He recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace.Sholeh Wolpé re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.

    Set in almost uninhabitable regions of Central Australia, The Songlines asks and tries to answer these questions: Why is man the most restless, dissatisfied of animals? Why do wandering people conceive the world as perfect whereas sedentary ones always try to change it? Why have the great teachers—Christ or the Buddha—recommended the Road as the way. to salvation? Do we agree with Pascal that all man's troubles stem from his inability to sit quietly in a room?We do not often ask these questions today for we commonly assume that living in a house is normal and that the wandering life is aberrant. But for more than twenty years Chatwin has mulled over the possibility that the reverse might be the case.Pre-colonial Australia was the last landmass on earth peopled not by herdsmen, farmers, or city dwellers, but by hunter-gatherers. Their labyrinths of invisible pathways across the continent are known to us as Songlines or Dreaming Tracks, but to the Aboriginals as the tracks of their ancestors—the Way of the Law. Along these "roads" they travel in order to perform all those activities that are distinctively human—song, dance, marriage, exchange of ideas, and arrangements of territorial boundaries by agreement rather than force.In Chatwin's search for the Songlines, Arkady is an ideal friend and guide: Australian by birth, the son of a Cossack exile, with all the strength and warmth of his inheritance. Whether hunting kangaroo from a Land Cruiser, talking to the diminutive Rolf in his book-crammed trailer, buying drinks for a bigoted policeman (and would-be writer), cheering as Arkady's true love declares herself (part of The Songlines is a romantic comedy), Chatwin turns this almost implausible picaresque adventure into something approaching the scale of a Greek tragedy.The life of the Aboriginals stands in vivid contrast, of course, to the prevailing cultures of our time. And The Songlines presents unforgettable details about the kinds of disputes we know all too well from less traumatic confrontations: over sacred lands invaded by railroads, mines, and construction sites, over the laws and rights of a poor people versus a wealthy invasive one. To Chatwin these are but recent, local examples of an eternal basic distinction between settlers and wanderers. His book, devoted to the latter, is a brilliant evocation of this profound optimism: that man is by nature not a bellicose aggressor but a pacific, song-creating, adaptive species whose destiny is to quest for the truth.

    The Bible and the Granth Sahib speak to us from these pages, as do the Quran and the Vedas. The songs of mystics and saints like Kabir, Rumi and Teresa of vila mix with the verse of poets like Ghalib, Tagore and Keats. In the final section, Khushwant Singh shares some of his own life codes and those of the rebels and mavericks he most admires. Full of spirit, wit and good sense and as free of humbug as the man himself this is a book of inspiration, comfort and entertainment for every discerning reader.

    G. Lockhart, who worked for a publishing firm. The book proved popular and Scott was paid six hundred pounds, which he desperately needed (despite his success as a novelist, Scott was almost ruined when the Ballantyne publishing firm, where he was a partner, went bankrupt in 1826).Letters was written when educated society believed itself in enlightened times due to advances in modern science. The book, however, revealed that all social classes still held beliefs in ghosts, witches, warlocks, fairies, elves, diabolism, the occult, and even werewolves. Sourcing from prior sixteenth- and seventeenth-century treatises on demonology along with contemporary accounts from England, Europe, and North America (Cotton Mather's Magnalia Christi, for one), Scott's discourses on the psychological, religious, physical, and preternatural explanations for these beliefs are essential reading for acolytes of the dark and macabre; the letters dealing with witch hunts, trials (Letters Eight and Nine), and torture are morbidly compelling.Scott was neither fully pro-rational modernity nor totally anti-superstitious past, as his skepticism of one of the "new" sciences (skullology, as he calls it) is made clear in a private letter to a friend. Thus, Letters is both a personal and intellectual examination of conflicting belief systems, when popular science began to challenge superstition in earnest.

    This autobiographical history of Scientology is told by one of L. Ron Hubbard’s staunchest defenders.

    "Brilliant, vivid, entertaining."--R. D. Laing

    It doesn't matter how small the tunnel is you never know what's around the bend ... You don't know if it's abandoned, you don't know if it's booby trapped and you don't know why the tunnel is there in the first place."They were young, they were Australian, they were Army engineers and they were the first allied soldiers to risk their lives in the darkness of the Vietcong tunnels of South Vietnam. Staring death squarely in the face every day, not only did they follow their enemy down into these unknown underground labyrinths, but matched the Vietcong's jungle warfare skills and defused thousands of their clever booby traps.Off duty, it was a different story. The bad boys of 3 Field Troop were a boozing, brawling, bonking bunch of larrikins, who cut a swathe through the bars and brothels of Saigon, fought American Military Police to a standstill, built a secret casino and booby-trapped their own HQ to teach their officers a lesson.Thrilling, inspiring and action packed, this is the true story of the unsung heroes of Australia's war in Vietnam. Living up to their motto of 'We Make and We Break', they created the legend of the Tunnel Rats.

    She struggles for survival and for self-esteem, embarking on a love affair with the 18-year-old son of her most powerful opponent, brutal and charismatic rancher, Buck Calder.

    To save the Norse faith and himself, he embarks upon a journey, where he must confront not only his own gods but the gods of a people yet more savage."'The action sweeps across oceans and continents... As with all Watkins' work, the writing is terse and physical, the themes big and resonant.' Tatler; 'A Viking Odyssey... Thunder God vividly charts the voyages of Hakon, a fisherman's son who is struck by lightning, kidnapped by raiders, taken to Miklagard (Constantinople), where he becomes part of the Emperor's personal guard, caught up in a raid on the Welsh coast, storm-driven across the Atlantic...' The Times; 'The rich physical descriptions are matched by an equally sure understanding of the ways of religious belief... This unusual, fluent novel suggests that Watkins remains a force to be reckoned with.' Sunday Telegraph; 'A thundering good read... Watkins is a master of suspense, and his action sequences have a visceral power' Sunday Times"

    E. Rölvaag lyrically chronicles the experiences of Nils Vaag, a young Norwegian immigrant. Abandoning the life of a fisherman in Nordland, a region poor but full of mystical beauty, Nils emigrates to the New World in 1912. There he sweeps saloons, lives in a boardinghouse called "Babel" for the many languages used by its residents, and begins to find his way among the people of the city.The Boat of Longing was Rölvaag's favorite of all his books and the only one set in urban America. When it was first published in English in 1933, it received wide praise from American critics. This edition includes an introduction by Einar Haugen, professor emeritus of Scandinavian and Linguistics at Harvard University and author of a critical study of Rölvaag.

    As a result, snipers are regarded as the elite of their units and their skills command the ungrudging respect of their fellows - and the enemy. The Author is one such man who recently served a full tour of duty with 1st Battalion the Royal Anglian Regiment in Helmand Province, Afghanistan. James describes the highs and lows of almost daily front line action experienced by our soldiers deployed on active service in arguably the most dangerous area of the world. As part of the Battle Groups crack Mobile Operations Group, Jamess mission was to liquidate as many Taliban as possible. The reader experiences sniper tactics and actions, whether in ambush or quick pre-planned strikes, amid the ever present lethal danger of IEDs. His book, the first to be written by a trained sniper in Afghanistan, reveals the psychological pressures and awesome life-and-death responsibility of his role and, in particular, the deadly cat-and-mouse games with the enemy snipers intent on their own kills. These involved the clinical killing of targets at ranges of 1,000 meters or greater. Sniper in Helmand is a thrilling action-packed, yet very human, account of both front line service in the intense Afghanistan war and first-hand sniper action. Andy McNab inspired James to join the army and has written a moving foreword.

    The first of these came out in 1946: the ever famous "How to be an Alien." Later he enlarges the picture with "How to be inimitable" and "How to be Decadent." All three books were illustrated by the master of the cartoonists' art, the late Nicolas Bentley. Here they are, all in one volume, which will make life much easier for today's would-be Brits than it was for those who pervaded them. It is said that a few of the latter actually failed to become indistinguishable from the genuine British article because they found it too tiresome to seek out three separate books: a misfortune that need never again occur to anyone.

    A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.

    This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down. It was a time of political power-play and brutal tyranny. Men and women took to the streets to protest. Dictators put them down with iron force. In the midst of it all, one inconsequential preacher died. And either something miraculous happened, or someone lied.Viscerally powerful in its depictions of the period - massacres and riots, animal sacrifice and human betrayal - The Liars' Gospel makes the oldest story entirely new.