When Juliet dies, Aila and her younger brother Miles are sent to live in Sterling, a rural town far from home--and the place where Juliet grew up.Sterling is a place with mysteries of its own. A place where the experiences that weave life together--scents of flowers and food, reflections from mirrors and lakes, even the ability to dream--vanish every seven years.No one knows what caused these “Disappearances,” or what will slip away next. But Sterling always suspected that Juliet Quinn was somehow responsible--and Aila must bear the brunt of their blame while she follows the chain of literary clues her mother left behind. As the next Disappearance nears, Aila begins to unravel the dual mystery of why the Disappearances happen and who her mother truly was. One thing is clear: Sterling isn’t going to hold on to anyone's secrets for long before it starts giving them up.

    I believed them. That was my mistake.There isn’t anyone else in the world like me.I’m different. I’m an anomaly. I’m a monster. For two years, six months, fourteen days, eleven hours and sixteen minutes, Subject Six-Eight-Four — ‘Jane Doe’ — has been locked away and experimented on, without uttering a single word.As Jane’s resolve begins to crack under the influence of her new — and unexpectedly kind — evaluator, she uncovers the truth about Lengard’s mysterious ‘program’, discovering that her own secret is at the heart of a sinister plot … and one wrong move, one wrong word, could change the world.

    Once there, Will and six other teenagers take turns in mysterious fear chambers and confront their worst nightmares—with the help of the group facilitator, Rainsford, an enigmatic guide. When the patients emerge from the chamber, they feel emboldened by the previous night's experiences. But each person soon discovers strange, unexplained aches and pains. . . . What is really happening to the seven teens trapped in this dark Eden? Patrick Carman's Dark Eden is a provocative exploration of fear, betrayal, memory, and— ultimately—immortality.

    Unknown to Molly, a middle school tragedy in which they were all complicit continues to reverberate for her kids: Nick, the brilliant scam artist; Emma, the gifted dancer and party girl; Dave, the B student who strives to meet his parents' expectations; Calista, the hippie outcast who hides her intelligence for reasons of her own. Theirs is a world in which every action may become public: postable, shareable, indelible. With the rare talent that transforms teenage dramas into compelling and urgent fiction, Lindsey Lee Johnson makes vivid a modern adolescence lived in the gleam of the virtual, but rich with the sorrow, passion, and beauty of life in any time, and at any age.

    Many of the people there exhibit varying degrees of animal traits. Even the plantlife has gone feral.Crossing from west to east is supposed to be forbidden, but sometimes it’s necessary. Some enter the Savage Zone to provide humanitarian relief. Sixteen-year-old Lane’s father goes there to retrieve lost artifacts—he is a Fetch. It’s a dangerous life, but rewarding—until he’s caught.Desperate to save her father, Lane agrees to complete his latest job. That means leaving behind her life of comfort and risking life and limb—and her very DNA—in the Savage Zone. But she’s not alone. In order to complete her objective, Lane strikes a deal with handsome, roguish Rafe. In exchange for his help as a guide, Lane is supposed to sneak him back west. But though Rafe doesn’t exhibit any signs of “manimal” mutation, he’s hardly civilized . . . and he may not be trustworthy.

    Daisy and her mother have everything they need within its magnificent, half-ruined walls. They may not have a computer or phone, but Daisy has all the friends she could want, including a mischievous talking rat named Tar and the ghostly presence of a long-ago explorer who calls herself Frank. When Daisy’s mother leaves one morning, a strange visitor arrives on the estate, claiming to be a distant cousin, James Gritting. But as the days tick by and Daisy’s mother doesn’t return, Gritting becomes more and more menacing. He wants Brightwood for himself, and he will do anything to get it, unless Daisy, with only her imaginary companions to help her, can stop him.

    Ben has hit a dead end with his new novel, Caroline has lost her banking job, and eight-year-old Charlie is being bullied at his Manhattan school.When Ben inherits land in the village of Swannhaven, in a remote corner of upstate New York, the Tierneys believe it’s just the break they need, and they leave behind all they know to restore a sprawling estate. But as Ben uncovers Swannhaven’s chilling secrets and Charlie ventures deeper into the surrounding forest, strange things begin to happen. The Tierneys realize that their new home isn’t the fresh start they needed . . . and that the village’s haunting saga is far from over.House of Echoes is a novel that shows how sometimes the ties that bind us are the only things that can keep us whole.

    She was murdered.Vee knows this because she was there. Everyone believes Vee is narcoleptic, but she doesn't actually fall asleep during these episodes: When she passes out, she slides into somebody else's mind and experiences the world through that person's eyes. She's slid into her sister as she cheated on a math test, into a teacher sneaking a drink before class. She learned the worst about a supposed "friend" when she slid into her during a school dance. But nothing could have prepared Vee for what happens one October night when she slides into the mind of someone holding a bloody knife, standing over Sophie's slashed body.Vee desperately wishes she could share her secret, but who would believe her? It sounds so crazy that she can't bring herself to tell her best friend, Rollins, let alone the police. Even if she could confide in Rollins, he has been acting distant lately, especially now that she's been spending more time with Zane.Enmeshed in a terrifying web of secrets, lies, and danger and with no one to turn to, Vee must find a way to unmask the killer before he or she strikes again.

    Joan’s Academy, and school is a pressure cooker. College applications, the battle for valedictorian, deciphering boys’ texts: Through it all, Colleen Rowley and her friends are expected to keep it together. Until they can’t.   First it’s the school’s queen bee, Clara Rutherford, who suddenly falls into uncontrollable tics in the middle of class. Her mystery illness quickly spreads to her closest clique of friends, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor blossoms into full-blown panic.   Soon the media descends on Danvers, Massachusetts, as everyone scrambles to find something, or someone, to blame. Pollution? Stress? Or are the girls faking? Only Colleen—who’s been reading The Crucible for extra credit—comes to realize what nobody else has. Inspired by true events—from seventeenth-century colonial life to the halls of a modern-day high school, this is the mystery that raises the question, what’s really happening to the girls at St. Joan’s?

    But upon turning seventeen, the girls must return to their homeland to meet their relatives, find proper husbands, and—most terrifyingly—learn the deep family secrets of The Claw, The Wing, and The Smoke. The Florescus, after all, are shape-shifters, and it is time for Dacia and Lou to fulfill the prophecy that demands their acceptance of this fate... or fight against this cruel inheritance with all their might.

    She is torn romantically between her father's assistants-one kind and proper, one mysterious and brooding-who share a dark secret and may have more to do with the violent events than they're letting on.

    Shortly after they arrive, things begin to turn ominous. Stirrings in the woods and over the treetops—the brooding shape of a monolith known as the Black Rock casts its terrible pall. Paranoia and distrust grips the settlement. The escape routes are gradually cut off as events spiral towards madness. Hell—or the closest thing to it—invades Little Heaven. The remaining occupants are forced to take a stand and fight back, but whatever has cast its dark eye on Little Heaven is now marshaling its powers...and it wants them all.

    After all, she heard strange voices that drove her to commit suicide. But Sophie doesn’t believe that Nell would take her own life, and she’s convinced that Nell’s doctor knows more than he’s letting on.As Sophie starts to piece together Nell’s last days, every lead ends in a web of lies. And the deeper Sophie digs, the more danger she’s in—because now she’s hearing the same haunting whispers. Sophie’s starting to think she’s going crazy too. Or worse, that maybe she’s not….

    It's perfect for fans of Gayle Forman, Lauren Myracle, and Laurie Halse Anderson.Girls started vanishing in the fall.For Maggie Larsen, the town of Gill Creek is only a stopgap before college and freedom. Until she meets Pauline and Liam.What starts as an uneventful year suddenly changes. Someone is killing teenage girls, and the town reels from the tragedy. As Maggie's and Pauline's worlds collide and change around them, they will both experience love and loss.And by the end of the book, only one of them will survive.

    But always in the background there's Hayden Paris, the boy next door, the bane of Aurora's life. Smart, funny, and always around to see her at her worst, he 'gets' her like no-one else ... and that's what makes him so infuriating. When Aurora and Hayden are coerced into the lead roles in the school production of Much Ado About Nothing, things can only get worse. How is Aurora going to save her first kiss for the secret admirer who wooed her with poetry and a spectacular bunch of flowers on Valentine's Day if she doesn't know who he is and she's obligated to lock lips with Hayden in the play's final dramatic clinch?