What those writers brought to English-language literature was a wide variety of new ideas, styles, and ways of seeing the world. Yet times have changed, and how much do we even know about the richly diverse literature being written in Europe today?Best European Fiction 2010 is the inaugural installment of what will become an annual anthology of stories from across Europe. Edited by acclaimed Bosnian novelist and MacArthur “Genius-Award” winner Aleksandar Hemon, and with dozens of editorial, media, and programming partners in the U.S., UK, and Europe, the Best European Fiction series will be a window onto what’s happening right now in literary scenes throughout Europe, where the next Kafka, Flaubert, or Mann is waiting to be discovered.List of contributorsPreface: Zadie SmithIntroduction: Aleksandar HemonOrnela Vorpsi (Albania): from The Country Where No One Ever DiesAntonio Fian (Austria): from While SleepingPeter Terrin (Belgium: Dutch): from "The Murderer"Jean-Philippe Toussaint (Belgium: French): "Zidane's Melancholy"Igor Stiks (Bosnia): "At the Sarajevo Market"Georgi Gospodinov (Bulgaria): "And All Turned Moon"Neven Usumovic (Croatia): "Veres"Naja Marie Aidt (Denmark): "Bulbjerg"Elo Viiding (Estonia): "Foreign Women"Juhani Brander (Finland): from ExtinctionChristine Montalbetti (France): "Hotel Komaba Eminence" (with Haruki Murakami)George Konrád (Hungary): "Jeremiah's Terrible Tale"Steinar Bragi (Iceland): "The Sky Over Thingvellir"Julian Gough (Ireland: English): "The Orphan and the Mob"Ornaní Choileáin (Ireland: Irish): "Camino"Giulio Mozzi (AKA Carlo Dalcielo) (Italy): "Carlo Doesn't Know How to Read"Inga Abele (Latvia): "Ants and Bumblebees"Mathias Ospelt (Liechtenstein): "Deep In the Snow"Giedra Radvilaviciute˙ (Lithuania): "The Allure of the Text"Goce Smilevski (Macedonia): "Fourteen Little Gustavs"Stephan Enter (Netherlands): "Resistance"Jon Fosse (Norway): "Waves of Stone"Michal Witkowski (Poland): "Didi"Valter Hugo Mãe (Portugal): "dona malva and senhor josé ferreiro"Cosmin Manolache (Romania): "Three Hundred Cups"Victor Pelevin (Russia): "Friedmann Space"David Albahari (Serbia): "The Basilica in Lyon"Peter Kristúfek (Slovakia): from The PrompterAndrej Blatnik (Slovenia): from You Do Understand?Julián Ríos (Spain: Castilian): "Revelation on the Boulevard of Crime"Josep Fonalleras (Spain: Catalan): "Noir in Five Parts and an Epilogue"Peter Stamm (Switzerland): "Ice Moon"Deborah Levy (United Kingdom: England): from Swimming HomeAlasdair Gray (United Kingdom: Scotland): "The Ballad of Ann Bonny"Penny Simpson (United Kingdom: Wales): "Indigo's Mermaid"

    The inimitable John Banville joins the list of distinguished preface writers for Aleksandar Hemon’s series, and A. S. Byatt represents England among a luminous cast of European contributors. Fans of the series will find everything they’ve grown to love, while new readers will discover what they’ve been missing!SLOVAKIA: Balla, Before the BreakupMACEDONIA: Žarko Kujundžiski, When the Glasses Are LostMONTENEGRO: Dragan Radulović, The FaceGEORGIA: Lasha Bugadze, The Sins of the WolfBELGIUM: Paul Emond, Grand FroidARMENIA: Krikor Beledian, The Name under My TongueRUSSIA: Kirill Kobrin, Last Summer in MarienbadMOLDOVA: Vitalie Ciobanu, Orchestra RehearsalIRELAND: Tomás Mac Síomóin, Music in the BoneFINLAND: Tiina Raevaara, My Creator, My CreationHUNGARY: Miklós Vajda, Portrait of a Mother in an American FrameTURKEY: Zehra Çırak, Memory Cultivation SalonPORTUGAL: Dulce Maria Cardoso, Angels on the InsideLATVIA: Gundega Repše, How Important is it to be Ernest?UKRAINE: Tania Malyarchuk, Me and My Sacred CowSPAIN (Castilian): Eloy Tizón, The Mercury in the ThermometersBOSNIA & HERZEGOVINA: Semezdin Mehmedinović, My HeartAUSTRIA: Lydia Mischkulnig, A Protagonist’s NemesisFRANCE: Marie Redonnet, Madame Zabee’s GuesthouseLITHUANIA: Ieva Toleikytė, The Eye of the MaplesBULGARIA: Rumen Balabanov, The RagiadUK, ENGLAND: A.S. Byatt, Dolls’ EyesESTONIA: Kristiina Ehin, The Surrealist’s DaughterPOLAND: Sylwia Chutnik, It’s All Up to YouLIECHTENSTEIN: Daniel Batliner, Malcontent’s MonologueSPAIN (Basque): Bernardo Atxaga, Pirpo and Chanberlan, MurderersSERBIA: Borivoje Adašević, For a Foreign MasterSLOVENIA: Mirana Likar Bajželj, Nada’s TableclothDENMARK: Christina Hesselholdt, Camilla and the HorseROMANIA: Dan Lungu, 7 P.M. WifeSWITZERLAND: Bernard Comment, A SonUK, WALES: Ray French, MigrationIRELAND: Mike McCormack, Of One MindICELAND: Gyrðir Elíasson, The Music ShopNORWAY: Ari Behn, Thunder Snow and When a Dollar Was a Big Deal

    Cut off for most of his life by Cold Wars and Iron Curtains, Europe's eastern lands are now open for business.And it's as much a voyage of discovery as any of Michael's other journeys, as he finds himself in countries he'd barely heard of, many of them new names on the map, many unfamiliar and mysterious, all with tragic histories and much brighter futures.Starting in the snows of the Julian Alps, on the borders of Italy and Slovenia, Michael heads east to discover the half of Europe he never knew.Heading down the ancient trade route of the Adriatic coast he turns north into the Balkans, gingerly picking themselves up after the vicious fighting of the 1990's. Albania takes Michael into a different world of strongly eastern influence which he follows through Bulgaria, Macedonia and into Turkey, where Europe and Asia meet. Turning north to Moldova and Romania, he follows the mighty Danube into Serbia and Hungary, the very heart of Europe, and on to the Ukraine. A final sweep from north to south takes him through the Baltic States into Poland and across the Carpathian mountains into Slovakia, the Czech Republic and what was until recently East Germany.Visiting twenty countries, more than in his Himalaya and Sahara journeys combined, he encounters painful memories and exuberant celebrations. Throwing himself into local life with his usual reckless curiosity, he samples pig fat with a brandy chaser, meets Romanian lumberjacks, drives the 8.58 stopping train from Poznan to Wolsztyn, learns about mine-clearing in Bosnia, treads the catwalk at a Budapest fashion show and watches Turkish gents wrestling in olive oil.It's New Europe, but vintage Palin.

    No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Groenloh, the highly successful director of the Holland-Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories.Contents:The freeloaderWhen we were titansThe writing on the wallOut along the IJLittle poetFrom an unfinished novelThe valley of obligationsThe endInsula dei

    These stories about love and death, truth and lies, myth and reality range across many epochs and settings. Brilliantly combining fact and fiction, epic and miniature, horror and comedy, this was Danilo Kiš final work, published in Serbo-Croatian in 1983.Kiš is one of the great European writers of the post-war period - GuardianCompulsively readable - Daily Telegraph Fantasy chases reality and reality chases fantasy. Pirandello and Borges are not far away. But these names are intended as approximate references. Kiš is a new, original writer - Times Literary Supplement Intense and exotic, his mysteries hint at unspeakable secrets that remain forever beyond the story-teller's grasp - Boyd TonkinDanilo Kiš was born in the then Kingdom of Yugoslavia in 1935. After an unsettled childhood during the Second World War, in which several of his family members were killed, Kiš studied literature at the University of Belgrade where he lived for most of his adult life. He wrote novels, short stories and poetry and went on to receive the prestigious NIN Award for his novel Pešcanik. He died in Paris in 1989.

    “I am looking for the artful way any given story is conveyed,” writes Roxane Gay in her introduction to The Best American Short Stories 2018, “but I also love when a story has a powerful message, when a story teaches me something about the world.” The artful, profound, and sometimes funny stories Gay chose for the collection transport readers from a fraught family reunion to an immigration detention center, from a psychiatric hospital to a coed class sleepover in a natural history museum. We meet a rebellious summer camper, a Twitter addict, and an Appalachian preacher—all characters and circumstances that show us what we “need to know about the lives of others.”

    Chopin’s heart is carried back to Warsaw in secret by his adoring sister. A woman must return to her native Poland in order to poison her terminally ill high school sweetheart, and a young man slowly descends into madness when his wife and child mysteriously vanish during a vacation and just as suddenly reappear. Through these brilliantly imagined characters and stories, interwoven with haunting, playful, and revelatory meditations, Flights explores what it means to be a traveler, a wanderer, a body in motion not only through space but through time. Where are you from? Where are you coming in from? Where are you going? we call to the traveler. Enchanting, unsettling, and wholly original, Flights is a master storyteller’s answer.Here I am --World in your head --Your head in the world --Syndrome --Cabinet of curiosities --Seeing is knowing --Seven years of trips --Guidance from Cioran --Kunicki: water (I) --Benedictus, quivenit

    The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.Birdsong / Chimamanda Ngozi Adichie --The warm fuzzies / Chris Adrian --Second Lives / Daniel Alarcón --The train of their departure / David Bezmozgis --The Erlking / Sarah Shun-lien Bynum --The pilot / Joshua Ferris --Here we aren't, so quickly / Jonathan Safran Foer --An arranged marriage / Nell Freudenberger --The entire northern side was covered with fire / Rivka Galchen --The young painters / Nicole Krauss --The science of flight / Yiyun Li --An honest exit / Dinaw Mengestu --What you do out here, when you're alone / Philipp Meyer --Twins / C.E. Morgan --Blue water djinn / Téa Obreht --Dayward / ZZ Packer --The dredgeman's revelation / Karen Russell --The kid / Salvatore Scibona --Lenny hearts Eunice / Gary Shteyngart --The landlord / Wells Tower

    Now she has delivered her next, much-anticipated book, Walk the Blue Fields, an unforgettable array of quietly wrenching stories about despair and desire in the timeless world of modern-day Ireland.  In the never-before-published story “The Long and Painful Death,” a writer awarded a stay to work in Heinrich Böll’s old cottage has her peace interrupted by an unwelcome intruder, whose ulterior motives only emerge as the night progresses. In the title story, a priest waits at the altar to perform a marriage and, during the ceremony and the festivities that follow, battles his memories of a love affair with the bride that led him to question all to which he has dedicated his life; later that night, he finds an unlikely answer in the magical healing powers of a seer.A masterful portrait of a country wrestling with its past and of individuals eking out their futures, Walk the Blue Fields is a breathtaking collection from one of Ireland’s greatest talents, and a resounding articulation of all the yearnings of the human heart.

    They are gold miners and counterfeiters, attorneys and slaves. They cross other borders too: those of race, law, sex, and sanity. They travel for love or money, incognito or under duress.With rich historical detail, the celebrated author of Room takes us from puritan Massachusetts to revolutionary New Jersey, antebellum Louisiana to the Toronto highway, lighting up four centuries of wanderings that have profound echoes in the present. Astray offers us a surprising and moving history for restless times."The Hunt" was short-listed for the 2012 Sunday Times EFG Private Bank Short Story Award.

    This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Babel was best known for his mastery of the short story form—in which he ranks alongside Kafka and Hemingway—but his career was tragically cut short when he was murdered by Stalin's secret police. Edited by his daughter Nathalie Babel and translated by award-winner Peter Constantine, this paperback edition includes the stunning Red Cavalry Stories; The Odessa Tales, featuring the legendary gangster Benya Krik; and the tragic later stories, including "Guy de Maupassant." This will be the standard edition of Babel's stories for years to come.

    It's chilling. It's easy to become discouraged, to second-guess everything you write. There seemed to be no one to stand up to the censors ... so I began to speak out about my experiences. And once I did, I found that I wasn't as alone as I'd thought." —from Judy Blume's introduction to Places I Never Meant to Be Judy Blume is not alone: Many of today's most distinguished authors of books for young people have found their work censored or challenged. Eleven of them have contributed original stories to this collection. Along with a story written by the late Norma Klein when she was a student at Barnard College, they comprise a stunning literary achievement as well as a battle cry against censorship. Contributors: • David Klass • Norma Klein • Julius Lester • Chris Lynch • Harry Mazer • Norma Fox Mazer • Walter Dean Myers • Katherine Paterson • Susan Beth Pfeffer • Rachel Vail • Jacqueline Woodson • Paul Zindel

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original