The two-time Coretta Scott King Honor Book recipient offers a poignant narrative about a freed slave girl during the Reconstruction Era in the South.

    Suppose that without your noticing, it became dangerous for some people to live in Germany any longer. Suppose you found, to your complete surprise, that your own father was one of those people.That is what happened to Anna in 1933. She was nine years old when it began, too busy with her schoolwork and toboganning to take much notice of political posters, but out of them glared the face of Adolf Hitler, the man who would soon change the whole of Europe – starting with her own small life.Anna suddenly found things moving too fast for her to understand. One day, her father was unaccountably missing. Then she herself and her brother Max were being rushed by their mother, in alarming secrecy, away from everything they knew – home and schoolmates and well-loved toys – right out of Germany…

    Will the children be able to withstand the interrogation and harassment?

    She's a fourth-grader who lives with her loving parents in a busy and largely Hispanic neighborhood in the heart of Chicago. Marisol goes to school (where she is a Two-Square champion) takes care of her cat, plays with the kids in her neighborhood, and takes dance lessons. Ballet folkl--rico (Mexican folkdance) is her favorite type of dance--and where she really shines--but she's been exposed to some jazz and a little tap. She's also taking ballet, but she's new to it and a little impatient with its rigors. Her attitude towards ballet changes only slightly when she meets a wonderful new neighbor. Miss Mendoza is a former Rockette who gently reminds Marisol that ballet is worth working hard at, because it's the basis for all serious dance. The upsetting news that her family is moving out to the suburbs is made worse when Marisol learns that the dance studio in her new neighborhood has closed. No tap, no ballet folkl--rico--not even ballet. She may have to take karate lessons! Instead, with the help of new friends, resourceful Marisol finds a way to keep dancing.

    However, the schools were inadequate at best. Some returned home, unable to endure the hardships of prairie life, but others were more committed. Jim Murphy's Sarah Jane Price stayed, braving the rough conditions of the West and the daily tasks that ensued.

    Kathleen dreams of living with her favorite aunt, Polly, far from her crowded home and the strict nuns at the convent school. She's surprised to find that she has a talent for dancing--and a chance to win the dance competition! But Kathleen's family has no money for the costume she needs--until Aunt Polly comes to the rescue.

    What she doesn't realize is that the girls are about to set off a torrent of false accusations leading to the imprisonment and execution of countless innocent people. Susanna faces a painful choice. Should she keep quiet and let the witch-hunt panic continue, or should she "break charity" with the group--and risk having her own family members named as witches? Reader's guide included.

    But nothing comes close to the working machine gun Chas McGill pulls out of a downed bomber. While the police search frantically for the missing gun, Chas and his friends build a secret fortress to fight the Germans themselves.

    The castle is a temporary boarding school for children escaping the Blitz, but soon it’s clear there is something terribly wrong. There are clues hinting that a spy is in the house, and there are undeniable signs of a sinister magic. When the children in the castle’s temporary boarding school begin disappearing one by one, it’s a race against the clock for twelve-year-old Kat Bateson, her two younger siblings, and their new best friend.

    Recently, she heard he was being held prisoner by the Nazis, a terrible sentence from which Meg fears he'll never return. All she has left of him are the codes he placed in a jar for her to decipher, an affectionate game the two of them shared. But the codes are running low, and soon there'll be nothing left of Papa for Meg to hold on to at all.Suddenly, an impossible chance to save her father falls into Meg's lap. After following a trail of blood in the snow, Meggie finds an injured British spy hiding in her grandmother's barn. Captain Stewart tells her that a family of German refugees must be guided across Nazi-occupied France to neutral Spain, whereupon one of them has promised to free Meg's father. Captain Stewart was meant to take that family on their journey, but too injured to complete the task himself, he offers it to Meg, along with a final code from Papa to help complete the mission -- perhaps the most important, and most difficult, riddle she's received yet.As the Nazis flood Meg's village in fierce pursuit, she accepts the duty and begins the trek across France. Leading strangers through treacherous territory, Meg faces danger and uncertainty at every turn, all the while struggling to crack her father's code. The message, as she unravels it, reveals secrets costly enough to risk the mission and even her own life. Can Meg solve the puzzle, rescue the family, and save her father?

    With a little snooping around, Howie finds out something even more alarming. Principal Lomister may not be a spy, but he is plotting to get rid of Howie's favorite teacher. Howie's dad is fighting Nazis overseas, and his mom is working hard to support the war effort, so Miss Gossim is the only person Howie can depend on. With the help of his friends, and a plan worthy of radio show superhero Captain Midnight, Howie intends to save Miss Gossim!

    Promising religious freedom and fertile land, Polly's father, Reverend Rodgers, moves their Baptist community from England to the Minnesota prairie. After a treacherous journey across the sea and across this country, Polly finds that it is no paradise at all. Written with incredible heart and compassion, insight and sensitivity, Marion Dane Bauer has created one of the most sophisticated and courageous characters Dear America has seen.

    When her chic cousin Rachel from Manhattan comes to stay for a month, Kanani can't wait to get to know her cousin and help Rachel feel at home. But a clash of cultures ensures, and Kanani feels ignored. She tries to extend hospitality but everything she does seems to make Rachel unhappy. How can she find a way to connect with her cousin and make things better? "Sometimes people who want help the least need it the most," her mother tells her. After a mixup with a diary leads to a fight, Kanani reaches out to Rachel in an openhearted spirit of caring and good will, and discovers that she has misjudged her cousin. In the process, Kanani learns the true meaning of Hawaii's "aloha spirit."

    Instead she celebrates her Found Day, the day a housemaid and a cook to three eccentric Viennese professors found her and took her home. There, Annika has made a happy life in the servants' quarters, surrounded with friends, including the elderly woman next door who regales Annika with stories of her performing days and her countless admirers - especially the Russian count who gave her the legendary emerald, the Star of Kazan. And yet, Annika still dreams of finding her true mother. But when a glamorous stranger arrives claiming to be Annika's mother, and whisks her away to a crumbling, spooky castle, Annika discovers that all is not as it seems in her newfound home...

    Neither Mother nor Virginia, Albert's spoiled little sister, is very happy about the voyage. But nobody can dampen Albert's enthusiasm about sailing on the biggest, most luxurious ocean liner ever built--not even Emily, a know-it-all girl who thinks the ship doesn't have enough lifeboats. Everyone knows the "Titanic" is unsinkable!Albert can't wait to see his friends back home, play baseball, and have fun. But when the "Titanic" hits an iceberg and begins to sink, he suddenly faces adult decisions. Can he save Virginia's life---and his own...?The sinking of the "Titanic," one of the gretest maritime diasters of all time, has fascianted the world for over eighty years. This ripping and fast-paced novel puts human faces on the tragedy as it shows us one boy's viliant passage to manhood.