway at night—and in his passionate encounters with classic poetic texts, as when Dante’s Inferno enters his bedroom:When you read Canto Five aloud last night in your naked, singsong, fractured Italian, my sweet compulsion, my carnal appetite, I suspected we shall never be forgiven for devouring each other body and soul . . . From the lighting of a Yahrzeit candle to the drawings by the children of Terezin, Hirsch longs for transcendence in art and in the troubled history of his faith. In “The Hades Sonnets,” the ravishing series that crowns the collection, the poet awakens full of grief in his wife’s arms, but here as throughout, there is a luminous forgiveness in his examination of our sorrows. Taken together, these poems offer a profound engagement with our need to capture what is passing (and past) in the incandescence of language.From the Hardcover edition.

    Although his characters continue to revolt against the received instructions of modern American living - refusing to be dunked in what Saul Bellow has called the "marinade of correctness" - their concerns are less for independence than for the maintenance of sanity itself. Emotional estrangement seems both inevitable and worth fighting against to the middle-aged heroine of the O. Henry prizewinner "Trick or Treat"; to the unmistakably American roofer of "Wayne" (who was introduced in "Typical" ); to the deserted husband, father, and non-vet of "Dump"; and to the fantastic heroes in three stories grouped as "All Along the Watchtower.

    His nurse, charged with the twenty-four-hour care of his patient, is blissfully unaware that his colleagues are using their various positions to skim money, in extraordinarily creative ways, from the top of their employer’s seemingly inexhaustible riches.But when a family tragedy means that the nurse suddenly needs to find a fantastical sum of money fast, the dacha’s chef lets him in on the secret world of backhanders and bribes going on around him, and opens his eyes to a brewing war between the staff and the new housekeeper, the ruthless new sheriff in town.A brilliantly cast modern-day Animal Farm, The Senility of Vladimir P. is a coruscating political fable that shows, through an honest man slipping his ethical moorings, how Putin has not only bankrupted his nation economically, but has also diminished it culturally and spiritually. It is angry, funny, page-turning, and surprisingly moving.

    Replacing the slim volume which introduced Stevie Smith to American readers, New Selected Poems is chronologically arranged and contains 165 poems along with many of the author's doodles.