Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    The strain of his disappearance breaks his already fragile family.Ten years later, with his mother deceased and siblings scattered across the globe, Adam turns up unannounced at the family home. His siblings return reluctantly to Spanish Cove, but Adam's reappearance poses more questions than answers. The past is a tangled web of deceit.And, as tension builds, it's apparent somebody has planned murderous revenge for the events of ten years ago.

    She can't be - she hasn't had sex for over a year. But to her astonishment and dismay, multiple tests confirm it's true.Desperately searching for an explanation, Abby recalls New Year's Day - the terrible hangover, the hole in her memory where the night before should have been and the inexplicable sense of unease - and realizes that this baby must have been conceived at her best friend Danny's NYE party. Horrified that someone would have taken advantage of her intoxicated state, Abby enlists the help of Danny to find out which of the party guests assaulted her. But, when she starts to receive anonymous messages, it seems that while she has been looking into the father of her baby, someone has been watching her... A gripping psychological thriller, perfect for fans of Liane Moriarty's Big Little Lies and Darcy Bell's A Simple Favor.

    Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified.Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions.Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined…

    . . Lisa Dale shuts her eyes and counts to one hundred during a game of hide-and-seek. When she opens them, her four-year-old daughter Ella is gone. Disappeared without a trace. The police, the media and Lisa's family all think they know who snatched Ella. But what if the person who took her isn't a stranger? What if they are convinced they are doing the right thing? And what if Lisa's little girl is in danger of disappearing forever?

    But she’s safe now. She lives in a gated community, protected from danger. When teenager Elle knocks at her door looking for shelter during a particularly severe storm, the woman can’t help but think how lucky Elle’s been to have found someone as friendly as her. Except Elle chose her door on purpose…She knows all about Charlotte’s secrets because they ruined her family and her life. And it is time that everyone else knew. But Charlotte’s past has left a dark void in her life, so she is concocting her own vicious plan, convinced that Elle can help fill that void.As events unfold, the truth unravels and pulls both women into a dangerous game that will leave you wondering, Who’s the villain?

    Probing the dark side of influencer culture and the perils of parenting online, People Like Her explores our desperate need to be seen and the lengths we’ll go to be liked by strangers. It asks what—and who—we sacrifice when make our private lives public, and ultimately lose control of who we let in. . . .

    While Scott throws himself back into his law practice in Los Angeles, Kat is hesitant to rejoin the workplace and instead spends her days shell-shocked and confused, unable to focus.When an unwelcome face from Kat’s past in England emerges—the beautiful and imposing Sarah Cherrington—Kat’s marriage is thrown into a tailspin. Now wealthy beyond anything she could have imagined as a girl, Sarah appears to have everything she could need or want. But Sarah has an agenda and she wants one more thing. Soon Kat and Scott are caught up in her devious games and power plays.Against the backdrops of Southern California and Sussex, in spare and haunting prose, Mary McCluskey propels this domestic drama to its chilling conclusion.

    But she knows why they are there. Be careful who you let in...A house swap becomes the eerie backdrop to a crumbling marriage, a long-buried affair, and the fatal consequences that unfold.When Caroline and Francis receive an offer to house swap--from their city apartment to a house in a leafy, upscale London suburb--they jump at the chance for a week away from home, their son, and the tensions that have pushed their marriage to the brink.As the couple settles in, the old problems that permeate their marriage--his unhealthy behaviors, her indiscretions--start bubbling to the surface. But while they attempt to mend their relationship, their neighbor, an intense young woman, is showing a little too much interest in their activities.Meanwhile, Caroline slowly begins to uncover some signs of life in the stark house--signs of her life. The flowers in the bathroom or the music might seem innocent to anyone else--but to her they are clues. It seems the person they have swapped with is someone who knows her, someone who knows the secrets she's desperate to forget. . . .Be careful who you let in. . .

    He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. He hoped it wouldn’t end like this, not for him.Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the homicide detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake. Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    And face the devastating consequences.Three couples. Two exes. One day. One reckoning.In her debut novel, Agatha Zaza crafts a modern domestic tragedy simmering with betrayal and deceit.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    Her antique furniture restoration business is taking off and she’s engaged to a wonderful man. But there’s one big question that still haunts her — who are her birth parents? Sara is finally ready to find out. Sara’s birth mother rejects her—again. Then she discovers her biological father is an infamous killer who’s been hunting women every summer for almost forty years. Sara tries to come to terms with her horrifying parentage — and her fears that she’s inherited more than his looks — with her therapist, Nadine, who we first met in "Still Missing." But soon Sara realizes the only thing worse than finding out your father is a killer is him finding out about you. Some questions are better left unanswered.

    Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.