She's looking forward to hosting a month-long house party, with guests including her Vassar college roommate Isobel Porteous and old chum Betsy Ray. With lots of the old Crowd and a new friend--wealthy, unkempt, but lovable Sam Hutchinson--around, the days are filled with fun. And romance seems to be in the air. But Carney can never be romantic about anyone but Larry Humphreys, her high school sweetheart, who moved to California four years ago. Then Larry returns to Deep Valley and sets the town abuzz. Will Larry propose? And will Carney say yes? In addition to her beloved Betsy-Tacy books, Maud Hart Lovelace wrote three more stories set in the fictional town of Deep Valley: Winona's Pony Cart, Carney's House Party, and Emily of Deep Valley. Longtime fans and new readers alike will be delighted to find the Deep Valley books available again for the first time in many years.

    Now things are changing. Bryon's growing up, spending a lot of time with girls, and thinking seriously about who he wants to be. Mark still just lives for the thrill of the moment. The two are growing apart - until Bryon makes a shocking discovery about Mark. Then Bryon faces a terrible decision - one that will change both of their lives forever.

    Its special story within a story is an irresistible invitation for readers to become part of the book itself. The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic, and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart. Readers, too, can travel to the wondrous, unforgettable world of Fantastica if they will just turn the page...

    She's also pretty lonely, until she meets Jennifer. Jennifer is...well, different. She's read Macbeth. She never wears jeans or shorts. She never says please or thank you. And she says she is a witch. It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.

    Yet, when, through a series of strong dreams, she came to know a proud, lonely, sixteenth century girl, also adopted, she found answers to questions she had hardly dared ask.

    The U.S. is at war. Many nurses have gone to the front, and there is a shortage of RNs at Spencer-which Cherry and her classmates help to fill, as they learn the skills they need to graduate. And who is the mysterious patient in the secret room that no one seems to know anything about? Should Cherry risk expulsion to save his life?

    In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. It's a comfortable life, but boring if you're a kid. Only Pod is allowed to venture into the house above, because the danger of being seen by a human is too great. Borrowers who are seen by humans are never seen again. Yet Arrietty won't listen. There is a human boy up there, and Arrietty is desperate for a friend.

    For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

    In his lonely world, he soon learns to follow the harsh law of the North--kill or be killed. But nothing in White Fang's life can prepare him for the cruel owner who turns him into a vicious killer. Will White Fang ever know the kindness of a gentle master?

    During a chance encounter, the two realize they are identical and, as a lark, decide to exchange clothes and roles--a situation that briefly, but drastically, alters the lives of both youngsters. The Prince, dressed in rags, wanders about the city's boisterous neighborhoods among the lower classes and endures a series of hardships; meanwhile, poor Tom, now living with the royals, is constantly filled with the dread of being discovered for who and what he really is.

    After discovering that a German U-boat has landed near her home--a little-known, true incident on Long Island--she and her classmates form "Kids Fight for Freedom" and participate in the home front war effort.

    When she discovers a little broomstick shortly afterwards, she is astonished to feel it jump in to action. Before she can gather her wits, it is whisking her over the treetops, above the clouds, and in to the grounds of Endor College, where: 'All Examinations Coached for by A Competent Staff of Fully-Qualified Witches.' Here she discovers evidence of a terrible experiment in transformation - deformed and mutant animals imprisoned in cages. In the moment after her broomstick takes off, she realises that Tib has been captured. Returning to the College the following day, she manages to free the animals, but not before the Head of the college, Miss Mumblechook, and her colleague, Doctor Dee, have seen her. Mary manages to flee... but the evil pair are in hot pursuit!

    Anything anyone tells her to do, Ella must obey. Another girl might have been cowed by this affliction, but not feisty Ella: "Instead of making me docile, Lucinda's curse made a rebel of me. Or perhaps I was that way naturally." When her beloved mother dies, leaving her in the care of a mostly absent and avaricious father, and later, a loathsome stepmother and two treacherous stepsisters, Ella's life and well-being seem to be in grave peril. But her intelligence and saucy nature keep her in good stead as she sets out on a quest for freedom and self-discovery as she tries to track down Lucinda to undo the curse, fending off ogres, befriending elves, and falling in love with a prince along the way. Yes, there is a pumpkin coach, a glass slipper, and a happily ever after, but this is the most remarkable, delightful, and profound version of Cinderella you'll ever read.Gail Carson Levine's examination of traditional female roles in fairy tales takes some satisfying twists and deviations from the original. Ella is bound by obedience against her will, and takes matters in her own hands with ambition and verve. Her relationship with the prince is balanced and based on humor and mutual respect; in fact, it is she who ultimately rescues him. Ella Enchanted has won many well-deserved awards, including a Newbery Honor.

    But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia.For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a land where magic meets reality, and the result is a fictional world whose scope has fascinated generations.This edition presents all seven books—unabridged—in one impressive volume. The books are presented here in chronlogical order, each chapter graced with an illustration by the original artist, Pauline Baynes. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to readers of all ages, even fifty years after they were first published.

    From the moment young Jim Hawkins first encounters the sinister Blind Pew at the Admiral Benbow Inn until the climactic battle for treasure on a tropic isle, the novel creates scenes and characters that have fired the imaginations of generations of readers. Written by a superb prose stylist, a master of both action and atmosphere, the story centers upon the conflict between good and evil - but in this case a particularly engaging form of evil. It is the villainy of that most ambiguous rogue Long John Silver that sets the tempo of this tale of treachery, greed, and daring. Designed to forever kindle a dream of high romance and distant horizons, Treasure Island is, in the words of G. K. Chesterton, 'the realization of an ideal, that which is promised in its provocative and beckoning map; a vision not only of white skeletons but also green palm trees and sapphire seas.' G. S. Fraser terms it 'an utterly original book' and goes on to write: 'There will always be a place for stories like Treasure Island that can keep boys and old men happy.'