This text manages a pleasing balance, succeeds in whetting the appetite and supplying excellent online resources for the reader who wishes to find out more. Inside you will read about... ✓ The Creation in Norse Mythology ✓ The Nine Worlds ✓ Major Gods and Goddesses ✓ Valhalla ✓ Ragnarok ✓ The Sagas ✓ The Influence of Norse Mythology on Our Lives Today The author quotes generously from the most important relevant source which is freely available via the Project Gutenberg, and you are left with the sounds and taste of the times... ringing in your ears and tingling on your tongue.

    With the theatrical release of the two-part film "The Hobbit "slated for 2012 and 2013, attention will once again turn to J. R. R. Tolkien's classic works. In a culture where truth is relative and morality is viewed as old-fashioned, we welcome the chance to view the world through hobbit eyes: we have free will, our choices matter, and living a morally heroic life is possible. In this engaging and thought-provoking book, Tolkien expert Matthew Dickerson shows how a Christian worldview and Christian themes undergird Tolkien's Middle-earth writings and how they are fundamentally important to understanding his vision. This revised and expanded edition of "Following Gandalf" includes new material on torture, social justice, and the importance of the body.

    Now the gods need her to save the world!Seventeen-year-old Daphne has spent her entire life honing her body and mind into that of a warrior, hoping to be accepted by the unyielding people of ancient Sparta. But an unexpected encounter with the goddess Artemis—who holds Daphne's brother's fate in her hands—upends the life she's worked so hard to build. Nine mysterious items have been stolen from Mount Olympus, and if Daphne cannot find them, the gods' waning powers will fade away, the mortal world will descend into chaos, and her brother's life will be forfeit.Guided by Artemis's twin—the handsome and entirely-too-self-assured god Apollo—Daphne's journey will take her from the labyrinth of the Minotaur to the riddle-spinning Sphinx of Thebes, team her up with mythological legends such as Theseus and Hippolyta of the Amazons, and pit her against the gods themselves.A reinterpretation of the classic Greek myth of Daphne and Apollo, Daughter of Sparta, by debut author Claire M. Andrews turns the traditionally male-dominated mythology we know into a heart-pounding and empowering female-led adventure.

    The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and initiates Lucius into her cult. It has long been disputed whether Apuleius meant this last-minute conversion seriously or as a final comic surprise and the challenge of interpretation continues to keep readers fascinated. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and sheer exuberance, and The Golden Ass remains the most continuously and accessibly amusing book to have survived from Classical antiquity.

    This is a collection of Scottish fairy tales, folk tales and legends, which have been passed on from generation to generation, and have been brought together in this one volume.

    He is turned away but not before learning that one of the most adept of the old priestesses, or sibyls, lives in disgrace in the mountains above the temple. In her rude goat-hut he seeks the meaning of his disastrous brush with the son of God. She reveals that she, too, has been touched by the son of a god, a very different son, not quite human, born of her own body. He dwells with her as a constant reminder of the betrayal of her mystical and erotic union with the divine, her punishment, and perhaps her redemption.

    

    While Gottfried adheres faithfully to the events as set down by Thomas, his chosen source, he is correct over questions of Chrisianity and religion, but no more.In fact his persona as narrator is oddly elusive and engaging. A virtuoso stylist, adept in irony and wit, he is subtle and almost unmedieval in putting across his own impressions of a love that transcends the bounds advocated by Church or society.

    Here Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology. According to Campbell, society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these metaphors as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy’s classic interview with Campbell in The New York Times Magazine, which brought the scholar to the public’s attention for the first time.

    The result of sixteen years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts, the classic reference work on angels is beautifully illustrated and its reissue coincides with the resurgence of belief in angels in America.

    And on learning the truth about her lascivious and despotic father, Henry VIII, she vows never to relinquish control to any man. But this avowal doesn't prevent Elizabeth from pursuing a torrid love affair with her horsemaster, Robin Dudley -- described with near-shocking candor -- as too are Anne's graphic trysts with a very persistent and lustful Henry. Blending a historian's attention to accuracy with a novelist's artful rendering, Maxwell weaves compelling descriptions of court life and devastating portraits of actual people into her naughty, page-turning tale. The result is a masterpiece of historical fiction -- so prophetic of our time that one would think it were ripped from today's headlines.

    A study of Arthurian romance and legend which draws together the different strands of Arthurian myth, from sources as diverse as Geoffrey of Monmouth, Malory, Chretien de Troyes, the Mabinogion, and the English Gawain cycles.

    

    In Anam Cara, Gaelic for soul friend, the ancient teachings, stories, and blessings of Celtic wisdom provide such profound insights on the universal themes of friendship, solitude, love, and death as: Light is generous The human heart is never completely born Love as ancient recognitionThe body is the angel of the soul Solitude is luminous Beauty likes neglected places The passionate heart never ages To benatural is to be holy Silence is the sister of the divine Death as an invitation to freedom

    The vivid translations, which combine elegance and modernity, are remarkable for their lucidity and accuracy, and are equally suitable for reading for pleasure, study, or theatrical performance. The selection of Antigone, Oedipus the King, and Electra not only offers the reader the most influential and famous of Sophocles' works, it also presents in one volume the two plays dominated by a female heroic figure, and the experience of the two great dynasties featured in Greek tragedy--the houses of Oedipus and Agamemnon.