In this remarkable narrative, the life of Auschwitz's Angel of Death is told in counterpoint to the lives of the survivors, who until now have kept silent about their heinous death-camp ordeals.

    They met on the Paris Metro and fell in love, and became famous when Beate slapped the face of the West German chancellor--a former Nazi--Kurt Georg Kiesinger.For the past half century, Beate and Serge Klarsfeld have hunted, confronted, prosecuted, and exposed Nazi war criminals all over the world, tracking down the notorious torturer Klaus Barbie in Bolivia and attempting to kidnap the former Gestapo chief Kurt Lischka on the streets of Cologne. They have been sent to prison for their beliefs and have risked their lives protesting anti-Semitism behind the Iron Curtain in South America and in the Middle East. They have been insulted and exalted, assaulted and heralded; they've received honors from presidents and letter bombs from neo-Nazis. They have fought relentlessly not only for the memory of all those who died in the Holocaust but also for modern-day victims of genocide and discrimination across the world. And they have done it all while raising their children and sustaining their marriage.Now, for the first time, in Hunting the Truth, a major memoir written in their alternating voices, Beate and Serge Klarsfeld tell the thrilling story of a lifetime dedicated to combating evil.

    The book chronicles Virski's experiences as a soldier in the Ukraine and Central Asia, describing the hardships, his comrades-in-arms, the food, clothing, and interactions with officers and the NKVD (secret police). When war with Germany breaks-out, Virski witnesses scenes of brutality and is caught in fierce fighting, where he is wounded and hospitalized. Following his recovery, he eventually makes his way back to his native Poland. My Life in the Red Army is impressive for its straightforward style yet tinged with a sense of humor towards his situation.

    That is, however, until he took it upon himself to attempt to assassinate the Führer, Adolph Hitler. Being a common man who opposed the Nazi regime, Elser took the skills from his craft and worked to assemble his own bomb detonator. Every night, he snuck out to the Munich Beer Hall, where he worked on assembling the bomb that he planned to use to kill Hitler. Hidden in a hollowed-out space near the speaker’s podium, Elser’s bomb went off successfully, killing eight people. Hitler was not one of them. This is the story, scene by scene, of the events that led up to Georg Elser taking justice into his own hands, his attempt to murder the Führer, and what happened after the bomb went off. The Lone Assassin is a powerfully gripping tale that places the reader in the dark days of Munich in 1939, following Elser from the Munich Beer Hall, across the border, and sadly, to the concentration camp where his heroic life ended.

    This book presents a series of letters which offer an insight into the life of this woman under persecution in the Nazi regime.

    Culminating in Hitler's historic climb to totalitarian reign, this period marks his progression through the shifting political maze of the Weimar Republic and the tumultuous rise of the Nazi Party. Far from an irresistible force of politics, Hitler's passage was one underscored by personal power plays, economic instability, gloating triumphs, and near failures. A political chapter that spans Germany's wobbly recovery from World War I through years of growing prosperity and crippling depression, this period marks Hitler's unrelenting struggle for control over his radical, raucous movement. It includes brushes with power and quests for revenge, non-stop electioneering and American-style campaign tactics and, for Hitler, moments of immense success and feared humiliation. Following an improbable, serpentine journey, The Unfathomable Ascent is a complex story with one dangerous climax: Hitler's sweeping ascent into political power, and the western world's descent into historic darkness.

    Caught there by the outbreak of the Second World War, he was unable to return to his parents for seven years. In due course, he was called to serve in an anti-aircraft battery and in the National Labour Service. Just after his eighteenth birthday, he was sent to the Russian Front with the elite Paratrooper and Tank Division, Hermann Göring. He lived through an amazing series of events, escaping death many times and was one of the few survivors of his division when the war ended. In this narrative of his early life, John Stieber describes how he went from a carefree childhood through increasing hardships, until every day of his life became a challenge for survival.

    But this is Nazi Germany in 1933, and things like love don’t count for much any more. Netanel Rosenberg never expected Marie Helder to stand by him. He told her not to, it was too dangerous. She should forget about him. Even when he is the last Jew left in the town, hiding away in secret, still she will not abandon him. Her last words to him, when he is finally discovered: “Whatever happens, don’t give up – live for me.” Through the nightmare of the holocaust, Netanel clings to the promise he made her. But neither he or Marie can imagine what fate has in store for each of them – and what they will have to do to keep their promise to each other.

    Grove. Photos throughout.

    In October 1940, as the storm clouds of World War II gathered, the SS Atlantic set sail for Palestine. A condemned and overcrowded ship, it was overflowing with bedraggled Jewish refugees who, having bought their way out of Nazi Germany and Austria, hoped to find safety from the concentration camps that had begun to claim their brethren. But they were not destined to find the shelter they sought. In this poignant novel, Hanna Sommerfeld recalls her long-ago voyage on the Atlantic—a journey plagued by epidemics and food shortages that led not to freedom but, improbably, to incarceration in a British penal colony off the eastern coast of Africa. For Hanna, it would also lead to a heartbreaking loss. Weaving Hanna’s current life with her son’s family in Haifa, Israel, with her memories of marriage and her coming-of-age in the jungles of Mauritius, Boat of Stone is a unique Holocaust story that not only reveals a little-known chapter of history, but also introduces one of the most unforgettable characters you are likely to meet: a gritty, humorous, wise, and adventurous woman who refuses to become a victim. It is “a splendid novel” from National Book Award finalist Maureen Earl, author of Gulliver Quick (Milwaukee Journal Sentinel).

    a great tale with a deep message' George Robertson 'a thrilling escapade' Bournemouth Echo At the age of nineteen, Glasgow-born John McCallum signed up as a Supplementary Reservist in the Signal Corps. A little over a year later, he was in France, working frantically to set up communication lines as Europe once more hurtled towards war. Wounded and captured at Boulogne, he was sent to the notorious Stalag VIIIB prison camp, together with his brother, Jimmy, and friend Joe Harkin. Ingenious and resourceful, the three men set about planning their escape. With the help of Traudl, a local girl, they put their plan into action. In an astonishing coincidence, they passed through the town of Sagan, around which the seventy-six airmen of the Great Escape were being pursued and caught. However, unlike most of these other escapees, John, Jimmy and Joe eventually made it to freedom. Now, due to the declassification of documents under the Official Secrets Act, John McCallum is finally able to tell the thrilling story of his adventure, in which he recaptures all the danger, audacity and romance of one of the most daring escapes of the Second World War.

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    Five years later, Anna packed her bags and walked out on Armand, taking the typewriter and their children. Aside from one brief encounter, the two never saw or spoke to each other again, never remarried, and never revealed what had divided them forever.A Fifty-Year Silence is the deeply involving account of Miranda Richmond Mouillot's journey to find out what happened between her grandmother, a physician, and her grandfather, an interpreter at the Nuremberg Trials, who refused to utter his wife's name aloud after she left him.  To discover the roots of their embittered and entrenched silence, Miranda abandons her plans for the future and moves to their stone house, now a crumbling ruin; immerses herself in letters, archival materials, and secondary sources; and teases stories out of her reticent, and declining, grandparents.  As she reconstructs how Anna and Armand braved overwhelming odds and how the knowledge her grandfather acquired at Nuremberg destroyed their relationship, Miranda wrestles with the legacy of trauma, the burden of history, and the complexities of memory.  She also finds herself learning how not only to survive but to thrive – making a home in the village and falling in love.With warmth, humor, and rich, evocative details that bring her grandparents' outsize characters and their daily struggles vividly to life, A Fifty-Year Silence is a heartbreaking, uplifting love story spanning two continents and three generations.

    Bernard Wasserstein’s original and provocative book presents a new and disturbing interpretation of the collapse of European Jewish civilization even before the Nazi onslaught.On the Eve is the portrait of a world on the brink of annihilation. In this provocative book, Bernard Wasserstein presents a new and disturbing interpretation of the collapse of European Jewish civilization even before the Nazi onslaught. In the 1930s, as Europe spiraled toward the Second World War, the continent’s Jews faced an existential crisis. The harsh realities of the age—anti-Semitic persecution, economic discrimination, and an ominous climate of violence—devastated Jewish communities and shattered the lives of individuals. The Jewish crisis was as much the result of internal decay as of external attack. Demographic collapse, social disintegration, and cultural dissolution were all taking their toll. The problem was not just Nazism: In the summer of 1939 more Jews were behind barbed wire outside the Third Reich than within it, and not only in police states but even in the liberal democracies of the West. The greater part of Europe was being transformed into a giant concentration camp for Jews. Unlike most previous accounts, On the Eve focuses not on the anti-Semites but on the Jews. Wasserstein refutes the common misconception that they were unaware of the gathering forces of their enemies. He demonstrates that there was a growing and widespread recognition among Jews that they stood on the edge of an abyss. On the Eve recaptures the agonizing sorrows and the effervescent cultural glories of this last phase in the history of the European Jews. It explores their hopes, anxieties, and ambitions, their family ties, social relations, and intellectual creativity—everything that made life meaningful and bearable for them. Wasserstein introduces a diverse array of characters: holy men and hucksters, beggars and bankers, politicians and poets, housewives and harlots, and, in an especially poignant chapter, children without a future. The geographical range also is vast: from Vilna (the “Jerusalem of the North”) to Amsterdam, Vienna, Warsaw, and Paris, from the Judeo-Espagnol-speaking stevedores of Salonica to the Yiddish-language collective farms of Soviet Ukraine and Crimea. Wasserstein’s aim is to “breathe life into dry bones.” Based on comprehensive research, rendered with compassion and empathy, and brought alive by telling anecdotes and dry wit, On the Eve offers a vivid and enlightening picture of the European Jews in their final hour.

    Hoffmann published his first book of photographs in 1919, following his work as an official photographer for the German army. In 1920 he joined the Nazi Party, and his association with Hitler began.He became Hitler's official photographer and traveled with him extensively. He took over two million photographs of Hitler, and they were distributed widely, including on postage stamps, an enterprise that proved very profitable for both men. Hoffmann published several books on Hitler in the 1930s, including The Hitler Nobody Knows (1933). Hoffmann and Hitler were very close, and he acted not only as a personal confidante - his memoirs include rare details of the F�hrer - but also as a matchmaker - it is Hoffmann who introduced Eva Braun, his studio assistant, to Hitler.At the end of the war, Hoffmann was arrested by the US military, who also seized his photographic archive, and was sentenced to imprisonment for Nazi profiteering.This edition of a classic book includes photographs by Hoffmann and a new introduction by Roger Moorhouse.