It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    The author carries us through a number of varied scenes and shows us not only a somewhat unflattering picture of womanhood, but digging under the surface, reveals a human understanding for and sympathy with some of its outstanding figures. The plot involves the efforts of a group of women to play their respective roles in an artificial society that consists of vain show, comedy, tragedy, hope and disappointment.

    Williams through the most sympathetic voice among his characters, 'is a true story about the time and the world we live in.' He has made it seem true-or at least curiously and suspensefully possible-by the extraordinary skill with which he has wrung detail after detail out of a young woman who has lived with horror. Anne Meacham, as a girl who has been the sole witness to her cousin's unbelievably shocking death, is brought into a 'planned jungle' of a New Orleans garden to confront a family that is intensely interested in having her deny the lurid tale she has told. The post-dilettante's mother is, indeed, so ruthlessly eager to suppress the facts that she had the girl incarcerated in a mental institution and she is perfectly willing, once she finishes her ritualistic five o'clock frozen daiquiri, to order the performance of a frontal lobotomy. A nun stands in rigid attendance; a doctor prepares a hypodermic to force the truth; greedy relatives beg her to recant in return for solid cash. Under the assorted, and thoroughly fascinating, pressures that are brought to bear, and under the intolerable, stammering strain of reliving her own memories, Miss Meacham slowly, painfully, hypnotically paints a concrete and blistering portrait of loneliness.of the sudden snapping of that spider's web that is one man's life, of ultimate panic and futile flight. The very reluctance with which the grim, hopeless narrative is unfolded binds us to it; Mr. Williams threads it out with a spare, sure, sharply vivid control of language.and the spell is cast."

    E. Hinton and Thirteen Reasons Why by Jay Asher will find much to love in Paul Zindel's books.The old, converted vegetable shop where Tillie lives is more like a madhouse than a home. Tillie's mother is bitter and cruel, yet desperate for her daughters' love. Her sister suffers epileptic fits and sneaks cigarettes every chance she gets.But despite the chaos, Tillie struggles to keep her dreams alive. Tillie—keeper of rabbits, dreamer of atoms, true believer in life, hope, and the effect of gamma rays on man-in-the-moon marigolds...Paul Zindel’s work is bestselling, critically acclaimed, and passionately embraced by generations of readers.

    Often referred to as a "comedy of manners", "The School for Scandal" is one Sheridan's most performed plays and a classic of English comedic drama.

    There are several differences between scripts. Reginald Rose's landmark American drama was a critically acclaimed teleplay, and went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, Twelve Angry Men holds at its core a deeply patriotic belief in the U.S. legal system. The story's focal point, known only as Juror Eight, is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal biases. Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture of America, at its best and worst, to form.

    With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

    By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.

    Susy Hendrix, a blind Greenwich Village housewife, is terrorized by a trio of men looking for heroin they believe her husband has hidden in a doll.

    The audience was scandalized by this revolutionary satire, developed from a schoolboy farce, which began with a four-letter word, defied all the traditions of the stage, and ridiculed the established values of bourgeois society.Barbara Wright’s witty translation of this riotous work is accompanied with drawings by Franciszka Themerson. Two previously untranslated essays in which Jarry explains his theories of the drama have also been included.

    Into this peaceful scene put the prosperous, despotic Hubbard family - Ben, possessive and scheming; Oscar, cruel and arrogant; Ben's dupe, Leo, weak and unprincipled; Regina wickedly clever - each trying to outwit the other. In this melodrama, only Regina wins.

    The combatants are a sexy, volatile young woman and three Back Bay types a writer, a lawyer and a fiancee in sensible shoes. The setting is Boston, the ending is happy and laughter abounds."Stinging one liners." N.Y. Daily News."Places a superior wryly pleasing ... fashionable femin

    Written before 9/11, Homebody/Kabul premiered in New York in December 2001 and has had highly successful productions in London, Providence, Seattle, Chicago and Los Angeles. This version incorporates all the playwright's changes and is now the definitive version of the text.

    Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door "who never come home" attempts to seduce Jonathan and proves a formidable opponent to Madame herself.

    The "lower class" but very much up and coming Hopcrofts are in their bright new, gadget filled kitchen anxiously giving a little party for their bank manager and his wife and an architect neighbor. Next there are the architect and his wife in their neglected, untidy flat. Then the bank manager and his wife are in their large, slightly modernized, old Victorian style kitchen. Running like a dark thread through the wild comedy of behind the scenes disasters at Christmas parties is the story of the advance of the Hopcrofts to material prosperity and independence and the decline of the others. In the final stages the little man is well and truly on top, with the others, literally and unnervingly, dancing to his tune.