Newly promoted homicide detective Angel Alves wants to make his mark in the department and a difference on the streets, but tracking this elusive serial killer sorely challenges his commitment and skills. Meanwhile, assistant DA Conrad Darget has his own hands full mentoring an ambitious young law student and rallying his fellow attorneys in their daily courtroom battles. With each new attack the twisted mystery only deepens, and the hunger for answers—and action—intensifies. No sane mind could comprehend the dark design behind it all. And no one can anticipate the final fateful strokes that will lead to a shocking endgame.

    What do you do?Well, if you're David Lindsay from Arbroath, you get the hell out of there and don't return. Not for at least fifteen years. Until Nicola Cruickshank - yes, that Nicola, the girl you always fancied but never had the guts to approach - gets in touch and asks - no, demands - that you go back for a school reunion. To the place where it happened. The place you've been running from for fifteen years. Of course you go. Not to belatedly lay your mate to rest, but because you still fancy Nicola.The thing is, if you are David Lindsay, then returning to Arbroath isn't going to lay any ghosts to rest. And when someone else takes a dive off the cliffs - an act the locals have taken to calling 'tombstoning' - while David's there, he has a choice: run away again, or finally find out why people keep dying around him . . .

    Joe Bailey is the Spirit Basher. Formerly a professional magician, he's become an ace police detective in Atlanta, debunking phony psychics and spiritualists who prey on the gullible. And he's just caught his first sensational murder case.The victim is someone Joe knew. Dr. Robert Nelson was a professor at Landwyn University, head of the parapsychology program. He was killed in his own home, a sculpture of massive chrome spikes driven through his body and into a wall. A sculpture that no one could possibly have lifted. But Nelson's girlfriend claims to know the murderer: an eight-year-old boy. Jesse Randall is not just any child. Some people say he can move objects using nothing more than his will. Nelson had been studying the boy, and Jesse's anger at the professor was erupting in "shadow storms" — violent telekinetic activity — while Jesse slept. Nelson's girlfriend swears that one of these episodes was responsible for Nelson's brutal death. Joe is far from convinced. He's certain that Jesse's power is a hoax and Nelson's killer is a master of deception. Driven to seek out the truth that surely lies behind the psychic fakery, Joe must rely on his wits to separate what's real from what's illusion — even if it means drawing Jesse's anger on himself. Soon mysterious incidents thrust him and his own child into grave peril. Are they examples of Jesse's shadow storms? Or deadly warnings from someone who cannot allow the Spirit Basher to discover the truth? Joe cannot abandon his search for answers. And he'd better find them fast before whoever — or whatever — impaled Robert Nelson like an insect does the same to him and his daughter.

     A concrete floor three hundred feet up in the Aurora Tower condo development in SoHo has collapsed, hurling three workers to their deaths. The developer, Roth Properties (owned by the famously abrasive Simon Roth), faces a vast tangle of legal problems, including allegations of mob connections. Roth’s longtime lawyers, the elite midtown law firm of Blake and Wolcott, is assigned the task of cleaning up the mess. Much of the work lands on the plate of smart, cynical, and sea­soned associate Duncan Riley; as a result, he falls into the pow­erful orbit of Leah Roth, the beautiful daughter of Simon Roth and the designated inheritor of his real estate empire. Meanwhile, Riley pursues a seemingly small pro bono case in which he attempts to forestall the eviction of Rafael Nazario and his grandmother from public housing in the wake of a pot bust. One night Rafael is picked up and charged with the mur­der of the private security cop who caught him, a murder that took place in another controversial “mixed income” housing development being built by . . . Roth Properties. Duncan Riley is now walking the knife edge of legal ethics and personal morality. Blind Man’s Alley is a suspenseful and kaleidoscopic journey through a world where the only rule is self- preservation. The New York Times Book Review said of A Cure for Night that “[Peacock] heads toward Scott Turow country . . . he’s got a good chance to make partner.” This taut, topical, and socially alert thriller delivers on that promise.

    In his remarkable new thriller, Emerson fuses together a gripping drama with unforgettable scenes of peril that, in this realm, can explode at any second.Jason Gun, a risk-taking rookie firefighter who grew up on the wrong side of the tracks, has found in his firehouse the family he never had as a child. Then, in one ill-fated turn of events, it all begins to go wrong.A bizarre accident brings a thrill-seeking woman into Engine Company 29–and into Jason’s life. Suddenly, his future on the job is at risk. Two fellow firefighters know that he missed a call because of some sexual heroics at the wrong time and place. Now, deeply in their debt, he will find out what kind of men his partners really are.When these two firefighters come upon a fortune in missing bearer bonds–money found in a dead man’s house–Jason is forced to become an accessory to their crime. And when evidence of their greed, foolishness, and thievery begins to emerge, Jason is witness to an even darker deed.Suddenly, the twenty-four-year-old, who only wanted to do the right thing, is trapped behind a wall of silence. Trying to undo his mistake, Jason moves further into the darkness, where a beautiful young woman might just be his emotional rescue–or yet one more very wrong move. Unfortunately for Jason, the worst isn’t behind him. Like a fire hit by wind, the killing has raged out of control.Capturing the thin line that separates a hero from a criminal, and an enemy from a friend, Earl Emerson’s new novel is a gripping tale of a man’s dangerous fall from grace–and of his fierce battle for redemption.

    Without Prejudice is a compulsive story of race and the dangers that can lie in the past.

    In 1967, the Gemsbok, a Viscount airliner of South African Airways disappears in exactly the same place. To some it is merely an uncanny mystery. To others a tragedy. People like Ian Fairlie, captain of the weather ship Walvis Bay--whose father was the pilot of the Gemsbok and whose grandfather was the first officer of the Waratah.Ian Fairlie has sworn that he will resolve the mystery. But to do so, he must face cyclonic winds and mountainous seas, risking his ship, his life and the woman he loves..."Geoffrey Jenkins can write with a rare compelling fervour." Times Literary Supplement

    Across the street are the bodies of fourteen innocent men and women, each quickly and cleanly murdered. The sniper Galileo is on the loose. He can end a human life from hundreds of yards away. And he is just getting started. Where others see puzzles, Esme Stuart sees patterns, and these outside-the-box inductive skills made her one of the FBI's top field operatives. But she turned her back on all that eight years ago to start a family and live a normal life. She now has a husband and a daughter and a Long Island home to call her own, far removed from the bloody streets of Atlanta. But Galileo's murders escalate and her beleaguered old boss needs the help of his former protégée. But how can she turn her back on her well-earned quiet life? How would she ever be able to justify such a choice to her husband? To her daughter?And what will happen when Galileo turns his scope on them?

    Now she’s back in Kendall Falls, trying to rebuild her life and keep an eye on the future. But someone from her past has other plans ...When Kylie’s construction site is vandalized, the man Kylie once left brokenhearted steps in. Detective Chase Manning has no doubt that Kylie’s life is in danger, and he’ll do anything to protect the woman he once loved - even if it means ignoring the desire that ignites between them - and to catch a killer, before he returns to finish what he started...

    River Girl, first published in 1951 as "The Catfish Triangle," is a book that shares some similarities with Cain's The Postman Always Rings Twice. Down in swamp country a deputy sheriff meets and falls in love with a young lass, but her husband stands in the way... for a time.

    When the thirty-six pounds of gold he steals from a lab turns out to be radioactive, down-and-out thief Tony Catell has to stay one step ahead of the FBI while trying desperately to find someone willing to take it off his hands.

    Old soldier Wes Stauer is dying inside, from sheer lack of purpose.And then comes the knock on the door: "Our leader's son and heir has been kidnapped. We don't know where he is. We need you to get him back for us. The people who have him are numerous, warlike, and well armed. But money is no object."And then old soldiers - sailor and airmen, too - stop fading away and come back into sharp focus.

    Yet Brek longs for her lost life, and the cause of her death remains a mystery. Searching for answers, Brek attempts to re-create the world she once knew and visits her family in their dreams; but it is her first client in heaven, a young convict, who holds the secret-a shocking crime long repressed. Guided by her mentor, Luas, a lawyer who has been prosecuting souls for thousands of years, Brek embarks on a quest traversing heaven and earth to bring her killer to justice, uncovering an interlocking past that places her own soul in jeopardy. Entering the courtroom to face her killer at the Final Judgment, Brek must make a momentous choice that will alter her eternity. POSTHUMOUS PRAISE FOR FORGIVING ARARAT: "This glorious, triumphant work leads its readers from the wrathful lands of the east...and back to the Garden of Eden." -John Steinbeck, author of Grapes of Wrath and East of Eden. "With mythical prose at times approaching verse, Forgiving Ararat works a miracle, bridging the chasm between life and death." -Emily Dickinson, author of Poems. "At the center of Forgiving Ararat is the Trial each of us must one day face-and the profound metamorphosis each of us must undergo to win." -Franz Kafka, author of The Trial and The Metamorphosis. "This book is the next 'Lovely Bones '" -Anonymous Recently Departed Reader

    Orphaned at birth, a gifted musician, he’s stuck in a California backwater, helping his Salvadoran aunt care for his damaged brother, an ex-marine badly wounded in Iraq. When immigration agents arrest his uncle, the family has nowhere else to turn. Roque, badgered by his street-hardened cousin, agrees to bring the old man back, relying on the criminal gangs that control the dangerous smuggling routes from El Salvador, through Guatemala and Mexico, to the U.S. border. But his cousin has told Roque only so much. In reality, he will have to transport not just his uncle but two others: an Arab whose intentions are disturbingly vague and a young beauty promised to a Mexican crime lord. Roque discovers that his journey involves crossing more than one kind of border, and he will be asked time and again to choose between survival and betrayal—of his country, his family, his heart.

    The group lay low in a nearby farm but, panicked by the police closing in they clear out, leaving behind numerous fingerprints. Outraged by the gang's audacity and under political pressure for quick arrests, the police move into top gear. As huge quantities of money start to turn up in forests and phone boxes, dumped by nervous middlemen, Scotland Yard begin to track down the robbers, one by one...