In “Vortex,” by Gregory Benford, astronauts find a once thriving microbial lifeform that carpets the caves of Mars dying off. A code monkey tracks down the vain creator of a pernicious software virus that people jack cerebrally in “RedKing,” by Craig DeLancey. In “Number Nine Moon,” by Alex Irvine, illicit scavengers on Mars are on a rescue mission to save themselves after one of their team members dies. A young girl’s thirst for vengeance becomes a struggle for survival when she is swallowed by a gigantic sea creature on an alien planet in “Of the Beast in the Belly,” by C.W. Johnson. In “The Seventh Gamer,” by Gwyneth Jones, a writer immerses herself into a MMORPG community to search for characters being played by real aliens from other worlds. A woman armed with a rifle stalks a herd of cloned wooly mammoths in British Columbia in “Chasing Ivory,” by Ted Kosmatka. In “Fieldwork,” by Shariann Lewitt, a volcanologist struggles with her research on Europa where both her mother and grandmother suffered dire consequences. A daughter pays homage to her mother with mega-engineering projects to deal with climate change over eons in “Seven Birthdays,” by Ken Liu. In “The Visitor from Taured,” by Ian R. MacLeod, a cosmologist in the near future is obsessed with proving his theory of multiverses. The citizens of a small town on a “Jackaroo” planet object to a corporation placing a radio telescope near local alien artifacts in “Something Happened Here, But We’re Not Quite Sure What It Was,” by Paul McAuley. And finally, in “Sixteen Questions for Kamala Chatterjee,” by Alastair Reynolds, a graduate student defends her dissertation on a solar anomaly that threatens humanity.

    How does this technology impact a person's feeling of self-worth? What if different countries have different ethics for what robots may or may not do?

    I grow my ears, extend cups of near-frozen tissue from the sides of my head, turn like a living antennae in search of the best reception.The Things has been published 28 separate times and translated 3 times.See www dot isfdb dot org/cgi-bin/title.cgi?1077522

    By day, he teaches literature. At night, he steals it. Adam is a plagiarist, an expert reader with an eye for great works. He prowls simulated worlds perusing virtual texts, looking for the next big thing. And when he finds it, he memorizes it page by page, line by line, word for word. And then he brings it back to his world. But what happens when these virtual worlds begin to seem more real than his own? What happens when the people within them mean more to him than flesh and blood? What happens when a living thing falls in love with someone who does not actually exist?

    A collection of science fiction stories written by acclaimed author Poul Anderson.Poul Anderson is best known for sci-fi adventure stories in which larger-than-life characters succeed gleefully or fail heroically. Anderson's also famous for writing 'Call Me Joe' (not included in this volume) which featured the premise of a paralyzed man whose mind is remotely controlling an alien body. This same theme also appears in James Cameron's 2009 movie "Avatar" – similar enough that some reviewers are calling for Anderson to receive some form of credit.Included in this volume:Story One: Duel on SyrtisBold and ruthless, he was famed throughout the System as a big-game hunter. From the firedrakes of Mercury to the ice-crawlers of Pluto, he'd slain them all. But his trophy-room lacked one item; and now Riordan swore he'd bag the forbidden game that roamed the red deserts ... a Martian!Story Two: SecurityIn a world where Security is all-important, nothing can ever be secure. A mountain-climbing vacation may wind up in deep Space. Or loyalty may prove to be high treason. But it has its rewards...Story Three: The Valor of Cappen VarraWe have said that there are many and strange shadows, memories surviving from dim pasts, in this fantastic universe of ours...Story Four: Industrial RevolutionEver think how deadly a thing it is if a machine has amnesia—or how easily it can be arranged…Story Five: The Sensitive ManOne man stood between a power-hungry cabal and world mastery--but a man of unusual talents...These are the original and unabridged versions of these classic science fiction treasures. A must-have for fans of classic sci-fi!

    Anderson's The Saga of Shadows: The Dark Between the StarsThis is a slightly edited extract from the first quarter of The Dark Between the Stars, corresponding to chapters 1-2, 6-7, 11-12, 17-19, 22-23, 27-28, 37.

    "First Flight" is a finalist for the 2010 Locus Award.The winner of the 2008 John W. Campbell Award for Best New Writer, Mary Robinette Kowal is the author of short fiction published in Strange Horizons, Cosmos, and Asimov's. Her first novel, Shades of Milk and Honey, will be published by Tor in 2010.

    But the laws of our charter prevent me and I am bound by oath to obey those laws; laws made, not by our own Guild-mothers, but by men who fear what we might have to say to their women!

    Gabriel Kane goes from a struggling architect to one of the most powerful men in the world; Armonía Solorsano -- a young Hispanic girl who grew up in a dilapidated suburban McMansion-turned-tenement -- invents one of the most important and influential pieces of technology in history; a non-profit organization goes from a charity to a decentralized domestic terrorist group; and the greatest democracy in the world finds itself falling into the ever-tightening grip of a dictator.As five people come together with the shared goal of changing the world, they discover that their approaches are fundamentally and irreconcilably at odds. Their partnership becomes a bitter political and high-tech rivalry from which only one of them can emerge.This novella by Christian Cantrell (about 16,000 words) portrays an intersection of politics and technology which is both extremely relevant, and frighteningly feasible.

    Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Semley's Necklace" is a short story originally published in the collection The Wind's Twelve Quarters.

    The inner dimensions are at odds with the outer; there are different chambers to be breached, some containing deserted cities; and the furthest chamber contains the greatest mystery ever to confront the Stone's scientists.EternityHere, from the other side of time, come: THISTLEDOWN, the asteroid starship of a future that is not quite our future; GAIA, a parallel reality where Alexander the Great's empire has ruled for two thousand years; and THE WAY, an infinite corridor through space-time which traverses and encompasses whole universes. And as the strands of these mysteries are unravelled, so the ordering and the end of mankind -- and our entire Universe -- come into question.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    The planet’s dense, impenetrable atmosphere makes it unclear if the beacon is a distress signal, an invitation—or a warning to stay away. Spock, Doctor McCoy, and Chekov are part of a team sent to investigate, but an unexpected catastrophe forces a crash landing. Now the landing party is stranded on a hostile world, unable to communicate with the Enterprise. While Captain Kirk and Saavik race to locate the lost crew, a badly wounded Spock struggles to keep McCoy and the others alive until they can be rescued, even if that means making an unthinkable sacrifice...

    Just like all of you have heard.”Dennison has tried to follow in his perfect brother’s footsteps in the service of the Imperial Fleet, but has been met only with failure after failure. Why do his father and even the emperor himself still have so much faith in in his potential?