Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

    He is never wrong.When Arlen awakens on a train one hot Florida night and sees death's telltale sign in the eyes of his fellow passengers, he tries to warn them. Only 19-year-old Paul Brickhill believes him, and the two abandon the train, hoping to escape certain death. They continue south, but soon are stranded at the Cypress House--an isolated Gulf Coast boarding house run by the beautiful Rebecca Cady--directly in the path of an approaching hurricane.The storm isn't the only approaching danger, though. A much deadlier force controls the county and everyone living in it, and Arlen wants out--fast. But Paul refuses to abandon Rebecca to face the threats alone, even though Arlen's eerie gift warns that if they stay too long they may never leave. From its chilling beginning to terrifying end, The Cypress House is a story of relentless suspense from "one of the best of the best" (Michael Connelly).

    Parrish follows that success with an addictive novel filled with shocking twists about the aftermath of a brutal high-society murder.Dr. Kate English has it all. Not only is she the heiress to a large fortune; she has a gorgeous husband and daughter, a high-flying career, and a beautiful home anyone would envy.But all that changes the night Kate’s mother, Lily, is found dead, brutally murdered in her own home. Heartbroken and distraught, Kate reaches out to her estranged best friend, Blaire Barrington, who rushes to her side for the funeral, where the years of distance between them are forgotten in a moment.That evening, Kate’s grief turns to horror when she receives an anonymous text: You think you’re sad now, just wait. By the time I’m finished with you, you’ll wish you had been buried today. More than ever, Kate needs her old friend’s help.Once Blaire decides to take the investigation into her own hands, it becomes clear that all is not as it seems in Baltimore high society. As infidelity, lies, and betrayals come to light, and tensions rise to a boiling point, she begins to alienate Kate’s friends and relatives with her relentless, accusatory questions, as she tries to find Lily’s killer. The murderer could be anyone—friend, neighbor, loved one. But whoever it is, it’s clear that Kate is next on their list. . .In The Last Time I Saw You, Liv Constantine takes the lightning pace of The Last Mrs. Parrish and raises the stakes, creating an exquisitely tension-filled and absorbing tale of psychological suspense in which innocent lives—and one woman’s sanity—hang in the balance.

    . .Twenty-three-year-old artist Andrea Morales escaped her Midwestern Catholic childhood—and the closet—to create a home and life for herself within the thriving but insular lesbian underground of Portland, Oregon. But one drunken night, reeling from a bad breakup and a friend’s betrayal, she recklessly crosses enemy lines and hooks up with a man. To her utter shock, Andrea soon discovers she’s pregnant—and despite the concerns of her astonished circle of gay friends, she decides to have the baby.A decade later, when her precocious daughter Lucia starts asking questions about the father she’s never known, Andrea is forced to reconcile the past she hoped to leave behind with the life she’s worked so hard to build.A thoroughly modern and original anti-romantic comedy, Stray City is an unabashedly entertaining literary debut about the families we’re born into and the families we choose, about finding yourself by breaking the rules, and making bad decisions for all the right reasons.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    The day before the ceremony, a group of young friends, including the bride and groom, are involved in an accident. Three survive. Three are killed.The lives of the families are shattered and the rifts between them ripple throughout the small town. Connor survived, but living among the angry and the mourning is almost as hard as carrying the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him. Travelling first to Liverpool, then London, he eventually makes a home—of sorts—for himself in New York, where he finds shelter and the possibility of forging a new life.But the secrets—the unspoken longings and regrets that have come to haunt those left behind—will not be silenced. Before long, Connor will have to confront his past.A powerful and timely novel of emigration and return, Home Stretch demonstrates Norton’s keen understanding of the power of stigma and secrecy—and their devastating effect on ordinary lives.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    Homeless and desperate, she flees to an exclusive retreat in upstate New York famous for its outrageous revelries and glamorous artists. And notorious as the place where brilliant young artist Carey Logan - one of her idols - drowned in the lake. But when she arrives, the retreat is a ghost of its former self. No one shares their work. No parties light up the deck. No one speaks of Carey, though her death haunts the cabins and the black lake, lurking beneath the surface like a shipwreck. As the young painter works obsessively in Carey's former studio, uncovers strange secrets and starts to fall--hard and fast--for Carey's mysterious boyfriend, it's as if she's taking her place. But one thought shadows her every move: What really happened to Carey Logan?

    Sydney's dad is the only psychiatrist for miles around their small Ohio town.He is also unexpectedly dead.Is Sydney crazy, or is it kind of weird that her dad-a guy whose entire job revolved around other peoples' secrets-crashed alone, with no explanation?And why is June Copeland, homecoming queen and the town's golden child, at his funeral?As the two girls grow closer in the wake of the accident, it's clear that not everyone is happy about their new friendship.But what is picture perfect June still hiding? And does Sydney even want to know? THE TRUTH ABOUT KEEPING SECRETS is a page-turning, voice led, high school thriller.

    A famous bestselling author who appears a modest everyman. A loving, devoted husband even though he could have any woman he desires. A generous friend and coworker. But Henry Hayden is a construction, a mask. His past is a secret, his methods more so. No one besides him and his wife know that she is the actual writer of the novels that made him famous.For most of Henry’s life, it hasn’t been a problem. But when his hidden-in-plain-sight mistress becomes pregnant and his carefully constructed facade is about to crumble, he tries to find a permanent solution, only to make a terrible mistake.Now not only are the police after Henry, but his past—which he has painstakingly kept hidden—threatens to catch up with him as well. Henry is an ingenious man and he works out an ingenious plan. He weaves lies, truths, and half-truths into a story that might help him survive. But bit by bit the noose still tightens.Smart, sardonic, and compulsively readable, here is the story of a man whose cunning allows him to evade the consequences of his every action, even when he’s standing on the edge of the abyss.

    Only some lead to murder.Leo Stanhope. Assistant to a London coroner; in love with Maria; and hiding a very big secret. For Leo was born Charlotte, but knowing he was meant to be a man – despite the evidence of his body – he fled his family home at just fifteen, and has been living as Leo ever since: his original identity known only to a few trusted people.But then Maria is found dead and Leo is accused of her murder. Desperate to find her killer and under suspicion from all those around him, he stands to lose not just the woman he loves, but his freedom and, ultimately, his life.A wonderfully atmospheric debut, rich in character and setting, in The House on Half Moon Street Alex Reeve has created a world that crime readers will want to return to again and again.

    Fearful for her safety, she lies about her destination in order to get him out of the car. But when she later discovers that he is a teacher at the same school, she finds herself feeding that initial lie with more lies.Then Katrina meets Jack Reeves. Handsome, charismatic and strong, he is exactly what she needs to extricate her from the expanding network of lies. She falls fast and hard for him. But when Jack lands himself in the middle of a grisly murder, she must decide whether to turn him in--or tell yet another lie.

    But she also has a secret: she is the product of an abduction. Her mother was kidnapped as a teenager by her father and kept in a remote cabin in the marshlands of Michigan’s Upper Peninsula. Helena, born two years after the abduction, loved her home in nature, and despite her father’s sometimes brutal behavior, she loved him, too…until she learned precisely how savage he could be.More than twenty years later, she has buried her past so soundly that even her husband doesn’t know the truth. But now her father has killed two guards, escaped from prison, and disappeared into the marsh. The police begin a manhunt, but Helena knows they don’t stand a chance. Knows that only one person has the skills to find the survivalist the world calls the Marsh King–because only one person was ever trained by him: his daughter.

    It’s perfectly normal, and they all grow out of it in the end. But when her seven-year-old son, Cody, tells her about New Granny, the new friend he’s met in the park, Georgina is instantly suspicious. Something—call it maternal instinct—tells her he isn’t making it up.But maybe Georgina is losing her mind. It wouldn’t be the first time, after all. And with her own mother’s recent death leaving her bereft and trying to cope with life as a busy working mom, it’s no wonder she’s feeling paranoid that Cody has invented a “New Granny” to replace his beloved grandmother.Her husband, Bren, becomes the voice of reason, assuring Georgina that it’s just a game, the product of their son’s overactive imagination. But what if Cody’s imaginary friend is not so imaginary after all?

    But her greatest victory suddenly turned into a nightmare. Traumatized, betrayed, and publicly vilified for the shocking circumstances surrounding the cannibal murder case, Kate could only watch as her career ended in scandal.Fifteen years after those catastrophic events, Kate is still haunted by the unquiet ghosts of her troubled past. Now a lecturer at a small coastal English university, she finally has a chance to face them. A copycat killer has taken up the Nine Elms mantle, continuing the ghastly work of his idol.Enlisting her brilliant research assistant, Tristan Harper, Kate draws on her prodigious and long-neglected skills as an investigator to catch a new monster. Success promises redemption, but there’s much more on the line: Kate was the original killer’s intended fifth victim…and his successor means to finish the job.