But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

    Her unorthodox approach (aromatherapy? massage?) provides much grist for the rumor mill. But Quee's new venture is the least of the many scandals brewing in Fulton: a happily married woman entrusts her illicit secrets to a dead letter file; a mad-as-hell property owner seeks revenge for his recently-submerged investment; a radio talk show host longs to hit the big time, by any means. Quee knows these folks need help with more than their nicotine fits, and their troubles are all tied to that resilient little muscle known as the heart.

    Together they set out to conquer Dublin and the world. Under the big city’s bright lights, they spin their lives into a whirl of comic and touching misadventures, wild flirtations, and reckless passions. But love changes everything. And as their lives take unexpected and separate turns, Baba and Kate must ultimately learn to go it alone.A beautiful portrait of the pain and joy of youth, the ruin of marriage gone wrong, and the ache of lost friendship and love, this trilogy of Edna O’Brien’s remarkable early novels is more than just a harbinger of the stunning and masterly writer she has become.

    From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, "Ham on Rye" offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

    The novel is notable for its detailed portrait of the people, culture, and varied religions of India. The book presents a vivid picture of India, its teeming populations, religions, and superstitions, and the life of the bazaars and the road.Two men - a boy who grows into early manhood and an old ascetic priest, the lama - are at the center of the novel. A quest faces them both. Born in India, Kim is nevertheless white, a sahib. While he wants to play the Great Game of Imperialism, he is also spiritually bound to the lama. His aim, as he moves chameleon-like through the two cultures, is to reconcile these opposing strands, while the lama searches for redemption from the Wheel of Life. A celebration of their friendship in a beautiful but often hostile environment, 'Kim' captures the opulence of India's exotic landscape, overlaid by the uneasy presence of the British Raj.

    Though with his parents deceased since he was a boy, and with no way of uncovering who they were, finding a sense of family is more than a daunting task-it seems impossible. Until he goes to Louisiana's Cajun country, with hopes of finding a man who perhaps knew them. After enduring blistering heat, torment from mosquitoes, venturing into eerie, backwater swamps, and fending off alligators, snakes, and a few sinister locals, Sam finds what he had sought all of his life. He's also given a second chance, one to leave behind a pained past that he would rather forget. But finding what he wants most means that he'll eventually have to lose it.

    From a place where you don't have to run away to find yourself, this novel's young heroine, Berry, joins the ranks of other memorable and spirited girl narrators such as Bone in "Bastard Out of Carolina," Kaye Gibbon's Ellen Foster, Lily Owens in The Secret Life of Bees, and Scout from To Kill a Mockingbird.

    But after twenty-five years Pete Barrington—having escaped to California on a football scholarship and then established himself as a doctor, only to be brought low by scandal—has come home. Here he finds solace with his closest old friend, opens a new practice, and daily runs into memories he’d rather forget, even as his aggravated wife and unsettled daughter contend with this wholly alien society.Meanwhile, Alan DePoyster has come to revel in his family life and his position in the church and community—the sort of idyll snatched away from him in childhood and won back only with patience and faith. Yet he now feels old grudges against the prodigal Barrington eroding his sense of accomplishment; and as their lives inevitably become intertwined, his rage against the forces chiseling away at his values and beliefs soon threatens to destroy everything he cherishes.            The End of California is a vivid, even shocking, portrait of small-town life, where people turn to booze, gossip, and feckless sex in their struggles with provincial claustrophobia, where fates often hang in the balance of personal history, and where the sins of the fathers and mothers are visited most acutely on their sons and daughters. This is the most expansive, generous, and moving novel thus far from “a confident and elegant prose stylist,” as David Guterson has described him, “a storyteller who knows how empty spaces can resonate with power and meaning.”

    Following his dream of becoming a writer, he turns away from everything he knows, and enters adulthood embittered, angry, and resentful.As he struggles to make a name for himself, he is presented with the opportunity of a lifetime. Although it requires a betrayal of his principles as an artist, he resigns himself to what appears to be fate. The writer’s compromise brings money and recognition, but these are fleeting and he soon finds himself caught in a web of depression and financial hardship. Desperate and sinking quickly, the writer begins taking trips to Michigan’s Upper Peninsula, where he hopes to reconnect with his muse. During one of these excursions, he meets Nigel Moon, a grizzled fellow author nearing the end of his career. Moon gives the writer a second golden opportunity and the chance to prove himself in the face of personal doubts—but only if the writer is able to set his past aside.Equal parts witty and dark and wry and tragic, the text uses simplicity as its focus. Raw and honest, Becoming Moon is an unforgettable book about exorcising past demons and finding personal redemption.

    Trapped pumping gas at a desolate roadstop, he yearns for things he has never known: love, hope, and the soft, white calmness of snow. Mike's world is filled with a menagerie of quirky characters, who cope with the weight of their unfulfilled dreams with bravado, humor, and violence. Mike trades snappy insults with his macho father, Texaco Turk McGurk, a moustachioed amateur boxer and self-proclaimed war hero who is unable to talk about love. Mike lusts after Lily, his seductive, poem-writing cousin. He cowers before and then confronts the vicious Ramses, grandson of Mr. Sneezy, the wisecracking Apache. And he is rescued by his best friend, Bobo, who delivers him into the care of the loving and generous Mama and Papa Garcia.In Search of Snow is an explosive coming-of-age adventure, full of hilarious episodes and still, poignant moments. Like a blue-collar Don Quixote, Mike must blow up his windmills before he can set off to find the things he lacks, especially the snow that will temper the passion he has just set aflame.

    Before she was a Mammy, before she had Chisellers, and before they made her a Granny, Agnes Browne was Agnes Reddin, a young girl-or a Young Wan- growing up in the Jarro in Dublin. Brendan O'Carroll takes readers back to the heart of working-class Dublin, this time in the 1940s.  Together with her soon to be lifelong best friend Marion Delany, young Agnes manages to survive the indignities and demands of Catholic school, the unwanted births of siblings, days spent in the factories and markets, and nights in the dance hall as rock-and-roll invades Dublin.But on the eve of her wedding night, the Jarro is alive with gossip—will Agnes be turned away at the altar?  For the whole parish knows Agnes's not-so-well-kept secret.  And with a mother falling further into dementia, and a younger sister turning to a life of crime, it's up to Agnes alone to keep her splintering family together, while trying to create one of her own. Filled with O'Carroll's trademark wicked wit and loving, larger-than-life characters, The Young Wan shows the hardscrabble beginnings of the ultimate Irish mother and family.

    Tired of the society crowd, Celestia prefers to swim and fish with Peter, the hotel’s hired boy. It’s a friendship she must keep secret, and when companionship turns to romance, it’s a love that could get Celestia disowned. These affairs of the heart become all the more wrenching on a single, tragic day in May, 1889. After days of heavy rain, the dam fails, unleashing 20 million tons of water onto Johnstown, Pennsylvania, in the valley below. The town where Peter lives with his father. The town where Celestia has just arrived to join him. This searing novel in poems explores a cross-class romance—and a tragic event in U. S. history.

    

    Calvin is a determined, successful provider and Beth an organized, efficient wife. They had two sons, Conrad and Buck, but now they have one. In this memorable, moving novel, Judith Guest takes the reader into their lives to share their misunderstandings, pain...and ultimate healing. (back cover)

    Filled with an abiding sense of love and family, and of the forces that test them to the breaking point, Wildlife—first published by Atlantic Monthly Press in 1990 and now reissued as a Grove Press paperback—is a book whose spare poetry and expansive vision established it as an American classic.