She's also no longer qualified for the work she loves, so she's working in a cubicle instead while trying to make ends meet.Brenda is short on money, short on connection with her kids, and short on any kind of social life. The only thing Brenda has in abundance is her anger. And that turns out to be her greatest asset.When she was a kid, Brenda's father taught her how to throw a good fastball. That wasn't of much use to a girl, but it is enough to astound onlookers at a "test your speed" pitching cage before a Cleveland Indians game. The more Brenda pictures her ex-husband's face on the other end, the harder she throws. And when someone tapes her performance and puts it up online, Brenda becomes an Internet sensation – and then more than that.Soon, the Indians come calling and Brenda finds her life taking a turn in a new direction. She finds herself standing on the mound as the first woman player in Major League history – and dealing with everything that comes with it. The money is great and the endorsement deals are even better. The fury of "traditionalists," not so much. And the conflicting emotions of her teammates are even harder to manage.Meanwhile, Brenda's home life is evolving faster than she can keep up, redefining her role as a mother, a friend, and even a lover.As the season winds down Brenda will find out if she has what it takes to be a winner – at both baseball and life.A funny, poignant, and endearing debut from a writer of rare warmth and humanity, Throw like a Woman is a 95-mile-an-hour heater of a novel.

    Jack Keefe, one of literature's greatest characters, is talented, brash, and conceited. Self-assured and imperceptive, impervious to both advice and sarcasm, Keefe rises to the heights, but his inability to learn makes for his undoing. Through a series of letters from this bush-league pitcher to his not-quite-anonymous friend Al, Lardner maintains a balance between the funny and the moving, the pathetic and the glorious. Nostalgic in its view of pre-World War I America--a time before the "live" ball, a time filled with names like Ty Cobb, Charles Comiskey, Walter Johnson, and Eddie Cicotte--this is not a simple period piece. It is about competition, about the ability to reason, and most of all it is about being human. First published in 1914, "You Know Me Al" says as much to us about ourselves today as it did seventy-five years ago.

    When the Goodwins took over the last dairy farm in the small Midwestern town of Prairie Center, they envisioned their home a self-made paradise. But these days, as Alice is all too aware, her elder daughter Emma is prone to inexplicable fits of rage, her husband Howard distrusts her maternal competence, and Prairie Center's tight-knit suburban community shows no signs of warming to "those hippies who think they can run a farm." A loner by nature, Alice is torn between a yearning for solitude coupled with a deep need to be at the center of a perfect family. On this particular day, Emma has started the morning with a violent tantrum, her little sister Claire is eating pennies, and it is Alice's turn to watch her neighbor's two small girls as well as her own. She absentmindedly steals a minute alone that quickly becomes ten: time enough for a devastating accident to occur. Her neighbor's daughter Lizzy drowns in the farm's pond, and Alice - whose own volatility and unmasked directness keep her on the outskirts of acceptance - becomes the perfect scapegoat. At the same time, a seemingly trivial incident from Alice's past resurfaces and takes on gigantic proportions, leading the Goodwins far from Lizzy's death into a maze of guilt and doubt culminating in a harrowing court trial and the family's shattering downfall.

    After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    They speak a secret “twin” tongue of their own as toddlers; as adults making their way in 1980s Manhattan, their verbal infatuation continues, but this love, which has always bound them together, begins instead to push them apart. Daphne, copy editor and grammar columnist, devotes herself to preserving the dignity and elegance of Standard English. Laurel, who gives up teaching kindergarten to write poetry, is drawn, instead, to the polymorphous, chameleon nature of the written and spoken word. Their fraying twin-ship finally shreds completely when the sisters go to war, absurdly but passionately, over custody of their most prized family heirloom: Merriam Webster’s New International Dictionary, Second Edition.Cathleen Schine has written a playful and joyful celebration of the interplay of language and life. A dazzling comedy of sisterly and linguistic manners, a revelation of the delights and stresses of intimacy, The Grammarians is the work of one of our great comic novelists at her very best.

    "The book succeeds because the characters are realistic and because Hannah is able to make us care about them".--Houston Post.

    The place: AutoAmerica. The land: half under water. The Internet—the new face of government—is "Aunt Nettie": a mix of artificial intelligence, surveillance technology, and pesky maxims. The people have been divided, and no one is happy. The angel-fair "Netted" still have jobs and literally occupy the high ground, while the mostly coppertoned "Surplus" live on swampland if they're lucky, on the water if they're not.      The story: To a Surplus couple—he was a professor, she's still a lawyer—is born a Blasian girl with a golden arm. At two, Gwen is hurling her stuffed animals from the crib; by ten she can hit whatever target she likes with a baseball; her teens find her playing happily in an underground Surplus league. When AutoAmerica re-enters the Olympics—with a special eye on beating ChinRussia—Gwen attracts interest. Soon she's at Net U, falling in love with her coach and considering "crossing over," even as her mother is challenging the AutoAmerican Way with lawsuits that will prove very dangerous.     An astonishing story of an America that seems only too possible, and of a family struggling to maintain its humanity in circumstances that threaten their every value—even their very existence.

    Wodehouse.Alan Blair, the hero of Wake Up, Sir!, is a young, loony writer with numerous problems of the mental, emotional, sexual, spiritual, and physical variety. He's very good at problems. But luckily for Alan, he has a personal valet named Jeeves, who does his best to sort things out for his troubled master. And Alan does find trouble wherever he goes. He embarks on a perilous and bizarre road journey, his destination being an artists colony in Saratoga Springs. There Alan encounters a gorgeous femme fatale who is in possession of the most spectacular nose in the history of noses. Such a nose can only lead to a wild disaster for someone like Alan, and Jeeves tries to help him, but...well, read the book and find out!

    L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work.Homer and Langley Collyer are brothers – the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers – wars, political movements, technological advances – and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians... and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

    . . He makes his own space instantly and invites you in. Hats off!”  —Barry Hannah  From a commanding new voice in fiction comes a novel as perceptive as it is generous: a portrait of an American family trying to cope in our world today, a story of choices and doubts and transgressions. The Hardings are teetering on the brink. Elson—once one of Houston’s most promising architects, who never quite lived up to expectations—is recently divorced from his wife of thirty years, Cadence. Their grown son, Richard, is still living at home: driving his mother’s minivan, working at a local coffee shop, resisting the career as a writer that beckons him. But when Chloe Harding gets kicked out of her East Coast college, for reasons she can’t explain to either her parents or her older brother, the Hardings’ lives start to unravel. Chloe returns to Houston, but the dangers set in motion back at school prove inescapable. Told with piercing insight, taut psychological suspense, and the wisdom of a true master of character, this is a novel about the vagaries of love and family, about betrayal and forgiveness, about the possibility and impossibility of coming home.

    When building a family, they complement the kids. But what happens when things get out of hand? For writer and house husband, Matt Whyman, it's a case of catastrophe management in coping with four children and all the ill-advised animals amassed by his career wife, Emma.

    Where Selina is poised but prudish, Lottie is quirky and emotional. Selina is the dutiful mother of three children and able manager of their stylish suburban home. Lottie lives with her eccentric teenage daughter in a small city apartment fit to bursting with color and happy chaos. But these women also have one shocking similarity: they're married to the same man…and they've just found out he's dead. Selina has been married to Simon Busfield for twenty-eight years, Lottie for seventeen. Neither knew a thing about the other until the day of Simon's funeral, where the scandalous truth is revealed in front of everyone they know. Another wife, another family… And they've only just scratched the surface of Simon's incredible betrayal. With dark humor and razor-sharp wit, Cohen expertly unravels a story of deception and betrayal, where two very different families will discover they are entwined in ways that will change them all forever. "A cracking debut…. Fatal Attraction with a clever twist at the end. Addictive." —The Bookseller on The Mistress's Revenge

    Hotshot wizards will tell you nothing’s really changed, but then again, hotshot wizards aren’t looking for honest work in Enid, Oklahoma. No paying jobs at the mill, because zombies will work for nothing. The diner on Main Street is seeing hard times as well, because a lot fewer folks can afford to fly carpets in from miles away.Jack Spivey’s just another down-and-out trying to stay alive, doing a little of this and a little of that. Sometimes that means making a few bucks playing ball with the Enid Eagles, against teams from as many as two counties away. And sometimes it means roughing up rival thugs for Big Stu, the guy who calls the shots in Enid.But one day Jack knocks on the door of the person he’s supposed to “deal with”—and realizes that he’s not going to do any such thing to the young lady who answers. This means he needs to get out of the reach of Big Stu, who didn’t get to where he is by letting defiance go unpunished.Then the House of Daniel comes to town—a brash band of barnstormers who’ll take on any team, and whose antics never fail to entertain. Against the odds Jack secures a berth with them. Now they’re off to tour an America that’s as shot through with magic as it is dead broke. Jack will never be the same—nor will baseball.

    With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<