Confident. Powerful.” takes the reader on an emotive journey of empowerment through life’s countless triumphs and tribulations. Above all else, it inspires one to tap into their infinite potential so they can overcome any obstacle that appears on their unique path. Through heartfelt storytelling, alliterative diction, and soul-awakening themes, this empathic poetess instills each reader with an unwavering sense of perseverance, courage, and compassion. This uplifting book is more than a mere collection of poetic musings, it serves as a powerful tool of self-love and personal transformation that belongs on every fierce soul’s bookshelf—or better yet, on their nightstand for their daily dose of inspiration each time they rise. The collection offers poems for women and men urging us to stretch and grow to our fullest potential. The empowering prose offers encouraging words with a call to action to harness our self-confidence to achieve the goals we were destined to shatter.

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    Following in the footsteps of its predecessor, Milk and Vine II expands the Vine-poetry canon to include over 100 more vines, as well as a foreword by Karl from Online, a Viner who amassed hundreds of millions of vine loops and created many viral vines like "F*ck me Jerry" and "I'm quitting vine because someone commented on my post saying that I look like a piece of broccoli so goodbye forever." Several classic vines grace these pages like oovoo javer, cam & colin, ninki minjaj, chicken strips, jessie and ari, x games, michael with a b, and more! Milk and Vine II is perfect for your coffee table, rainy days with friends, or as a gift for any teen. Grab a copy today, and RIP Vine. NOTE: Explicit language inside, as well as credit to all the viners!

    On that score, Sáenz hits pay dirt.” —Booklist “A former Catholic priest, this poet creates prayerful verse that is at once mystical and utterly human.” —The Washington Post Poet, novelist, and popular YA writer Benjamin Alire Sáenz writes to the core truth of life’s ever-shifting memories. Set along the Mexican border, the contrast between the desert’s austere beauty and the brutality of border politics mirrors humanity’s capacity for both generosity and cruelty. In his numbered series “Meditation on Living in the Desert,” Sáenz turns to memory, heritage, and a host of literary progenitors as he directly confronts matters of faith, civil rights, and contemporary politics—always with the unrelenting moral urge to speak truth and do something. I am looking at a book of photographs.The photographs document the exodus of Mexicans crossing the desert.I am staring at the face of a woman who is more a girl than a woman.She is handing her documents to a government official. I know and you know and we all know that the documents are forged.The official is not in the photograph. Only the frightened eyes of a girl. A former Catholic priest who worked with Mother Teresa, Benjamin Alire Sáenz has published five books of poetry, four novels, a collection of short stories, and two bilingual children’s books. He received the American Book Award and teaches in the bilingual MFA program at University of Texas, El Paso.

    Lang Leav's evocative poetry speaks to the soul of anyone who is on this journey. Leav has an unnerving ability to see inside the hearts and minds of her readers. Her talent for translating complex emotions with astonishing simplicity has won her a cult following of devoted fans from all over the world. Lang Leav is a poet and internationally exhibiting artist.

    Poems consider women's roles in society, childhood, home, nature, language, communications, the past, and mortality.

    The technique is controlled, not ostentatious, and one senses here a conscious link to the work of older poets such as Larkin and Levertov. Karr's strength lies in her delicate and meticulous control of detail. Characteristically, she describes a cat's nighttime prowl with humor and precision: `` . . . he pounced and rabbit-kicked my head. / I had to disentangle from my hair / all four sets of claws, then tossed him / out into the pyramid of boxes / we'd erected in the yard.'' Such loving attention to seemingly insignificant events is reminiscent of the early work of Adrienne Rich and the use of imagery is similarly evocative (``When the moon / clicked over the sun like a black lens / over a white eye. . . ''). Karr's work generally falls into clipped stanzas, the lines flowing over for an effect of ironic tension appropriate for much of the ``devilish'' material with which she is concerned. While the poet's unflinching consciousness stands out in this text, the poetic voice is not completely developed. (Apr.)

    In this stunningly inventive collection—a finalist for the 2001 National Book Award in poetry—Ali excavates the devastation wrought upon his childhood home, Kashmir, and reveals a more personal devastation: his mother's death and the journey with her body back to Kashmir.

    The poems mythologize family histories until they break open, using them to explore aspects of Sudan’s history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani—an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds.No longer content to accept manmade borders, Elhillo navigates a new and reimagined world. Maintaining a sense of wonder in multiple landscapes and mindscapes of perpetually shifting values, she leads the reader through a postcolonial narrative that is equally terrifying and tender, melancholy and defiant.

    She considers what a homeland would be for a divided nation and a divided self: what it means to enter language, the body, the family, the community; to be a daughter, sister, lover, citizen, or exile.In settings from New York to San Francisco, from Scotland to Seoul, her poems question "what threads hold / our lives together" in cities and gardens, battlefields and small towns. Across the no-man's-land between every "you" and "I," her speakers encounter, quarrel with, or honor others, traveling between the living and the dead, between horror over the disastrous events of the past and hope for the future. Drawing upon a wide range of voices, styles, and perspectives, Notes from the Divided Country bears witness to the vanishing world.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    More immediate if less polished than his later work, these poems enchant and impress with their classical learning, wit, perceptiveness and lyricism—all facets of Vikram Seth's now celebrated poetic achievement.

    Their first chapbook Sad Girl Poems delves into their relationship with domestic violence, queer youth homelessness, & the suicide of a close friend. Of the chapbook, Eileen Myles wrote "Sad Girl Poems are revolutionary and sad and finely wrought on the fly… I keep reading, needing to be living in the world of them.” CAConrad wrote “You are an asshole if you read this book and are not destroyed and renewed and see through the poet Loma a way to redemption for us all.” Christopher Soto is originally from the Los Angeles area but now lives in Brooklyn.

    

    She smiles like she is hiding a secret. She holds her head high, like she is wearing an invisible crown. The air Around her is charged with confidence, strength, and courage. Have you heard the whispers? She woke up different today. Yet it feels she has been like this always. Maybe it’s the story that has changed.About the Author‘Fragile but Unbreakable’ is how Reecha describes herself. She believes in miracles, takes life head on, and is passionate about weaving magic with her words. And now that she has found her calling, she desires to spend her entire life reading, travelling, and dwelling in her own little fictional and poetic worlds. An MBA from Loyola Institute of Business Administration, she is based out of New Delhi where she lives with her husband and two kids. She – Screw Silence is her third book.