Now, with Goldenrod, the award-winning poet returns with a powerful collection of poems that look at parenthood, solitude, love, and memory. Pulling objects from everyday life—a hallway mirror, a rock found in her son’s pocket, a field of goldenrods at the side of the road—she reveals the magic of the present moment. Only Maggie Smith could turn an autocorrect mistake into a line of poetry, musing that her phone “doesn’t observe / the high holidays, autocorrecting / shana tova to shaman tobacco, / Rosh Hashanah to rose has hands.”​

    After 18 months together, he disappears from her life, confirming her worst fears about the unstable foundation of their relationship. She attempts to graduate university whilst retreating into herself, searching for new validations and preoccupations from heartbreak.Life marches on and Ekuah finds personal fulfilment in her poetry and community work. But when she must choose between her first love, and the promise of a new, unexpected love, in the form of Jay Stanley, can she handle the vulnerability and forgiveness required? Grappling with her examples of love, Ekuah must forge her own path. With an increasingly successful career, she finds herself traveling around the world. When her rise intersects with Dee’s own fame, the two are pushed to reach a final resolution.

    To redefine her reputation among her Ivy League–obsessed classmates, Nic begins writing their college admissions essays.But the more essays Nic writes for other people, the less sure she becomes of herself, the kind of person she is, and whether her moral compass even points north anymore.

    The story follows Mary as the American-born daughter of Greek and French immigrants living in Detroit in the 1930s, creating a historically accurate portrayal of life as an immigrant during the Great Depression, hunger strikes, and violent riots.Mary lives in a tiny apartment with her immigrant parents, her brothers, and her twin sister, and she questions why her parents ever came to America. She yearns for true love, to own her own business, and to be an independent, modern American woman—much to the chagrin of her parents, who want her to be a “good Greek girl.”Mary’s story is peppered with flashbacks to her parents’ childhoods in Greece and northern France; their stories connect with Mary as they address issues of arranged marriage, learning about independence, and yearning to grow beyond one’s own culture. Though Call Me Athena is written from the perspective of three profoundly different narrators, it has a wide-reaching message: It takes courage to fight for tradition and heritage, as well as freedom, love, and equality.

    It's perfect for fans of Gayle Forman, Lauren Myracle, and Laurie Halse Anderson.Girls started vanishing in the fall.For Maggie Larsen, the town of Gill Creek is only a stopgap before college and freedom. Until she meets Pauline and Liam.What starts as an uneventful year suddenly changes. Someone is killing teenage girls, and the town reels from the tragedy. As Maggie's and Pauline's worlds collide and change around them, they will both experience love and loss.And by the end of the book, only one of them will survive.

    A boy walks into a fire station, pale with the shock of a grisly discovery. A middle school teacher worries when her colleague is late for work. By day’s end, when the body is identified as local math teacher Adam Merkel, a small Nevada town will be rocked to its core by a brutal and calculated murder. Adam Merkel left a university professorship in Reno to teach middle school in Lovelock seven months before he died. A quiet, seemingly unremarkable man, he connected with just one of his students: Sal Prentiss, a lonely sixth grader who lives with his uncles on a desolate ranch in the hills. The two outcasts developed a tender, trusting friendship that brought each of them hope in the wake of tragedy. But it is Sal who finds Adam’s body, charred almost beyond recognition, half a mile from his uncles’ compound. Nora Wheaton, the middle school’s social studies teacher, dreamed of a life far from Lovelock only to be dragged back on the eve of her college graduation to care for her disabled father, a man she loves but can’t forgive. She sensed in the new math teacher a kindred spirit--another soul bound to Lovelock by guilt and duty. After Adam’s death, she delves into his past for clues to who killed him and finds a dark history she understands all too well. But the truth about his murder may lie closer to home. For Sal Prentiss’s grief seems heavily shaded with fear, and Nora suspects he knows more than he’s telling about how his favorite teacher died. As she tries to earn the wary boy’s trust, she finds he holds not only the key to Adam’s murder, but an unexpected chance at the life she thought she’d lost.Weaving together the last months of Adam’s life, Nora’s search for answers, and a young boy’s anguished moral reckoning.

     But hold everything! The Mothers’ Board has been quiet for too long, and they refuse to lay down after seeing their beloved pastor vanish. What follows is a rollicking adventure with the mothers sticking their noses in plenty of people’s business and causing a fuss wherever they go—whether it’s breaking and entering a house to search for clues … or investigating the seemingly psycho church secretary. Along the way, the mothers show a heap of God’s love to some hurting folks—and put the smack-down on the devil every chance they get. It’s their church, after all, and mothers know best!

    Grieving and still new to adulthood, she confronted the twin pulls of life and death in the aftermath of unimaginable trauma and now explores the way this experience lastingly shaped the artist she became.Pulitzer Prize–winning poet Natasha Trethewey explores this profound experience of pain, loss, and grief as an entry point into understanding the tragic course of her mother’s life and the way her own life has been shaped by a legacy of fierce love and resilience. Moving through her mother’s history in the deeply segregated South and through her own girlhood as a “child of miscegenation” in Mississippi, Trethewey plumbs her sense of dislocation and displacement in the lead-up to the harrowing crime that took place on Memorial Drive in Atlanta in 1985.

    In this tight-knit community, five girls on the cusp of womanhood-a politically driven graffiti artist; a transgender Christian convert; a blind girl who loves to dance; and the queer daughter of a hijabi union leader-forge an unbreakable bond.When the local government threatens to demolish their tin shacks in order to build a shopping mall, the girls and their mothers refuse to be erased. Together they wage war on the bulldozers sent to bury their homes, and, ultimately, on the city that wishes that families like them would remain hidden forever.Elegant, poetic, and vibrant, A People's History of Heaven takes a clear-eyed look at adversity and geography and dazzles in its depiction of love and female friendship.

    Cash lost his mother to an opioid addiction and his Papaw is dying slowly from emphysema. Dodging drug dealers and watching out for his best friend, Delaney, is second nature. He’s been spending his summer mowing lawns while she works at Dairy Queen.But when Delaney manages to secure both of them full rides to an elite prep school in Connecticut, Cash will have to grapple with his need to protect and love Delaney, and his love for the grandparents who saved him and the town he would have to leave behind.From the award-winning author of The Serpent King comes a beautiful examination of grief, found family, and young love.

    Fans of E. Lockhart, Jennifer Niven, and Gayle Foreman will find their own fury in this exceptional novel for our times.Lexi's angry. And it's getting worse.If only she could stop losing her temper and behave herself, her stepfather would accept her, her mom would love her like she used to, and her stepbrother would declare his crushing desire to spend the rest of his life with her. She wants these things so badly, she's determined to swallow her anger and make her family proud.But pushing fury down doesn't make it disappear. Instead, it simmers below the surface waiting to erupt . . . And there'll be fireworks when it does.From the bestselling and award-winning author of Before I Die, You Against Me, and Unbecoming comes a remarkably affecting story that explores the myriad of ways a girl's sense of self can be whittled away, and what might happen when she fights back.

      Witty, sarcastic Ethan and his three best friends are students at Selwyn Arts Academy, which has been hijacked by For Art’s Sake, a sleazy reality-television show. In the tradition of Ezra Pound, the foursome secretly writes and distributes a long poem to protest the show. They’re thrilled to have started a budding rebellion.   But the forces behind the show are craftier than they seem. The web of betrayal stretches farther than Ethan could have ever imagined, and it’s up to him, his friends, and a heroic gerbil named Baconnaise to save Selwyn.

    Dawn, tall and studious; her sister, Kim, younger by three years and headstrong; and her best friend, Debra, already prom-queen pretty by third grade. They bonded as they roamed the concrete landscape of Bronzeville, a historic neighborhood on Chicago’s South Side, the destination of hundreds of thousands of Black folks who fled the ravages of the Jim Crow South. These third-generation daughters of the Great Migration come of age in the 1970s, in the warm glow of the recent civil rights movement. It has offered them a promise that they will have more opportunities, rights, and freedoms than any generation of Black Americans in history. But the girls have much more immediate concerns: hiding under the dining room table and eavesdropping on grown folks’ business; collecting secret treasures; and daydreaming about their futures. And then fate intervenes, sending them careening in wildly different directions. There’s heartbreak, loss, displacement, and even murder. Three Girls from Bronzeville is a memoir that chronicles Dawn’s attempt to find answers. It’s a celebration of sisterhood, a testimony to the unique struggles of Black women, and a tour-de-force about the complex interplay of race, class, and opportunity, and how those forces shape our lives and our capacity for resilience and redemption.

    Forty-four writers, dancers, actors, and artists contribute essays, lists, poems, comics, and illustrations about everything from body positivity to romance to gender identity to intersectionality to the greatest girl friendships in fiction. Together, they share diverse perspectives on and insights into what feminism means and what it looks like. Come on in, turn the pages, and be inspired to find your own path to feminism by the awesome individuals in Here We Are.Welcome to one of the most life-changing parties around!