But when two inmates break out of the town's maximum security prison, everything changes. Doors are locked, helicopters fly over the woods, and police patrol the school grounds. Worst of all, everyone is on edge, and fear brings out the worst in some people Nora has known her whole life. Even if the inmates are caught, she worries that home might never feel the same. Told in letters, poems, text messages, news stories, and comics--a series of documents Nora collects for the Wolf Creek Community Time Capsule Project.

    It launched her as an in-demand commentator on contemporary race issues for national print and television media and garnered her an invitation to speak to the Democratic Congressional Caucus. This compelling young adult adaptation brings her ideas to a new audience.When America achieves milestones of progress toward full and equal black participation in democracy, the systemic response is a consistent racist backlash that rolls back those wins. We Are Not Yet Equal examines five of these moments: The end of the Civil War and Reconstruction was greeted with Jim Crow laws; the promise of new opportunities in the North during the Great Migration was limited when blacks were physically blocked from moving away from the South; the Supreme Court's landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South; the Civil Rights Act of 1964 and Voting Rights Act of 1965 led to laws that disenfranchised millions of African American voters and a War on Drugs that disproportionally targeted blacks; and the election of President Obama led to an outburst of violence including the death of black teen Michael Brown in Ferguson, Missouri as well as the election of Donald Trump.This YA adaptation will be written in an approachable narrative style that provides teen readers with additional context to these historic moments, photographs and archival images, and additional backmatter and resources for teens.

    But when his grandmother lands in the hospital, Cap is forced to move in with a school counselor and attend the local middle school. While Cap knows a lot about tie-dyeing and Zen Buddhism, no education could prepare him for the politics of public school.

    A wonderful story of triumph over imperfection, shame, and loss.

    It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.

    She doesn't care for school and barely marks the growing unrest between the British colonists and her own countrymen. Why should she? Her future has been planned since her engagement at two and marriage at nine.Leela's whole life changes, though, when her husband dies. She's now expected to behave like a proper widow: shaving her head and trading her jewel-toned saris for rough, earth-colored ones. Leela is considered unlucky now, and will have to stay confined to her house for a year—keep corner—in preparation for a life of mourning a boy she barely knew. When her schoolteacher hears of her fate, she offers Leela lessons at home. For the first time, despite her confinement, Leela opens her eyes to the changing world around her. India is suffering from a severe drought, and farmers are unable to pay taxes to the British. She learns about a new leader of the people, a man named Gandhi, who starts a political movement and practices satyagraha—non-violent protest against the colonists as well as the caste system. The quiet strength of satyagraha may liberate her country. Could she use the same path to liberate herself?

    She, her mother, and her brother Fritz live on the eastern side, controlled by the Soviets. Her father and middle brother, who had gone west in search of work, cannot return home. Gerta knows it is dangerous to watch the wall, to think forbidden thoughts of freedom, yet she can't help herself. She sees the East German soldiers with their guns trained on their own citizens; she, her family, her neighbors and friends are prisoners in their own city.But one day, while on her way to school, Gerta spots her father on a viewing platform on the western side, pantomiming a peculiar dance. Then, when she receives a mysterious drawing, Gerta puts two and two together and concludes that her father wants Gerta and Fritz to tunnel beneath the wall, out of East Berlin. However, if they are caught, the consequences will be deadly. No one can be trusted. Will Gerta and her family find their way to freedom?

    Known among locals as the daughter of a brothel prostitute, Josie wants more out of life than the Big Easy has to offer. She devises a plan get out, but a mysterious death in the Quarter leaves Josie tangled in an investigation that will challenge her allegiance to her mother, her conscience, and Willie Woodley, the brusque madam on Conti Street. Josie is caught between the dream of an elite college and a clandestine underworld. New Orleans lures her in her quest for truth, dangling temptation at every turn, and escalating to the ultimate test. With characters as captivating as those in her internationally bestselling novel Between Shades of Gray, Ruta Sepetys skillfully creates a rich story of secrets, lies, and the haunting reminder that decisions can shape our destiny.

    After inheriting her uncle's homesteading claim in Montana, 16-year-old orphan Hattie Brooks travels from Iowa in 1917 to make a home for herself and encounters some unexpected problems related to the war being fought in Europe.

    Barred from attending school, shopping at the market, or even playing in the streets of Kabul, the heroine of Deborah Ellis's engrossing children's novel The Breadwinner is trapped inside her family's one-room home. That is, until the Taliban hauls away her father and Parvana realizes that it's up to her to become the "breadwinner" and disguise herself as a boy to support her mother, two sisters, and baby brother. Set in the early years of the Taliban regime, this topical novel for middle readers explores the harsh realities of life for girls and women in modern-day Afghanistan. A political activist whose first book for children, Looking for X, dealt with poverty in Toronto, Ellis based The Breadwinner on the true-life stories of women in Afghan refugee camps. In the wily Parvana, Ellis creates a character to whom North American children will have no difficulty relating. The daughter of university-educated parents, Parvana is thoroughly westernized in her outlook and responses. A pint-sized version of Offred from Margaret Atwood's The Handmaid's Tale, Parvana conceals her critique of the repressive Muslim state behind the veil of her chador. Although the dialogue is occasionally stilted and the ending disappointingly sketchy, The Breadwinner is essential reading for any child curious about ordinary Afghans. Like so many books and movies on the subject, it is also eerily prophetic. "Maybe someone should drop a big bomb on the country and start again," says a friend of Parvana's. "'They've tried that,' Parvana said, 'It only made things worse.'" (Ages 9 to 12) --Lisa Alward

    Sergio, who lives in Brooklyn, is struggling to come to terms with the absentee father he hates and the grandmother he loves. Will’s father is gone, too, killed in a car accident that has left the family reeling. Nadira has never before felt uncomfortable about being Muslim, but at her new school she’s getting funny looks because of the head scarf she wears. Amy is starting a new school in a new city and missing her mom, who has to fly to New York on business.These four don’t know one another, but their lives are about to intersect in ways they never could have imagined. Award-winning author Nora Raleigh Baskin weaves together their stories into an unforgettable novel about that seemingly perfect September day — the day our world changed forever.

    But with no coyote money to pay the smugglers who sneak illegal workers across the border, Victor must struggle to survive as he jumps trains, stows away on trucks, and hikes grueling miles through the Arizona desert.Victor's journey is fraught with danger, freezing cold, scorching heat, hunger, and dead ends. It's a gauntlet run by millions attempting to cross the border. Through Victor's often desperate struggle, Will Hobbs brings to life one of the great human dramas of our time.

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    They are teenagers, scared, longing to feel alive before they have to face the horrors of battle. Hot jazz music spiced with cool salsa rhythms calls them to dance with the local Mexican American girls, who jitterbug all night before working all day in the canneries. Proud to do their part for the war effort, these Jazz Owl girls are happy to dance with the sailors—until the blazing summer night when racial violence leads to murder. Suddenly the young white sailors are attacking these girls’ brothers and boyfriends. The cool, loose zoot suits they wear are supposedly the reason for the violence—when in reality these boys are viciously beaten and arrested simply because of the color of their skin. In soaring images and powerful poems, this is the breathtaking story of what became known as the Zoot Suit Riots as only Margarita Engle could tell it.

    After all, if he starts sixth grade, chances are he’ll finish it. And when he does, he’ll be older than his older brother ever was. Armstrong isn’t looking forward to sixth grade, either. This year, he’ll have to wake up at 5:30 to ride a bus to an all-white school in the Hollywood Hills. When Armstrong and Charlie are assigned seats next to each other, what starts as a rivalry becomes a close friendship. Set in Los Angeles in the 1970s, Armstrong and Charlie is the hilarious, heartwarming tale of two boys from opposite worlds. Different, yet the same.