Nowadays twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago.   It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table, dressed in a suit as if for his own funeral, a pair of hot pink barber scissors protruding from his chest.   With the local garda suspecting the O’Sullivans, and their business in danger of being shunned—murder tends to spoil the appetite—it’s up to feisty redheaded Siobhán to solve the crime and save her beloved brood.

    But that was before a catered wedding on picturesque Morrow Island turned into a reception for murder. When the best man’s corpse is found hanging from the grand staircase in the Snowden family mansion, Julia must put the chowder pot on the back burner and join the search for the killer. And with suspicion falling on her old crush, Chris Durand, the recipe for saving her business and salvaging her love life might be one and the same.

    Now it's an authors' getaway, but Cat won't let anyone get away with murder . . . The bed-and-breakfast is open for business, and bestselling author Tom Cook is among its first guests. Cat doesn't know why he came all the way from New York, but she's glad to have him among the quirkier-and far less famous-attendees. Cat's high school sweetheart Seth, who's fixing up the weathered home, brings on mixed emotions for Cat . . . some of them a little overpowering. But it's her uncle, the local police chief, whom she'll call for help when there's a surprise ending for Tom Cook in his cozy guest room. Will a killer have the last word on the new life Cat has barely begun?

    . .Miracle Springs, North Carolina, is a place of healing. Strangers flock here hoping the natural hot springs, five-star cuisine, and renowned spa can cure their ills. If none of that works, they often find their way to Miracle Books, where, over a fresh-baked “comfort” scone from the Gingerbread House bakery, they exchange their stories with owner Nora Pennington in return for a carefully chosen book. That’s Nora’s special talent—prescribing the perfect novel to ease a person’s deepest pain and lighten their heaviest burden.When a visiting businessman reaches out to Nora for guidance, she knows exactly which novels will help. But before he can keep their appointment at Miracle Books, he’s found dead on the train tracks.Stunned, Nora forms the Secret, Book, and Scone Society, a group of damaged souls yearning to gain trust and earn redemption by helping others. To join the society, members must divulge their darkest secret—the terrible truth that brought each of them to Miracle Springs in the first place.Determined to uncover the truth behind the businessman’s demise, the women meet in Nora’s cramped and cozy bookstore to share stories and trade support. And as they untangle a web of corruption, they also discover their own courage, purpose, and a sisterhood that will carry them through every challenge—proving it’s never too late to turn the page and start over . . .

    . .The last place Lana Lee thought she would ever end up is back at her family’s restaurant. But after a brutal break-up and a dramatic workplace walk-out, she figures that a return to the Cleveland area to help wait tables is her best option for putting her life back together. Even if that means having to put up with her mother, who is dead-set on finding her a husband.Lana’s love life soon becomes yesterday’s news once the restaurant’s property manager, Mr. Feng, turns up dead―after a delivery of shrimp dumplings from Ho-Lee. But how could this have happened when everyone on staff knew about Mr. Feng’s severe, life-threatening shellfish allergy? Now, with the whole restaurant under suspicion for murder and the local media in a feeding frenzy―to say nothing of the gorgeous police detective who keeps turning up for take-out―it’s up to Lana to find out who is behind Feng’s killer order. . . before her own number is up.

    . .Bailey King is living the sweet life as assistant chocolatier at world-famous JP Chocolates in New York City. But just when Bailey’s up for a life-changing promotion, her grandmother calls with news that her grandfather’s heart condition has worsened. Bailey rushes to Harvest, Ohio, where her grandparents still run Swissmen Sweets, the Amish candy shop where she was first introduced to delicious fudge, truffles, and other assorted delights.She finds her grandfather is doing better than she feared. Unfortunately, the same can’t be said for a local Englisch developer, whom Bailey finds dead in the candy shop kitchen—with Jebediah King’s chocolate knife buried in his chest. Now the police are sweet on her grandfather as the prime suspect. Despite the sincere efforts of a yummy deputy with chocolate-brown eyes, Bailey takes it on herself to clear Jebediah. But as a cunning killer tries to fudge the truth, Bailey may be headed straight into a whole batch of trouble . . .

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    . . Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won't be swept off her feet on a trip abroad. Despite her Aunt Millie's best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane's plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can't quite figure out . . .While the Mena House has its share of charming guests, Anna Stainton isn't one of them. The beautiful socialite makes it clear that she won't share the spotlight with anyone--especially Jane. But Jane soon becomes the center of attention when she's the one standing over her unintentional rival's dead body.Now, with her innocence at stake in a foreign country, Jane must determine who can be trusted, and who had motive to commit a brutal murder. Between Aunt Millie's unusual new acquaintances, a smarmy playboy with an off-putting smile, and the enigmatic Mr. Redvers, someone has too many secrets. Can Jane excavate the horrible truth before her future falls to ruin in Cairo . . . and the body count rises like the desert heat?

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    She quickly busies herself with managing a charming public library that requires all her attention with its severe lack of funds and overabundance of eccentric patrons. The last thing she needs is a new, available neighbor whose charm lures her into trouble.Dancer-turned-teacher and choreographer Richard Muir inherited the farmhouse next door from his great-uncle, Paul Dassin. But town folklore claims the house’s original owner was poisoned by his wife, who was an outsider. It quickly became water under the bridge, until she vanished after her sensational 1925 murder trial. Determined to clear the name of the woman his great-uncle loved, Richard implores Amy to help him investigate the case. Amy is skeptical until their research raises questions about the culpability of the town’s leading families... including her own.When inexplicable murders plunge the quiet town into chaos, Amy and Richard must crack open the books to reveal a cruel conspiracy and lay a turbulent past to rest in A Murder for the Books, the first installment of Victoria Gilbert’s Blue Ridge Library mysteries.

    But when an employer stiffs her, and her checks bounce, she goes on the lam, hiding out as a maid for a wealthy family at their summer home. That plan goes awry when there’s a murder and Blanche becomes the prime suspect. So she’s forced to use her savvy, her sharp wit, and her old-girl network of domestic workers to discover the truth and save her own skin. Along the way, she lays bare the quirks of southern society with humor, irony, and a biting commentary that makes her one of the most memorable and original characters ever to appear in mystery fiction.

    But she didn't expect her sleuthing skills to come in so handy in a little seaside town . . .Addie left some painful memories behind in the big city, including the unsolved murder of her fiancé and her father's fatal car accident. After an unexpected inheritance from a great aunt, she's moved to a small New England town founded by her ancestors back in colonial times—and living in spacious Greyborne Manor, on a hilltop overlooking the harbor. Best of all, her aunt also left her countless first editions and other treasures—providing an inventory to start her own store.But there's trouble from day one, and not just from the grumpy woman who runs the bakery next door. A car nearly runs Addie down. Someone steals a copy of Alice in Wonderland. Then, Addie's friend Serena, who owns a nearby tea shop, is arrested—for killing another local merchant. The police seem pretty sure they've got the story in hand, but Addie's not going to let them close the book on this case without a fight . .

    By night, she creates her own intricately detailed coloring books for adults, filling the pages with objects that catch her eye. There's plenty of inspiration in her new apartment--a beautiful carriage house belonging to Professor John Maxwell, Florrie's boss. He offers the property to Florrie rent-free with one condition--she must move in immediately to prevent his covetous sister and nephew from trying to claim it.When the professor's nephew, Delbert, arrives, he proves just as sketchy as Florrie feared. But the following morning, Delbert has vanished. It's not until she visits the third floor of the store that Florrie makes a tragic discovery--there's a trap door in the landing, and a dead Delbert inside. The esteemed Professor Maxwell is an obvious suspect, but Florrie is certain this case isn't so black and white. Doodling clues, she begins to consider other colorful characters on the scene, all with a motive for murder. With a killer drawing closer, Florrie will need to think outside the lines . . . before death makes his mark again.

    David Winston receiving some very special loving care from R.N. Karen Owenby, she quits her job and moves out. Mattie's best friend Izzy offers her a place to stay and suggests she'd be a natural as deputy coroner. Now, instead of taking patients' pulses, Mattie's weighing their hearts and livers.But Mattie's first homicide call turns out to be for none other than Nurse Karen, and even though she saw her ex in a heated argument with the newly deceased the night before, she refuses to believe David could be a killer. Keeping mum about what she saw, Mattie is also left speechless by the sight of hunky Detective Steve Hurley... From learning the ropes on her new job to sorting out her feelings about her ex and dealing with her growing attraction to Detective Hurley, Mattie's in deep water and in danger of sinking quickly, especially when she places herself dead center in the path of a desperate yet determined killer.