Moved by the presence and withdrawal of light, these internal clocks influence rhythms of sleeping and waking: the opening and closing of flowers, the speed at which the heart pumps blood, the migratory cycles of birds. With love poems and wintry prayers, Joanna Klink offers us patterns of glowing alertness and shared life, patterns that speak to the flickering circuit between inner and outer landscapes, that bind each beating heart to the pull of the tides.

    His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

    Thanks to the introduction of free-roaming cattle, ponies, pigs and deer – proxies of the large animals that once roamed Britain – the 3,500 acre project has seen extraordinary increases in wildlife numbers and diversity in little over a decade.Once-common species, including turtle doves, nightingales, peregrine falcons, lesser spotted woodpeckers and purple emperor butterflies, are now breeding at Knepp, and populations of other species are rocketing. The Burrells’ degraded agricultural land has become a functioning ecosystem again, heaving with life – all by itself.This recovery has taken place against a backdrop of catastrophic loss elsewhere. According to the 2016 ‘State of Nature’ report, the UK is ranked 29th in the world for biodiversity loss: 56% of species in the UK are in decline and 15% are threatened with extinction. We are living in a desert, compared with our gloriously wild past.In Wilding, Isabella Tree tells the story of the ‘Knepp experiment’ and what it reveals of the ways in which we might regain that wilder, richer country. It shows how rewilding works across Europe; that it has multiple benefits for the land; that it can generate economic activity and employment; how it can benefit both nature and us – and that all of this can happen astonishingly quickly. Part gripping memoir, part fascinating account of the ecology of our countryside, Wilding is, above all, an inspiring story of hope.

    

    Sometimes you reap what other people sowed. Sometimes you haven't got a clue what you are sowing, and sometimes you just get lucky, or unlucky. All these things are true of life, as of gardening.In this thoughtful and beautifully observed book, journalist and gardening enthusiast Margaret Simons takes readers on a journey through the seasons, through her life, and through the tiny patch of inner-urban earth that is home to her garden.Over the course of a year, within the garden and without, there are births to celebrate and deaths to mourn; there are periods of great happiness and light, and times of quiet reflection. There is, in other words, all the chaos, joy, sorrow, and splendour of being alive.

    He put his children into the local school and lived quietly, recording his experiences in this blend of anthropology and art, capturing the tensions which both support and threaten a small community.

    One of the fun things about keeping sheep is that now and then it feels like something other than a job or a duty. Perhaps the feeling can best be summed up by the idea that it’s not I who keep the sheep, but the sheep who keep me.When literary academic Axel Lindén leaves the city for the farm he unexpectedly inherits—along with the ever-escaping flock of sheep that comes with it—he has a fairly naïve notion of what farm life will be: pure drudgery.But as time passes and Axel slowly settles into the rhythm of the farm and shepherding, his naiveté gradually fades away and is replaced with deep insight into the spiritual and emotional value of manual labor, caring for other living things, and staying connected to the earth.Capturing his observations and thoughts in short diary entries, Counting Sheep is a meditative and irresistibly delightful book that delves into the small wonders of our world and celebrates pastoral life, demonstrating that it’s often the little things in life that mean the most.

    In Tree: A Life Story, authors David Suzuki and Wayne Grady extend that celebration in a "biography" of this extraordinary—and extraordinarily important—organism. A story that spans a millennium and includes a cast of millions but focuses on a single tree, a Douglas fir, Tree describes in poetic detail the organism's modest origins that begin with a dramatic burst of millions of microscopic grains of pollen. The authors recount the amazing characteristics of the species, how they reproduce and how they receive from and offer nourishment to generations of other plants and animals. The tree's pivotal role in making life possible for the creatures around it—including human beings—is lovingly explored. The richly detailed text and Robert Bateman's original art pay tribute to this ubiquitous organism that is too often taken for granted. Also available in hardcover.Published in partnership with the David Suzuki Foundation.

    These adorable, furry marine mammals--often seen floating on their backs holding hands--reveal the health of the coastal ecosystem along the Pacific Ocean. Once hunted for their prized fur during the 1700s and 1800s, these animals nearly went extinct. Only now, nearly a century after hunting ceased, are populations showing stable growth in some places. Sea otters are a keystone species in coastal areas, feeding on sea urchins, clams, crab, and other crustaceans. When they are present, kelp beds are thick and healthy, providing homes for an array of sealife. When otters disappear, sea urchins take over, and the kelp disappears along with all of the creatures that live in the beds. Now, thanks to their protected status, sea otters are floating around in coves in California, Washington, and Alaska.Todd McLeish is a science writer with three published books, all on natural history topics: Narwhals, Basking with Humpbacks, and Golden Wings and Hairy Toes: New England Wildlife. He is a popular public speaker on cruise ships and at museums and environmental centers and has published articles on wildlife topics in Earthwatch Journal, Bird Watcher's Digest, WildBird, and Natural New England, among other publications.

    All, however, share a common vision: a rediscovery of this land, and the ways by which we might become natives of the place, ceasing to think and act (after all these centuries) as newcomers and invaders. Of particular interest is the full text of the ever more relevant "Four Changes," Snyder's seminal manifesto for environmental awareness.

    From the moment he watched the multitudes blossom as a mysterious dark flower above the night woods, these gloriously commonplace birds were unsheathed entirely from their ordinariness. They became for Cocker a fixation and a way of life. Cocker goes in search of them, journeying from the cavernous, deadened heartland of South England to the hills of Dumfriesshire, experiencing spectacular failures alongside magical successes and epiphanies. Step by step he uncovers the complexities of the birds' inner lives, the unforeseen richness hidden in the raucous crow song he calls 'our landscape made audible'. Crow Country is a prose poem in a long tradition of English pastoral writing. It is also a reminder that 'Crow Country' is not 'ours': it is a landscape which we cohabit with thousands of other species, and these richly complex fellowships cannot be valued too highly

    He joins the healing of the land to the process of purifying the human spirit and proposes a way of life and a way of farming in which such healing can take place.

    Before the Norman Conquest, Anglo-Saxons living in a wintry world wrote about the coldness of exile or the shelters they had to defend against enemies outside. The Middle Ages brought the warmth of spring; the new lyrics were sung in praise of blossoms and cuckoos. Descriptions of a rainy night are rare before 1700, but by the end of the eighteenth century the Romantics had adopted the squall as a fit subject for their most probing thoughts.The weather is vast and yet we experience it intimately, and Alexandra Harris builds her remarkable story from small evocative details. There is the drawing of a twelfth-century man in February, warming bare toes by the fire. There is the tiny glass left behind from the Frost Fair of 1684, and the Sunspan house in Angmering that embodies the bright ambitions of the 1930s. Harris catches the distinct voices of compelling individuals. “Bloody cold,” says Jonathan Swift in the “slobbery” January of 1713. Percy Shelley wants to become a cloud and John Ruskin wants to bottle one. Weatherland is a celebration of English air and a life story of those who have lived in it.

    Here, Robin Robertson and his brother Tim Robertson – whose accompanying images are as unforgettable as cave-paintings – raise strange new forms which speak not only of the potency of our myths and superstitions, but how they were used to balance and explain the world and its predicaments.From one of our most powerful lyric poets, this is a book of curses and visions, gifts both desired and unwelcome, characters on the cusp of their transformation – whether women seeking revenge or saving their broken children, or men trying to save themselves. Haunting and elemental, Grimoire is full of the same charged beauty as the Scottish landscape – a beauty that can switch, with a mere change in the weather, to hostility and terror.

    Disenchanted by London, she and her husband left the city and high-flying careers to move the 500 miles north, despite having absolutely no experience of crofting, or of island life. It was idyllic, for a while. But as the months wear on, the children she'd longed for fail to materialise, and her marriage breaks down, Tamsin finds herself in ever-increasing isolation.Injured, ill, without money or friend she is pared right back, stripped to becoming simply a raw element of the often harsh landscape. But with that immersion in her surroundings comes the possibility of rebirth and renewal. Tamsin begins the slow journey back from the brink.Startling, raw and extremely moving, I Am An Island is a story about the incredible ability of the natural world to provide when everything else has fallen away- a stunning book about solitude, friendship, resilience and self-discovery.