It's the beginning of an incredible odyssey in which John Carter, a gentleman from Virginia and a Civil War veteran, unexpectedly finds himself on to the red planet, scene of continuing combat among rival tribes. Captured by a band of six-limbed, green-skinned savage giants called Tharks, Carter soon is accorded all the honor of a chieftain after it's discovered that his muscles, accustomed to Earth's greater gravity, now give him a decided advantage in strength. And when his captors take as prisoner Dejah Thoris, the lovely human-looking princess of the city of Helium, Carter must call upon every ounce of strength, courage, and ingenuity to rescue her-before Dejah becomes the slave of the depraved Thark leader, Tal Hajus!Excerpt:Her oval face was beautiful in the extreme, her every feature finely chisled and exquisite, her eyes large and lustrous and her head surmounted by a mass of coal black, waving hair, caught loosely into a strange yet becoming coiffure. Similar in face and figure to women of Earth, she was nevertheless a true Martian--and prisoner of the fierce green giants who held me captive, as well!

    Howard's Almuric is a savage planet of crumbling stone ruins and debased, near-human inhabitants. Into this world comes Esau Cairn, Earthman, swordsman, murderer. Only he can overthrow the terrible devils that enslave Almuric, but to do so he must first defeat the inner demons that forced him to abandon Earth. Filled with vile beasts and thrilling adventure in the tradition of Edgar Rice Burroughs, Almuric is one of Howard's few novels, and an excellent yarn from one of America's most distinct literary voices.

    None are more memorable than her Witch World novels. Simon Tregarth, a man from our own world, escapes his doom through the gates to the Witch World. There he aids the witch Jaelithe's escape from the hounds of Alizon, only to find himself embroiled in a deeper war against an even deadlier foe: the Kolder.

     In an interstellar romp that proves science and sorcery can mix, only hard-headed realist Rod Gallowglass can save the people of Gramarye from their doom by becoming--The Warlock in Spite of Himself--if only he believed in magic.

    Science rules the dayside of the globe. Magic rules the World of Night, and Jack of Shadows, Shadowjack the Thief, who broke the Compact and duped the Lord of High Dudgeon, walks in silence and in shadows to seek vengeance upon his enemies.

    Earth scientist Rocannon is on that world, and he sees his friends murdered and his spaceship destroyed. Marooned among alien peoples, he leads the battle to free this new world - and finds that legends grow around him even as he fights.

    Twk-men ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: the evil are charming, the good are dangerous.

    Now the elves need the weapon for their war against the trolls. Only Scafloc, a human kidnapped and raised by elves, can hope to persuade Bolverk the ice-giant to make Tyrfing whole again. But Scafloc must also confront his shadow self, Valgard, the changeling in his place among men.

    But when Harlan meets and falls for a non-Eternal woman, he seeks to use the awesome powers and techniques of the Eternals to twist time for his own purposes, so that he and his love can survive together.

    For although the UN has slated "anomalous" children for deportation and destruction, other people—especially Supreme Goodmember Arnie Kott of the Water Worker's union—suspect that Manfred's disorder may be a window into the future. In Martian Time-Slip Philip K. Dick uses power politics and extraterrestrial real estate scams, adultery, and murder to penetrate the mysteries of being and time.

    Greed pulls the archaeologist Matt Carse into the forgotten tomb of the Martian god Rhiannon and plunges the unlikely hero into the Red Planet's fantastic past, when vast oceans covered the land and the legendary Sea-Kings ruled from terraced palaces of decadence and delight.

    Richard Seaton acquires rights to his discovery from the government and commercializes it with the aid of his friend, millionaire inventor Martin Crane. When a former colleague tries to steal the invention, not only the future of Dr. Seaton and his allies, but ultimately the entire world hangs in the balance!The first of the great "space opera" science fiction novels, The Skylark of Space remains a thrilling tale more than 80 years after its creation."With the exception of the works of H. G. Wells, possibly those of Jules Verne -- and almost no other writer -- it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work." -- Frederik Pohl

    Author Michael Moorcock, already a major player in science fiction, cemented his position in the fantasy pantheon with the five-book Elric saga, of which Elric of Melniboné is the first installment. The book's namesake, the brooding albino emperor of the dying nation of Melniboné, is a sort of Superman for Goths, truly an archetype of the genre.The youthful Elric is a cynical and melancholy king, heir to a nation whose 100,000-year rule of the world ended less than 500 years hence. More interested in brooding contemplation than holding the throne, Elric is a reluctant ruler, but he also realizes that no other worthy successor exists and the survival of his once-powerful, decadent nation depends on him alone. Elric's nefarious, brutish cousin Yrkoon has no patience for his physically weak kinsman, and he plots constantly to seize Elric's throne, usually over his dead body. Elric of Melniboné follows Yrkoon's scheming, reaching its climax in a battle between Elric and Yrkoon with the demonic runeblades Stormbringer and Mournblade. In this battle, Elric gains control of the soul-stealing Stormbringer, an event that proves pivotal to the Elric saga. --Paul Hughes

    But idle sometime-musician George has little talent for clockwork. And when a shadowy figure tries to steal an old device from the premises, George finds himself embroiled in a mystery of time travel, music and sexual intrigue. A genuine lost classic, a steampunk original whose time has come.

    Then, with wild success just within reach, Dan's greedy partner and even greedier fiancée steal his work and leave him penniless, and trick him into taking the long sleep—suspended animation for thirty years.