Their divorce a few years later was one of England s most scandalous at that time. In her quest for passionate fulfilment she had lovers which included an Austrian prince, King Ludvig I of Bavaria, and a Greek count whose infidelities drove her to the Orient. In Syria, she found the love of her life, a Bedouin nobleman, Sheikh Medjuel el Mezrab who was twenty years her junior.Bestselling biographer Mary Lovell has produced from Jane Digby’s diaries not only a sympathetic and dramatic portrait of a rare woman, but a fascinating glimpse into the centuries-old Bedouin tradition that is now almost lost.

    Excessive, scandalous, comic, cautionary and horrifying, it chronicles the 60s dream gone-to-rot and the early life of a Hollywood Wild Child who was just brilliant at being bad.

    Religion, for most of history, has provided an explanation for human life and a vision of what comes after it. But in the late nineteenth and early twentieth centuries, such beliefs came under relentless pressure as new ideas—from psychiatry to evolution to communism—seemed to suggest that our fate was now in our own hands: humans could cease to be animals, defeat death, and become immortal.In The Immortalization Commission, the acclaimed political philosopher and critic John Gray takes a brilliant and frightening look at humankind’s dangerous striving toward a scientific version of immortality. Probing the parallel faiths of Bolshevik “God-builders,” who sought to reshape the planet and psychical researchers, who believed they had evidence of a nonreligious form of life after death, Gray raises fascinating questions about how such beliefs threaten the very nature of what it means to be human. He looks to philosophers, journalists, politicians, charlatans, and mass murderers who all felt driven by a specifically scientific and modern worldview and whose revolt against death resulted in a series of experiments that ravaged whole countries. An urgent examination of Darwin’s post-religious legacy, The Immortalization Commission is an important work from “one of Britain’s leading public intellectuals” (The Wall Street Journal).

    He personally commanded his army in war after war with such supreme skill that he became acclaimed as the greatest soldier of his time. Fraser, himself a noted general and the author of a bestselling biography of Erwin Rommel, places Frederick's life as a soldier at the center of this immaculately researched book, allowing us to understand his strengths and weaknesses in the field more completely than in any previous biography. Fraser not only brings to these pages the authentic smell of battle but also offers a sweeping account of strategy and maneuver, of psychology, morale, and the impact of victory and defeat on both the victors and the vanquished. But he also knows how to view military action in the context of eighteenth-century European diplomacy and the ever-shifting balance of the various political forces shaping the history of the period. Fraser's spellbinding account is a full-scale portrait of an enigmatic historical figure, rendered with subtlety and infectious spirit.

    A revised and updated edition of this unique best-selling guide to social and cultural anthropology.

    An expose of the origins of psychoanalysis argues that Freud's abandonment of the seduction theory was not the result of scientific research.

    It displays all his caustic skill as a satirist and his unerring eye for the little annoyances of life. Taking the form of a handbook of manners, and addressed to each servant individually, Directions to Servants is the ultimate upstairs/downstairs battle. With scathing wit, Swift pits master against servant in an endless struggle for order, frugality, and the best bits of the roast. His servants are lazy, profligate, and acquisitive—always on the lookout for a shilling to be made on the sale of leftovers, or a half-bottle of wine to share with the cook. Written in Swift’s final years of sanity, Directions to Servants is a last hilarious outpouring of cynicism at a lifetime’s accumulation of poor service. Irish clergyman and satirist Jonathan Swift is best remembered for his philosophical parody Gulliver’s Travels.

    The book presents the presuppositions of medieval society in a systematic fashion by integrating brief, self-contained selections from primary texts and carefully captioned photographs into a narrative of the medieval world and its foundations. The text is divided into three parts. Treating both the classical and biblical antecedents of the Middle Ages and ending in Late Antiquity, Part 1 includes a thorough discussion of the monumental figure of St. Augustine. Part 2 deals with the early Middle Ages, beginning with the disintegration of the Roman Empire and continuing through the German invasions, the sixth- and seventh-century founders, and the renaissance associated with the reign of Charlemagne. Part 3 examines the High Middle Ages and beyond, following developments in the Church, in politics, and in arts and culture from the twelfth century through the end of the fourteenth century. This second edition has been thoroughly updated to reflect recent scholarship in the field. It adds a new chapter covering the fourteenth century and pays greater attention to women and gender-related issues. The bibliography has been updated and revised and now provides a useful guide to electronic resources. The Medieval World View, 2/e, handles sophisticated issues with great clarity and ease, making this an ideal text for courses in Medieval history, literature, or art history.

    In HAMMERTOWN, poet Peter Culley re-imagines his home town of Nanaimo, British Columbia, not as it is, but as it might be imagined in the mind of a Parisian who had rarely left his city. This is Culley's fifth book of poetry.