The Met's crack murder squad, AMIP, is called out by nervous CID detectives to a grim discovery. Five bodies, all young women, all ritualistically murdered and dumped on wasteland near the Dome. As each post-mortem reveals a singular, horrific signature linking the victims, officers realize that they are on the trail of that most dangerous offender: a sexual serial killer. Detective Inspector Jack Caffery - young, driven, unshockable - finds himself facing both hostility within the force and echoes of his past in this, his first case with AMIP. Haunted by the memory of a death long ago, he employs every weapon forensic science can offer for he knows it is only a matter of time before this chaotic, sadistic killer strikes again.

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    Delpha Wade killed a man who was raping her. Wanted to kill the other one too, but he got away. Now, after fourteen years in prison, she’s out. It’s 1973, and nobody’s rushing to hire a parolee. Persistence and smarts land her a secretarial job with Tom Phelan, an ex-roughneck turned neophyte private eye. Together these two pry into the dark corners of Beaumont, a blue-collar, Cajun-influenced town dominated by Big Oil. A mysterious client plots mayhem against a small petrochemical company-why? Searching for a teenage boy, Phelan uncovers the weird lair of a serial killer. And Delpha — on a weekend outing — looks into the eyes of her rapist, the one who got away. The novel's conclusion is classic noir, full of surprise, excitement, and karmic justice. Sandlin's elegant prose, twisting through the dark thickets of human passion, allows Delpha to open her heart again to friendship, compassion, and sexuality.Lisa Sandlin's story "Phelan's First Case" was anthologized in Lone Star Noir and was later re-anthologized in Akashic's Best of the Noir series, USA Noir. The Do-Right is her first full-length mystery. Lisa was born in Beaumont, currently lives and teaches in Omaha, Nebraska, and summers in Santa Fe, New Mexico.

    And when her body is found in the woods, Cooper's investigation begins with a short list of markedly uncooperative suspects: retired miner Harry Dickinson, whose black Labrador discovered Laura's body, and Laura's wealthy parents. Uneasily teamed with ambitious newcomer Detective Constable Diane Fry, Cooper tests a town's family ties, friendships, and loyaties -- and finds that in order to understand the present, they must unearth the past.

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    But Rachel still has no idea how a foolish teenaged game turned deadly--or who replaced her soft pellet air gun with a real weapon. When a figure jumped out at her from the darkness, she fired without thinking. By the time she recognized her half-brother, Luke, it was too late. Blood bloomed around his chest . . .Rachel's horrifying dreams about that night continue. Her anxiety contributed to her divorce from Detective Cade Ryder, though he blames himself too. And now, as Rachel's high school reunion nears, she feels her imagination playing tricks on her. She's sure that there's a hint of unfamiliar cologne in the air. That someone is tailing her car. Watching her home . . .She's right to be scared. And as connections surface between a new string of murders and Luke's death, Rachel realizes there's no escaping the past. And the truth may be darker than her worst fears . . .

    But she's still uneasy at Khattak's tight-lipped secrecy when he asks her to look into Christopher Drayton's death. Drayton's apparently accidental fall from a cliff doesn't seem to warrant a police investigation, particularly not from Rachel and Khattak's team, which handles minority-sensitive cases. But when she learns that Drayton may have been living under an assumed name, Rachel begins to understand why Khattak is tip-toeing around this case. It soon comes to light that Drayton may have been a war criminal with ties to the Srebrenica massacre of 1995.If that's true, any number of people might have had reason to help Drayton to his death, and a murder investigation could have far-reaching ripples throughout the community. But as Rachel and Khattak dig deeper into the life and death of Christopher Drayton, every question seems to lead only to more questions, with no easy answers. Had the specters of Srebrenica returned to haunt Drayton at the end, or had he been keeping secrets of an entirely different nature? Or, after all, did a man just fall to his death from the Bluffs?In her spellbinding debut, Ausma Zehanat Khan has written a complex and provocative story of loss, redemption, and the cost of justice that will linger with readers long after turning the final page.

    Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.

    Rachel Knight is a tenacious, wise-cracking, and fiercely intelligent prosecutor in the city's most elite division. When her colleague, Jake, is found dead at a grisly crime scene, Rachel is shaken to the core. She must take over his toughest case: the assault of a young woman from a prominent family.But she can't stop herself from digging deeper into Jake's death, a decision that exposes a world of power and violence and will have her risking her reputation--and her life--to find the truth.With her tremendous expertise in the nuances of L.A. courts and crime, and with a vibrant ensemble cast of characters, Marcia Clark combines intimate detail, riotous humor, and visceral action in a debut thriller that marks the launch of a major new figure on the crime-writing scene.

    . .Some crimes are too unspeakable to solve . . . In the sleepy rural town of Painters Mill, Ohio, the Amish and "English" residents have lived side by side for two centuries. But sixteen years ago, a series of brutal murders shattered the peaceful farming community. In the aftermath of the violence, the town was left with a sense of fragility, a loss of innocence. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish. Now, a wealth of experience later, Kate has been asked to return to Painters Mill as Chief of Police. Her Amish roots and big city law enforcement background make her the perfect candidate. She's certain she's come to terms with her past--until the first body is discovered in a snowy field. Kate vows to stop the killer before he strikes again. But to do so, she must betray both her family and her Amish past--and expose a dark secret that could destroy her.

    A name, a time, a place.Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard.Late one night in April 1958, a filing assistant for Miss Brickett’s named Michelle White receives a letter warning her that a heinous act is about to occur. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect.Almost unwillingly, Marion Lane, a first-year Inquirer-in-training, finds herself being drawn ever deeper into the investigation. When her friend and mentor is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie—style locked-room mystery with an exciting new heroine detective at the helm.

    When she finds herself happily settled into a sleepy hamlet nestled in the idyllic interior of British Columbia surrounded by a suitably eclectic cast of small-town characters she feels like she may finally be able to put her past to rest.But then a body is discovered, the victim of murder, and although she works alongside the town’s inspectors Darling and Ames to discover who might have possibly have motivation to kill, she unknowingly casts doubt on herself. As the investigation reveals facts that she has desperately tried to keep a secret, it threatens to pull her into a vortex of even greater losses than the ones she has already endured.A clever postwar mystery that will appeal to fan of historical mysteries with women sleuths like the Maisie Dobbs series by Jacqueline Winspear or the Bess Crawford series by Charles Todd.

    Marsh was a rising star on the police force of Mason Falls, Georgia—until his wife and young son were killed in an accident. Since that night, caught in a spiral of grief and booze, he’s lost the ability to see the line between smart moves and disastrous decisions. Such as when he decides to ’help out’ an exotic dancer by confronting her abusive boyfriend. When the next morning he gets called to the scene of his newest murder case, he is stunned to arrive at the house of a dead man, the very man he beat up the night before. He could swear the guy was alive when he left, but can he be sure? What he does know is that his fingerprints are all over the crime scene.But the trouble is only beginning. P.T. and his partner Remy begin to suspect the murder is connected to a local arson and lynching; two days earlier, the dead body of a black teenager was found in a burned-out field, a portion of a blackened rope around his neck—and P.T. realizes he might have killed the #1 suspect of this horrific crime.Amid rising racial tension and media scrutiny, P.T. uncovers something sinister at the heart of the boy’s murder—a conspiracy leading all the way back to the time of the Civil War. Risking everything to unravel the puzzle even as he fights off his own personal demons, P.T. races headlong toward an incendiary and life-altering showdown.

    In her office above her bookstore’s shelves and stacks, where she luxuriates in books and the comfort they provide, she also tracks certain men. Dangerous men. Men who have hurt the women they claim to love. And Nikki likes to teach those men a lesson, to teach them what it feels like to be hurt and helpless, so she can be sure that their victims are safe from them forever.When a regular PI job tailing Karen, a tech company's disgruntled employee who might be selling secrets, turns ugly and Karen's life is threatened, Nikki has to break cover and intervene. Karen tells Nikki that there are people after her. Dangerous men. She says she'll tell Nikki what's really going on. But then something goes wrong, and suddenly Nikki is no longer just solving a case—she's trying hard to stay alive.Part Lisbeth Salander, part Jack Reacher, part Jessica Jones, Nikki Griffin is a kickass character who readers will root for as she seeks to right the world's wrongs. S.A. Lelchuk’s Save Me from Dangerous Men marks the beginning of a gripping new series and the launch of a fabulous new character.

    . .The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect.