And then one night, he awakens to find that he no longer believes in God. This crisis of faith propels an ordinary middle-aged man into an extraordinary journey of self-discovery. This wickedly funny and spiritually complex play examines the effects of one man s awakening on himself and his family.

    Chronicling the relationship between a lonely artist and her absent--albeit abusive--muse, Magic with Skin On will gently break you, then put you back together again.

    Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, violence, motherhood, sexuality, and assault in the world of Trump and the MeToo movement. Each poem centers on a fictional character from horror cinema, and explores the many ways in which women find empowerment through their own perceived monstrousness.

    Each animal in his menagerie exhibits such curious habits and eccentricities. There was Cholmondely the chimpanzee, for example, who was 'king' of the collection, liked a good cigarette and his tea not too hot, but had a horror of snakes! Cuthbert the curassow loved to collapse across people's feet when they weren't looking.Gerald Durrell describes not only the capture of these rare and exotic animals in Africa and South America, but also the problems of caging and feeding them. Footle, the moustached monkey, insisted on nose-diving into his milk, while the Kusimanses - nicknamed the Bandits - found Durrell's toes the most delectable thing in camp!

    Sarah's self-prescribed therapy happily involves hitting all the garage and tag sales in and around her small town of Ellington, Massachusetts. If only she could turn her love for bargain hunting into a full-time career.One man's junk is another man's treasureBut after returning from a particularly successful day searching for yard sale treasures, Sarah finds a grisly surprise in one of her bags: a freshly bloodied shirt…that undoubtedly belongs to her ex, CJ, who now happens to be Ellington's chief of police. If that's not bad enough, it seems Tiffany has gone missing. Now it's up to Sarah to prove that her cold-hearted ex is not a cold-blooded killer…But finding that treasure can be murder.

    The poem explores the actual world of history transformed into the mythical world of poetry, where what we remember about the past may be more real than history tells us.

    These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    I love how thick this writing is, sublimely claustrophobic yet expansive, like a child's nightmare of scale."—Dodie Bellamy"Autodidact and knight-errant, Ward often betrays the procedural forms he tries to impose on his labyrinthine ruminations in order to remain faithfully engaged to the traditional task of the post-Romantic poet, an 'ecstatic commingling' of okay-you know and 'starry anaphor.'"—Tyrone Williams"I should write a real blurb with real blurb-like things in it, but TCOIW, a kind of lullaby arranging the psychic terrain of my future prosodically, is saving my stupid ass."—Anselm Berrigan

    Unrequited love. Platonic love. Lost love. Self-love. And, for a lucky few humans: old soul love that seems to transcend even death.

    Nora Ephron's I Feel Bad About My Neck meets Elizabeth Berg—boldly original and endlessly enthralling—The Hunchback of Neiman Marcus is a luminous, brilliantly told story of life, marriage, and parenthood that you will not soon forget."Funny, fresh, and heartbreakingly poignant, this book had me laughing and crying at the same time."—Meg Cabot, author of The Princess Diaries series and Insatiable"I read The Hunchback of Neiman Marcus and I saw the light and the mirror and fell under Sonya Sones' spell."—Jacquelyn Mitchard, author of The Deep End of the Ocean"Wallpaper a room with the pages of The Hunchback of Neiman Marcus. It will be your favorite place. The room you come back to again and again, year after year."—Ilene Beckerman, author of Love, Loss, and What I Wore

    Ron Rash the poet is back and giving us poems that are both the river stones and the water making them shine. If allowed only two words for this wonderful poet, they would have to be clear and lithe.

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    This book of all-new poems from the beloved author of Words From A Wanderer and Love In My Language is a quotable companion on the road to healing.