As the millennium approaches, that novel is Bruce Wagner's I'm Losing You.Chosen as a New York Times Notable Book of the Year, I'm Losing You is set in a land of H.I.V.I.Ps, porn stars in love, scheming dermatologists, and cell-phone conversations that never connect. It is a place of celebrity chore-whores, masseurs, traitorous shrinks, syphilitic cantors, sightless children, and dying men who wear $400,000 watches. It's Hollywood, cordless and unplugged -- where the two most-heard comments are "I'm losing you..". and "I'll let you go".With a sensibility that calls to mind Nashville (set in Tinseltown, as told by Virgil) -- from the prying eyes of Hard Copy to the babbling cellular matrix of darkest night -- Bruce Wagner charts the morbidity and mortality of a culture's current affairs, depicting the national obsession with fame and fortune -- truth and consequence -- as never before.

    Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

    Perhaps that was the trouble--no one really took a good look at Ronald. Except for his devoted mother, who saw only the son she wanted to see. Who, then, is Ronald? Ronald is that faceless unknown who waits - to take, to grab what he needs, to become the ultimate invader.

    Susan Isaacs has praised The Dieter as "a delightful novel, intelligent, witty, and very moving". Available in mid-January.

    Librarian's note: An alternate cover edition can be found hereThis novel tells the story of America's race to Mars and the web of passionate conflict it weaves among the astronauts and their wives -- and between Russia and the United States, the contestants in this deadly race.

    It chronicles one day in the life of Todd Andrews, a day on which he makes a very important decision. It was Barth's first novel.

    Kristen, his beloved daughter, dying, pounded bloody and broken by feet and fists. Kristen, dead-as dead as Lucas' most hidden desires.In Lucas Ellington's eyes, the mindless crowd of rock n' rollers is blameless. His child was murdered by Whip Hand, the Ultimate Party Band. The main event.Whip Hand dissolved soon after the arena disaster but the musicians are still alive out there, still alive and kicking.Not for long. Lucas has sacrified one set of dreams; he will not surrender another. Instead of Kristen, he cradles revenge to his breast.His ultimate target: Gabriel Stannard. Whip Hand's lead singer.

    But Ria has been chosen to mend the splintered alliance between humans and elves by marrying a human. With peace at stake, Ria must decide if she'll be happy living between two worlds or if she should answer the call of blood and family.

    She had to leave the comfortable home she had shared with Edward and their three children, now all grown-up, and move into a small flat in the middle of Bath. The dramatic change in her lifestyle threatened to overwhelm her. But gradually Naomi began to appreciate the changes, and even to enjoy them. For the first time in her life she could do what she liked, and make her own friends. If these included men friends - well, why not? Unfortunately her children could think of many reasons why not, and Naomi began a battle to establish her own independence, and to persuade her family that she had moved into the springtime of a whole new life. In this warm and inspiring new novel, Elvi Rhodes's wonderful storytelling skills are used to explore a dilemma faced by many women today.

    Preston Wildey-King, 14, lives in Malibu with his widowed mother and sister. He is literally addicted to Pepsi, to the point that all his thoughts and fantasies are focused on it. When he's not drinking it he's dreaming about it, even creating art and poetry based on it. It amounts to his religion (Preston could have written "Breathtaking Design Strategy", the 2009 corporate document elevating Pepsi and its logo to metaphysical glory). He is deeply in love with Peggy, but she dumps him after an argument over his Pepsi habit. His friend Ryan is bisexual and desires him. His math tutor seduces him, and when he's sent to juvie after robbing a convenience store (mesmerized by a crate of Pepsi, of course, he sits down and drinks some instead of running) he's molested by a guard. Preston's choices and misfortunes are chronicled with that distinctive Gibbons flair, full of elegant metaphors, quirky slang and over- and undercurrents of emotion that take on a life of their own. Good luck finding it. Only five libraries are known to have it, but apparently bootleg copies exist.

    In this haunting, ribald, and percussively violent work, the author of Hoke Moseley detective novels yields a floodlit vision of the cockpits and criminal underbelly of the rural south. First published in 1962 by Charles Willeford, later made into a Roger Corman film.

    tight binding. No marks on pages.

    Overwhelmed (and yet secretly enchanted) by her zany, rambling monologue, Jerry is relieved to leave her in St. Louis as he continues to New York. Thinking he’s seen the last of her, he heads off to college, only to be pursued by seventeen lengthy letters, and before he knows it he’s involved with a seemingly crazy, startlingly honest girl who adores him. During the next two years, Pookie helps Jerry leave behind the fun-seeking, beer-blasted fraternity man he has become, as she teaches him to open his heart to her. Then, almost as suddenly as she appeared in his life, she disappears from it, leaving in her wake an eternal trail of love and wonder.

    But this farmer isn’t looking for a wife — his first love ended in tragedy, and he will never put his heart on the line again. The land is his love, and he’s happy that way.Sasha Hepworth has goals and ambitions and she has worked very hard for her success. She’s just forgotten how to enjoy herself. So a weekend fling with a gorgeous cowboy is just what she needs — after all, it can’t go any further. She’d never leave the conveniences and beauty of the city for a dusty outback town.But a weekend of fine dining and spectacular sights isn’t enough for Blake and Sasha, and the growing feelings that neither can deny make them question everything about their lives. When a city girl meets a country boy, will they find middle ground?

    It is a kaleidoscopic collage that whirls about an indelible array of images and characters: perverted Winky, who opted for the army to stay off of welfare; eccentric Payne, who’s obsessed with the film he’s making of the war; bucolic Claypool, who’s irrevocably doomed to a fate worse than death. Just to mention a few. And floating at the center of this psychedelic spin is Spec. 4 James Griffin. In country, Griffin studies the jungle of carpet bomb photos as he fights desperately to keep his grip on reality. And battling addiction stateside after his tour, he studies the green of household plants as he struggles mightily to get his sanity back. With mesmerizing action and Joycean interior monologues, Stephen Wright has created a book that is as much an homage to the darkness of war as it is a testament to the transcendence of art.