Loaded onto cattle trucks, they are transported to an unknown destination. Terror and uncertainty become the new normal. Life is a continuous nightmare as she is selected by a Gestapo officer’s wife, destined to become little more than their slave.Separated from everyone she loves Alexa relies on her Christian faith, inner strength and courage, to endure through her long nightmare. Her story takes her on a treacherous journey across war-ravaged Europe in search of her family and the life she once knew. Despite living through unimaginable hardships and life-threatening danger, Alexa feels that someone, or something, seems to be looking out for her. Years later, she finds out that not all was as it seemed, as hidden secrets from this dark period in history are revealed to her.In Alexa’s Shoes is a historical novel that beckons the reader to follow in the footsteps of a real-life individual who walks by faith to triumph over tragedy, one step at a time. It is based on the true story of the author’s grandmother.

    Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo’s well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo’s favorite World War II strategy game, and Udo discovers that the game’s consequences may be all too real. Written in 1989 and found among Roberto Bolaño’s papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    Shortly after the Nazis occupied Poland in 1939, he was sent to do slave labour in the Nowy Sącz, Tarnów Ghettos and Szebnie camp. He was then transferred to Auschwitz-Birkenau, Buna, Dora-Mittelbau and Bergen-Belsen death camps. When his parents were murdered in the Belżec death camp, he became the sole survivor of his entire family. After liberation, Henry volunteered for the Israeli Army and fought for Israel’s independence. He came to Canada in 1965 with his wife Hela and their two children.His story is one of strength and courage. His survival is nothing short of a miracle.

    The Russian armies are closing in. When Hanno Frisch sees his twin brother killed, he's had enough. On the run, he meets streetwise Effi. She's on her way to the West to find her father, who's in the US Army. Effi's learned the hard way that she must keep secrets to herself - and she's even less keen to trust Hanno when she finds out he's a policeman's son. But there are far more dangerous people on the road: Russian soldiers, German deserters - and Major Otto, who likes to play games with people before he kills them.

    It’s pretty cozy.” Herra Björnsson is at the beginning of the end of her life. Oh, she has two weeks left, maybe three—she has booked her cremation appointment, at a crispy 1,000 degrees, so it won’t be long. But until then she has her cigarettes, a World War II–era weapon, some Facebook friends, and her memories to sustain her. And what a life this remarkable eighty-year-old narrator has led. In the internationally bestselling and award-winning Woman at 1,000 Degrees, which has been published in fourteen languages, noted Icelandic novelist Hallgrímur Helgason has created a true literary original. From Herra’s childhood in the remote islands of Iceland, where she was born the granddaughter of Iceland’s first president, to teen years spent living by her wits alone in war-torn Europe while her father fought on the side of the Nazis, to love affairs on several continents, Herra Björnsson moved Zelig-like through the major events and locales of the twentieth century. She wed and lost husbands, had children, fled a war, kissed a Beatle, weathered the Icelandic financial crash, and mastered the Internet. She has experienced luck and betrayal and upheaval and pain, and—with a bawdy, uncompromising spirit—she has survived it all. Now, as she awaits death in a garage in Reykjavík, she shows us a woman unbowed by the forces of history. Each part of Herra’s story is a poignant piece of a puzzle that comes together in the final pages of this remarkable, unpredictable, and enthralling novel.

    In the last months of the Nazi occupation of Poland, two children are left by their father and stepmother to find safety in a dense forest. Because their real names will reveal their Jewishness, they are renamed "Hansel" and "Gretel." They wander in the woods until they are taken in by Magda, an eccentric and stubborn old woman called "witch" by the nearby villagers. Magda is determined to save them, even as a German officer arrives in the village with his own plans for the children. Louise Murphy's haunting novel of journey and survival, of redemption and memory, powerfully depicts how war is experienced by families and especially by children."Lyrical, haunting, unforgettable." --Kirkus Reviews"No reader who picks up this inspiring novel will put it down until the final pages, in which redemption is not a fairy tale ending but a heartening message of hope." --Publishers Weekly

    In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

    While there she was reunited with her sister Danka. Each day became a struggle to fulfill the promise Rena made to her mother when the family was forced to split apart--a promise to take care of her sister.One of the few Holocaust memoirs about the lives of women in the camps, Rena's Promise is a compelling story of the fleeting human connections that fostered determination and made survival a possibility. From the bonds between mothers, daughters, and sisters, to the links between prisoners, and even prisoners and guards, Rena's Promise reminds us of the humanity and hope that survives inordinate inhumanity.

    Forced to return to the Warsaw ghetto, they help Misha's mentor, Dr Korczak, care for the two hundred children in his orphanage. As Korczak struggles to uphold the rights of even the smallest child in the face of unimaginable conditions, he becomes a beacon of hope for the thousands who live behind the walls.As the noose tightens around the ghetto Misha and Sophia are torn from one another, forcing them to face their worst fears alone. They can only hope to find each other again one day...Meanwhile, refusing to leave the children unprotected, Korczak must confront a terrible darkness.Half a million people lived in the Warsaw ghetto. Less than one percent survived to tell their story. This novel is based on the true accounts of Misha and Sophia, and on the life of one of Poland's greatest men, Dr Janusz Korczak.

    Suddenly left abandoned and penniless in Morocco by her lover, Sira Quiroga forges a new identity. Against all odds she becomes the most sought-after couture designer for the socialite wives of German Nazi officers. But she is soon embroiled in a dangerous political conspiracy as she passes information to the British Secret Service through a code stitched into the hems of her dresses.

    Assuming the role of amateur sleuth, Leszek embarks on a clue-finding mission that takes him from country to city, into the grimy offices of once-powerful bureaucrats, and face-to-face with the Catholic Church?s pious and impotent priests. And as Leszek moves closer to the truth, he is confronted with another strange mystery: the disappearance of stones from the foundations of the town?s oldest houses. The further Leszek is drawn into this mystery, the deeper into the past he must search for answers about his people, the grim tragedy of the Holocaust, and ultimately, his own identity.In the Memory of the Forest is a haunting, evocative novel that explores the impact of a murder on a community, and of history and the fate of the Jews in Poland during World War II on a people.

    His only request of his daughter is to go through the long-forgotten box of memorabilia from his days as a medic on the western front. Then, among his wartime souvenirs, Beth finds a photograph of her father with an adoring and beautiful stranger—a photograph worth a thousand questions.It was 1944 when Max was drawn into the underground resistance by the fearless German wife of a Nazi officer. Together, she and Max were willing to risk everything for what they believed was right. Ahead of them lay a dangerous romance, a dream of escape, and a destiny over which neither had control.But Max isn’t alone in his haunting remembrances of war. In a nearby private care home is a fragile German-born woman with her own past to share. Only when the two women meet does Beth realize how much more to her father there is to know, all the ways in which his heart still breaks, and the closure he needs to heal it.

    Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?