Hard-core realism, experimental prose, and black humor; exoticism and eroticism;shocking tales of brutality, tender evocations of love, and engrossing mysteries all coexist in an anthology that spans nearly a decade, ten years that have witnessed a dizzying array of societal and political changes. Almost all of the stories appear in English translation for the first time. Includes Shi Tiesheng, “First Person”; Hong Ying, “The Field”; Su Tong, “The Brothers Shu”; Wang Meng, “A String of Choices”; Li Rui, “Sham Marriage”; Duo Duo, “The Day I Got to Xi’an”; Chen Ran, “Sunshine Between the Lips”; Li Xiao, “Grass on the Rooftop”; Yu Hua, The Past and the Punishments”; Mo Yan, “The Cure”; Ai Bei, “Green Earth Mother”; Cao Naiqian, “When I Think of You Late at Night, There’s Nothing I Can Do”; Can Xue, “The Summons”; Bi Feiyu, “The Ancestor”; Yang Zhengguang, “Moonlight over the Field of Ghosts”; Ge Fei, “Remembering Mr. Wu You”; Chen Cun, “Footsteps on the Roof”; Chi Li, “Willow Waist”; Kong Jiesheng, “The Sleeping Lion”; Wang Xiangfu, “Fritter Hollow Chronicles.”

    Apart from superior military power, close coordination between the political leadership and the military and the ability to take quick decisions, China has potent anti-satellite and cyber warfare capabilities. Even more shockingly, regardless of popular opinion, India today is not even in a position to win a war against Pakistan. This has nothing to do with Pakistan’s nuclear weapons. It is because while India has been focused on building military force (troops and materiel needed to wage war) Pakistan has built military power (learning how to optimally utilize its military force). In this lies the difference between losing and winning. Far from being the strong Asian power of its perception, India could find itself extremely vulnerable to the hostility of its powerful neighbors. In Dragon On Our Doorstep, Pravin Sawhney and Ghazala Wahab analyse the geopolitics of the region and the military strategies of the three Asian countries to tell us exactly why India is in this precarious position and how it can transform itself through deft strategy into a leading power.The most populous countries and fastest growing economies in the world—India and China—have cultural and economic relations that date back to the second century bc. But over the years, despite the many treaties and agreements between the two nations, border clashes (including the disastrous 1962 war) and disagreements over Tibet and Jammu and Kashmir have complicated the relationship. For decades China kept a low profile. However, since 2008, when it was recognized as an economic power, China has become assertive. Today, this Himalayan balancing act of power is clearly tilted towards China, in whose view there is room for only one power in Asia. In this rise, Pakistan has emerged as China’s most trusted and crucial partner. The partnership between China and Pakistan, whether in terms of military interoperability (ability to operate as one in combat), or geostrategic design (which is unfolding through the wide-sweeping One Belt One Road project), has serious implications for India. The best that India can do is try and manage the relationship so that the dragon’s rise is not at the cost of India.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    The result: "The most creative, generous, and democratic of any of the annual volumes" (Rick Moody).Among its numerous awards, the Pushcart Prize has been chosen for the Poets Writers / Barnes Noble "Writers for Writers" Award and the National Book Critics Circle Lifetime Achievement recognition.

    From the gory photos captured on the ground, to the protest songs that soundtracked a generation of rebels and radicals, this twenty-year war left a mark on the world that’s not going to disappear soon. If you live in the United States (not to mention Vietnam itself), you’ve probably been affected by the war – whether you know it or not. But do you wish you had answers to some questions about the war? What were the stories behind the iconic pictures? Why did it divide the United States more than any war before or since? Would you like to be able to casually explain an issue or relate a story that would shock or impress the whole room? With the help of this Vietnam War book, you can! In just a few minutes a day, you can be an expert in Vietnam War history, and impress both your friends and your history teachers. Each chapter of our trivia books is broken up into fifteen bite-sized sections. These sections are either interesting stories, or clear, simple break-downs of the Vietnam War’s main issues. It’s a pretty complicated war, but unlike most war books, this one will make those difficult issues seem easy and exciting. Every chapter also ends with twenty fascinating facts and five quick questions to test your knowledge. And unlike some Vietnam War books, we’re not going to overwhelm you with a million dates and names – our Vietnam War stories are guaranteed to both intrigue and educate! Get ready to meet characters from Ho Chi Minh, Vietnam’s George Washington, to Peter Lemon, drug enthusiast and Medal of Honour winner. Find out what led to the war, and why it went so badly. Meet the people in Vietnam who risked their lives, and the people in America who stood up against the war. Learn why the Soviet Union stayed away, how a herbicide changed the definition of a war crime, and how Harris Tweed suits saved lives.

    Some poets, such as Bei Dao and Mahmoud Darwish, are acclaimed worldwide, but many more will be new to the reader. The collection includes 400 unique voices—political and apolitical, monastic and erotic—that represent a wider artistic movement that challenges thousand-year-old traditions, broadening our notion of contemporary literature. Each section of the anthology—organized by theme rather than by national affiliation—is preceded by a personal essay from the editors that introduces the poetry and exhorts readers to examine their own identities in light of these powerful poems. In an age of violence and terrorism, often predicated by cultural ignorance, this anthology is a bold declaration of shared humanity and devotion to the transformative power of art.

    For the first time ever in English, here is the complete text, with an introduction and extensive notes by renowned translator, Red Pine. Over one hundred poets are represented in this bilingual edition, including many of China’s celebrated poets: Li Pai, Wang Wei, Tu Fu, Wang Po, and Ou-yang Hsiu.Poems of the Masters was compiled during the Sung dynasty (960–1278), a time when poetry became the defining measure of human relationships and understanding.As Red Pine writes in his introduction: "Nothing was significant without a poem, no social or ritual occasion, no political or personal event was considered complete without a few well-chosen words that summarized the complexities of the Chinese vision of reality and linked that vision with the beat of their hearts . . . [Poetry’s] greatest flowering was in the T’ang and Sung, when suddenly it was everywhere: in the palace, in the street, in every household, every inn, every monastery, in every village square.""Chiupu River Song" by Li PaiMy white hair extends three milesthe sorrow of parting made it this longwho would guess to look in a mirrorwhere autumn frost comes fromRed Pine (the pen name of writer and independent scholar Bill Porter) is one of the world’s most respected translators of Chinese literature, bringing into English several of China’s central religious and literary texts: Taoteching, The Diamond Sutra, Zen Teachings of Bodhidharma, and Collected Songs of Cold Mountain. He lives near Seattle, Washington.

    George Kennedy of Yale, who called it “a small mass of confusion". The old theory as to the nature of the Chinese written character (which Pound & Fenollosa followed) is that the written character is ideogrammic—a stylized picture of the thing or concept it represents. The opposing theory (which prevails today among scholars) is that the character may have had pictorial origins in prehistoric times but that these origins have been obscured in all but a few very simple cases, & that in any case native writers don’t have the original pictorial meaning in mind as they write. Whether Pound proceeded on false premises remains an academic question. Let the pedants rave. An important extension of imagist technique in poetry was gained by Pound’s perception of the essentially poetic nature of the Chinese character as it's still written.

    Since then, award-winning author Jia Pingwa’s vivid portrayal of contemporary China’s social and economic transformation has become a classic, viewed by critics and scholars of Chinese literature as one of the most important novels of the twentieth century. Howard Goldblatt’s deft translation now gives English-speaking readers their first chance to enjoy this masterpiece of social satire by one of China’s most provocative writers. While eroticism, exoticism, and esoteric minutiae—the “pornography” that earned the opprobrium of Chinese officials—pervade Ruined City, this tale of a famous contemporary writer’s sexual and legal imbroglios is an incisive portrait of politics and culture in a rapidly changing China. In a narrative that ranges from political allegory to parody, Jia Pingwa tracks his antihero Zhuang Zhidie through progressively more involved and inevitably disappointing sexual liaisons. Set in a modern metropolis rife with power politics, corruption, and capitalist schemes, the novel evokes an unrequited romantic longing for China’s premodern, rural past, even as unfolding events caution against the trap of nostalgia. Amid comedy and chaos, the author subtly injects his concerns about the place of intellectual seriousness, censorship, and artistic integrity in the changing conditions of Chinese society. Rich with detailed description and vivid imagery, Ruined City transports readers into a world abounding with the absurdities and harshness of modern life.

    For brides and grooms who want to give their weddings new depth and meaning, two acclaimed poet-translators have gathered a stunning collection of poems and prose that will add a unique and personal dimension to the ceremony.

    A young poet named Liao Yiwu, who had up until then lead an apolitical bohemian existence, found his voice in that moment, and, like the solitary man who stood firmly in front of a line of tanks, Liao proclaimed his outrage—only his weapon would be his words. Liao's memoir, For a Song and a Hundred Songs, captures the four dehumanizing years he spent in jail for writing the incendiary poem "Massacre." Through the power and beauty of his prose, he reveals the brutal reality of crowded Chinese prisons—the harassment from guards and fellow prisoners, the torture, the conflicts among human beings in close confinement, and the boredom of everyday life. Hailed by Philip Gourevitch as "one of the most original and remarkable Chinese writers of our time," Liao presents a stark and devastating portrait of a nation in flux, exposing a side of China that outsiders rarely ever get to see. This honest account and witness to history will forever change the way you view the rising superpower of China.

    Arguably the central genre of Japanese literature, the 31-syllable lyric made up the great majority of Japanese poetry from the ninth to the nineteenth century and was the inspiration for such poetry as haiku and renga. Tanka has begun to attract considerable attention in North America in recent years. Modern Japanese Tanka is the first comprehensive collection available in English.Tanka retains the aesthetic sensibilities that circumscribe Japanese culture, but just as Japan has changed during this tumultuous century, tanka has undergone equally radical shifts. Responding to artistic and social movements of the West, tanka has incorporated influences ranging from Marxism to Avant-Garde.Modern Japanese Tanka includes four hundred poems by twenty of Japan's most renowned poets who have made major contributions to the hisotry of tanka in the late nineteenth and early twentieth centuries. With his graceful, eloquent translations, Makoto Ueda captures the distinct voices of these individual poets, providing biographical sketches of each as well as transliterating Japanese text below each poem. His introduction gives an excellent overview of the development of tanka in the last one hundred years.Tracing the contemporary tanka tradition from Yosana Tekkan in the late nineteenth century to the late twentieth-century poetry of such writers as Taware Machi, Modern Japanese Tankselegantly conveys an authentic sense of Japanese lyric to a Western audience.

    There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

    Every background, every race, every spiritual heritage is invited. Yet, it might not seem that way; Christianity can often seem foreign and awkward, even to Christians.The Tea Room Scrolls is a bridge in the Asian garden. At the height of the bridge, two groups of people will meet in this study: those familiar with Asian spiritual traditions, and Christians wanting to explore Jesus’ teachings from a new vantage point. From the safety of the bridge, and with no pressure to step off the bridge, you will explore the mysteries of Jesus Christ in a fascinating format.Mankind has questions—about the purpose of life, the path of blessed living, the way to live in peace, the pursuit of abundant joy. The Tea Room Scrolls is a mindful and spiritual adventure you will never forget as you ponder Jesus’ answers to the most important questions of life.Come up onto the bridge and enjoy the view in this eight week self-study course.Best-selling author Randy Loubier spent 50 years pursuing the Asian spiritual traditions of Shinto, Taoism, Hindu and Buddhism, all the while convinced that Christians were weak people who were deluded by a book written by ancient kings to control the masses. When he finally read the Bible for himself, he discovered something extraordinary: Jesus’ teachings not only brought radical joy to his life, but are a far better fit to the Asian culture than the West! Your perspective is about to be stretched because...“Western Christians are often blind to some vital teachings of Jesus!”“Asian spiritualists are closer than they think to the Kingdom of Heaven!”Included in Volume 1:Vital Introductory MaterialThe Full Grid RevealedIn-Depth Study: Top Row

    The Haiku Anthology, first published in 1974, is a landmark work in modern haiku, honoring a genre of poetry that celebrates simplicity, emotion, and imagery—in which only a few words convey worlds of mystery and meaning. This third edition, now completely revised and updated, comprises 850 haiku and senryu (a related genre, usually humorous and concerned with human nature) written in English by 89 poets, including the top haiku writers of the American past and present. A new foreword details developments since the publication of the last edition. "Each of these perfect little poems will come as a revelation to the uninitiated reader and will bring joy to the haiku enthusiast. . . . This is an exceptional selection of English-language haiku at its finest."—Library Booknotes