They fly two into the Tigris & Euphrates World Trade Towers in Baghdad, and a third into the Arab Defense Ministry in Riyadh. The fourth plane, believed to be bound for Mecca, is brought down by its passengers.The United Arab States declares a War on Terror. Arabian and Persian troops invade the Eastern Seaboard and establish a Green Zone in Washington, D.C. . . .Summer, 2009: Arab Homeland Security agent Mustafa al Baghdadi interrogates a captured suicide bomber. The prisoner claims that the world they are living in is a mirage--in the real world, America is a superpower, and the Arab states are just a collection of "backward third-world countries." A search of the bomber's apartment turns up a copy of "The New York Times," dated September 12, 2001, that appears to support his claim. Other captured terrorists have been telling the same story. The president wants answers, but Mustafa soon discovers he's not the only interested party.The gangster Saddam Hussein is conducting his own investigation. And the head of the Senate Intelligence Committee--a war hero named Osama bin Laden--will stop at nothing to hide the truth. As Mustafa and his colleagues venture deeper into the unsettling world of terrorism, politics, and espionage, they are confronted with questions without any rational answers, and the terrifying possibility that their world is not what it seems.Acclaimed novelist Matt Ruff has created a shadow world that is eerily recognizable but, at the same time, almost unimaginable. Gripping, subversive, and unexpectedly moving, "The Mirage" probes our deepest convictions and most arresting fears.

    In this nightmare society, air pollution is so bad that gas masks are commonplace. Infant mortality is up, and everyone seems to suffer from some form of ailment.

    From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes.

    No single event precedes society's fall. There is talk of a war overseas and upheaval in Congress, but it still comes as a shock when the electricity runs out and gas is nowhere to be found. The sisters consume the resources left in the house, waiting for the power to return. Their arrival into adulthood, however, forces them to reexamine their place in the world and their relationship to the land and each other.Reminiscent of Margaret Atwood's A Handmaid's Tale, Into the Forest is a mesmerizing and thought-provoking novel of hope and despair set in a frighteningly plausible near-future America.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

    After a long career of being shot at, he’s about to be retired. The mildly larcenous, backwater island of Mancreu is the ideal place to serve out his time, a former British colony in legal limbo, belching toxic clouds of waste and facing imminent destruction by an international community concerned for their own safety. The perfect place for Lester is also the perfect location for a multinational array of shady businesses. Hence the Black Fleet of illicit ships lurking in the bay: spy stations, arms dealers, offshore hospitals, money laundering operations, drug factories and torture centres. None of which should be a problem, since Lester's brief is to sit tight and turn a blind eye.Meanwhile, he befriends a brilliant, internet-addled street kid with a comic book fixation who will need a home when the island dies. When Mancreu's fragile society erupts in violence, Lester must be more than just an observer: he has no choice but to rediscover the man of action he once was, and find out what kind of hero the island—and the boy—will need.From the award-winning author of Angelmaker and The Gone-Away World, Tigerman is a novel at once deeply heartfelt and headlong thrilling—about parenthood, friendship and secret identities, about heroes of both the super and the everyday kind.

    After years of slowly overtaking the continent, rising floodwaters have obliterated America’s great coastal cities and then its heartland, leaving nothing but an archipelago of mountaintop colonies surrounded by a deep expanse of open water.Stubbornly independent Myra and her precocious seven-year-old daughter, Pearl, fish from their small boat, the Bird, visiting dry land only to trade for supplies and information in the few remaining outposts of civilization. For seven years, Myra has grieved the loss of her oldest daughter, Row, who was stolen by her father after a monstrous deluge overtook their home in Nebraska. Then, in a violent confrontation with a stranger, Myra suddenly discovers that Row was last seen in a far-off encampment near the Arctic Circle. Throwing aside her usual caution, Myra and Pearl embark on a perilous voyage into the icy northern seas, hoping against hope that Row will still be there.On their journey, Myra and Pearl join forces with a larger ship and Myra finds herself bonding with her fellow seekers who hope to build a safe haven together in this dangerous new world. But secrets, lust, and betrayals threaten their dream, and after their fortunes take a shocking—and bloody—turn, Myra can no longer ignore the question of whether saving Row is worth endangering Pearl and her fellow travelers.A compulsively readable novel of dark despair and soaring hope, After the Flood is a magnificent, action packed, and sometimes frightening odyssey laced with wonder—an affecting and wholly original saga both redemptive and astonishing.

    With intriguing portraits of Percy Bysshe Shelley and Lord Byron, the novel offers a vision of the future that expresses a reaction against Romanticism, and demonstrates the failure of the imagination and of art to redeem the doomed characters.

    . . [and] unapologetically raw."—New York TimesIt's 1999 in San Francisco, and as shockwaves of gentrification sweep through Michelle's formerly scruffy neighborhood, money troubles, drug-fueled mishaps, and a string of disastrous affairs send her into a tailspin. Desperate to save herself, Michelle sets out to seek a fresh start in Los Angeles.Meanwhile, climate-related disruptions and a string of extinctions are the background noise of impending doom. One day, Michelle wakes up to an official announcement: the world will be ending in exactly one year. Daily life in Los Angeles quickly becomes intensely surreal.Humans begin to collectively dream of the lives and loves they would have had, if not for the end of the world, and the lines between fantasy and reality become increasingly blurred. As the planet nears its expiration date, Michelle holes up in an abandoned bookstore and calmly begins to write—convinced she's finally stumbled upon the elusive "universal story"—a novel about a struggling writer facing the end of the world.Funny, gritty, improbable, and endearing, Black Wave muses on the hallucinatory confusions of addiction, the hope and despair of a barely published writer, notions of destiny, and the porous boundaries between memoir and fiction.Michelle Tea has published four memoirs, including the award-winning Valencia; the novel Rose of No Man's Land; and the poetry collection The Beautiful. Her latest book How to Grow Up: A Memoir, was recently published by Plume.

    In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."

    Georgia Rice, who has cared for her father and two siblings since her mother's death, is diagnosed, at nineteen, with tuberculosis and sent away to a sanitarium. Freed from the burdens of caretaking, she discovers a nearly lost world of youth and possibility, and meets the doomed young man who will become her lover.Vermont, the present. On the heels of a divorce, Catherine Hubbard, Georgia's granddaughter, takes up residence in Georgia's old house. Sorting through her own affairs, Cath stumbles upon the true story of Georgia's life and marriage, and of the misunderstanding upon which she built a lasting love.With the tales of these two women--one a country doctor's wife with a haunting past, the other a twice-divorced San Francisco schoolteacher casting about at midlife for answers to her future--Miller offers us a novel of astonishing richness and emotional depth. Linked by bitter disappointments, compromise, and powerful grace, the lives of Georgia and Cath begin to seem remarkably similar, despite their distinctly different times: two young girls, generations apart, motherless at nearly the same age, thrust into early adulthood, struggling with confusing bonds of attachment and guilt; both of them in marriages that are not what they seem, forced to make choices that call into question the very nature of intimacy, faithfulness, betrayal, and love. Marvelously written, expertly told, The World Below captures the shadowy half-truths of the visible world, and the beauty and sorrow submerged beneath the surfaces of our lives--the lost world of the past, our lost hopes for the future. A tour de force from one of our most beloved storytellers.From the Hardcover edition.

    Like everyone, she ran, but she couldn't outrun the radiation, with her last thoughts being of her beloved baby brother, Dorian, safe in her distant family home. Flash forward to a post-incident America, where the country has been broken up into territories and Muslims have been herded onto the old Indian reservations in the west, even though no one has determined who set off the explosion that destroyed San Francisco. Twelve-year old Dorian dreams about killing Muslims and about his sister—even though Dorian's parents insist Skyler never existed. Are they still shell-shocked, trying to put the past behind them . . . or is something more sinister going on?Meanwhile, across the street, Dorian's neighbor adopts a Muslim orphan from the territories. It will set off a series of increasingly terrifying incidents that will lead to either tragedy or redemption for Dorian, as he struggles to prove that his sister existed—and was killed by a terrorist attack.Not on Fire, but Burning is unlike anything you're read before—not exactly a thriller, not exactly sci-fi, not exactly speculative fiction, but rather a brilliant and absorbing adventure into the dark heart of an America that seems ripped from the headlines. But just as powerfully, it presents a captivating hero: A young boy driven by love to seek the truth, even if it means his deepest beliefs are wrong.

    A dystopian novel about the terrible oppressions of an American oligarchy at the beginning of the Twentieth Century, and the struggles of a socialist revolutionary movement.

    Erickson's previous books have buried L.A.'s freeways in sand, set bonfires in Paris streets, and hitched along for the 1996 presidential campaign. In terms of madness, doom, and sheer human folly, what could possibly be left? Plenty, as it turns out. As The Sea Came in at Midnight opens, 17-year-old Kristin works in a Japanese "memory hotel," where despite her so-so looks she's in high demand. As an American, "Kristin represents the Western annihilation of ancient Japanese memory and therefore its master and possessor, a red bomb in one hand, a red bottle of soda pop in the other." After one of her best clients expires in the booth, she finally tells him her own story--which turns out to be quite a tale, involving escape from a millennial suicide cult and nude solitary confinement at the behest of a man known only as the Occupant. Add in the novel's other threads, which span 40 years and include a dream cartographer, a chaos-based calendar, time capsules, and both real and faked snuff films, and you have a heady mixture indeed. Fans of Erickson's unsettling, dreamlike style are legion, and they won't be disappointed in his latest take on the End Time, Blade Runner-style. But in a way, the millennium is beside the point; with a plot like this one, a mere flipping of digits seems so much apocalyptic icing on the cake. Combing a lyrical surrealism with a jittery, jump-cut technique, Erickson writes like the 21st-century heir of Pynchon and DeLillo. --Chloe Byrne

    He’s still wondering years later when, jilted and newly jobless, he gets off a bus by chance in the Faraway Hills and steps unawares into a story that has been awaiting him there.Does the world have a plot? It’s what Rosie Rasmussen wants to know, too. Will her life have the fearful symmetry of the lives led inside the books she reads? Rosie, newly returned to her childhood environs in the Faraways, is reading the historical romances of dead Fellowes Kraft one after another to see her through the hard realities of a divorce. There is another history in Kraft’s vivid novels: there are angels and Elizabethan magicians and the boy Shakespeare; once upon a time these tales entranced Pierce Moffett too, and teased him with the traces of a very large story indeed…Pierce is on the track of a history he can’t quite believe in; Rosie is losing her place in her own story, forgetting why people love one another. They are two seekers, marked by loss, about to share a discover in Fellowes Kraft’s old house in the Faraway Hills. There is more than one history of the world.