Only months before her retirement, new mandatory background checks threaten to expose Jackie’s darkest secrets, secrets she’s kept buried for nearly fifty years. As Jackie pleads with her husband Peter for help, her carefully hidden past unfolds.Alabama, 1961- As an ambitious student, Jackie is looking forward to her senior year, with hopes for college. However, on Homecoming morning, her father’s infidelity causes her world to change suddenly and irrevocably. In the year that follows, Jackie and her sister are increasingly trapped by poverty, Jim Crow, and ongoing violence and abuse—and Jackie is ultimately forced to protect herself in ways she never imagined. Ways which now, fifty years later, may prove to be her undoing.

    Nothing but a four letter word and in part two of Treat Me Like Somebody, you'll find out just how true that is. After forgiving Justice for sleeping with Tammi, Jaz gives him one more chance to prove that she is all he wants. She thinks he is on a straighten narrow until a certain someone moves back in town. Finding out that your mother isn't your mother is heart breaking. After confronting his mother he realized that he never really knew her. He fought hard to get Jaz to forgive him and just when everything is going good, the unexpected happens. Not wanting to lose the love of her life, Mya finally tells Harlem her big secret. After being caught in a room with Diesel, it really left her no choice. She thought that once she came clean, he would understand but she was sadly mistaken and regretted even opening her mouth. Harlem hated the day he met Mya. After learning her secret he wanted nothing more than to forget he even know Mya but after a tragic accident and almost losing her, he knows he don't want to witness life without her. There's only one problem Diesel. Take a ride with these couples as they witness betrayal, long lost lovers and damaged hearts. Will they find out what love truly is or will they fall deep into temptation.

    There is child plan, medical plan, retirement plan but what about the one after it?What about death and after it? What if we’re not destined to live a long life? What if we die tomorrow?Death, as like life, is a truth and one day or another, it will come for us and we cannot do anything about it but we sure can plan for the journey after it, the journey of the afterlife.This book is a story of Arpan who has no belief in Karma or the afterlife. It’s the journey of his soul in the afterlife where he finally comes to know the truths which are still unknown for most of us.

     True love is often found when you least expect it. Snow-capped mountains and peaks that appear precarious to folks who prefer the solid comfort of level-ground are like home to me.I am Siddharth. My parents would have probably been okay had I turned to the forests seeking nirvana like the Buddha. But, I have turned to the mountains to seek solace or adventure, depending on how you look at it. The mountains are my home. They are my paradise.My parents wanted me to leave my adventures, marry a girl, and settle down. I'm not sure what that means, but I understand their love. So, I obliged them by getting engaged to a girl of their choice, but I had to do one last thing: climb Everest. It is my last calling.During my mission to climb Everest, fate showed its hand and I fell in love with my Sherpani, the woman who was my guide on the treacherous climb. Fate, however, is not finished playing games with me. It wants me to deal with more, much, much more!I don't know if I will ever climb Everest. I don't know if I will ever win my Sherpani. But, I do know that I MUST, even though life has taken a drastic and unimaginable turn... A touching and true to the heart contemporary romance. Order your copy today.

    

    We are all our own personal , Internal journey. This book will push you to question many of your most fundamental assumptions about reality, and may even trigger a paradigm shift in your perspective on life.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    When many years later the truth of the past is finally revealed, Glen Butler feels deceived. His reaction to events betrays the one he loves most, his daughter. Returning to the city to try and find her, Glen discovers she has a secret of her own, presenting him with a terrible dilemma. Set in Italy and England from the 1940s to the 1970s, a novel about the cost of keeping secrets.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    Her friends rally to support her, but with her sons away at Edinburgh University she still feels isolated in her grief. She is unemployed but has no wish to return to her old job as the manager of a care home; but she cannot decide what to do instead. With the approach of her fiftieth birthday that she has no desire to celebrate, together with the gloominess of her mood which will only get worse when winter arrives, Julia knows she needs to take drastic action to heal her broken heart. It was Duncan’s last wish to take her on a second honeymoon to Sicily. So Julia books herself a holiday for the whole of October; much to the surprise of her friends and to the horror of her sons, who are convinced she will be kidnapped by the Mafia. Julia ignores their warnings and rents a villa in the coastal town of Cefalu. The villa is owned by the charming Tony Hugo, a widowed English crime writer; who wastes no time in helping Julia feel at home.Sicily is everything Julia expected it to be – hot, sunny and exotic; but her holiday turns out to be far more of a life changing adventure than she could ever have imagined.