The action-packed storylines retain all the impact of the authors' own words; photos and narrative illustrations help readers to absorb the full flavor of the original novels. Fact-filled boxes examine the books' themes, characters, and each author's life and times. 20,000 Leagues Under the Sea includes a map of the journey and explores marine life and oceanography in Jules Verne's time. A specially researched map of Crusoe's exotic island gives facts on its flora and fauna.

    Though brought together in a friendship that neither jealousy nor violence could shatter, the Hazards and the Mains are torn apart by the storm of events that has divided the nation. "Superb! You will gain a firsthand knowledge of life at West Point in the early 1800s...a peek at the Texas frontier, a vacation in a posh cottage at Newport...experience the savagery of war in Mexico, suffer the suspense of both the Charleston Battery and beleaguered Fort Sumter before the mortar fire that launched a war. It has been a long time since I enjoyed a book so much." (The Asheville Citizen-Times)

    James Carroll is the author of five novels and two acclaimed works of nonfiction, including the National Book Award-winning An American Requiem.

    

    After serial publication in Spirou the complete story was published, along with the Marsupilami short story Touchez pas aux rouges-gorges, in a hardcover album in 1957.

    M. Forster.1) Where Angels Fear to Tread2) The Longest Journey3) A Room with a View4) Howards End5) The Machine Stops6) The Story of a Panic 7) The Other Side of the Hedge 8) The Celestial Omnibus 9) Other Kingdom 10) The Curate's Friend 11) The Road from Colonus

    Cooper Silwood, precise in attire, composed in appearance, and punctual as usual to the minute, walked into his room on the first floor of 176 New Square, Lincoln's Inn, where were the offices of Eversleigh, Silwood and Eversleigh, the well-known and long-established firm of solicitors of which he was a partner. He was met, as was customary, on his entrance by the head-clerk, John Williamson, who had already opened and sorted out methodically the letters received over-night. An admirable specimen of his class, Williamson generally wore an air of great imperturbability, but this morning his face had a troubled expression. "Anything special, Mr. Williamson?" asked Silwood quietly, putting away his hat and gloves.

    While staying with his grandparents on the eastern coast of England in 1890, 16-year-old Eddie finds himself allied with his rather prickly and reputedly deaf grandmother in the struggle to free his sister and the household maid from a band of white slavers.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    The hoard is endless, stacked into every room in the house, teetering in piles along the landing and forming a scree up the stairs. It is all part of Clifford’s waste-not way of thinking in which everything, no matter how broken or obscure, can be re-cycled or re-purposed into something useful or, if kept long enough, will one day be valuable. He had believed in his vision as ardently as any mystic in his holy revelation but now, without the clear projection of his vision to light it up for her as what it would be, it appears to Maisie more grimly than ever as what it is: junk. As Maisie disassembles his stash she is forced to confront the issues which drove her husband to squirrel away other people’s rubbish; after all, she knows virtually nothing about his life before they met. Finally, in the last bastion of his accumulation, she discovers the key to his hoarding and understands – much too late – the man she married. Then, with empty rooms in a house which is too big for her, she must ask herself: what next?

    As the story opens, he finds the corpse of a young woman drifting downstream. Was it an accident? Suicide? Murder? As the police investigate and arrest a suspect, it becomes apparent that Joe knew the dead woman and has more information than he's telling. Meanwhile, an unspoken attraction has developed between Joe and the wife of the barge skipper. This first novel by Scottish beat writer Alexander Trocchi is an absorbing existential thriller - a lost gem of world literature reminiscent of Camus, Bukowski, and Burroughs."Everyone should read Young Adam." - The Times Literary Supplement"What Trocchi was about...was testing of boundaries, the eradication of acceptable behavior in the name of something more engaged." - The Bloomsbury Review

    A lifetime of regret. A love that spans the yearsIn 1938, as the world hurtled towards war, twenty-year-old Isobel MacDonald fell madly in love. But fate and her own actions conspired to deny her the happiness she yearned for. Many years later, plagued with regrets and with a shrill voice from the past ringing in her ears, she documents the events that shaped her life.In 2015, sixty-five-year-old Bel Davison returns from Australia to her native Scotland to visit her terminally ill aunt. Reading Isobel’s memoir, she is beset with memories of her own childhood and overcome with guilt. When she meets her aunt’s solicitor, events seem to spiral out of control and, almost against her will, she finds herself drawn to this enigmatic Scotsman.What is it that links these two women across the generations? Can the past influence the future?

    Illustrated by José Pérez Montero

    Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.