He doesn’t know that his mind is purely digital, he doesn’t know he is only a copy of the original, and he certainly doesn’t remember Sasha’s betrayal. When his personal assistant in sex-demon form breaks into the game world, scarred from her own ordeals and professing her remorse, Jezebel has no choice but to make another deal. With Mark still wondering what the hell is going on, they both agree to share him as they explore the new world Jezebel has created to acclimate his human mind to its new existence as pure energy. The Mark 2.0 series contains graphic sex. Length ~ 108,300 words

    The quick brushstrokes of the Impressionists suited his temperament, as did his heavy use of impasto. This helpful volume shows many of van Gogh's best loved works, including the famous self-portrait with a Bandaged Ear, painted after he had cut off part of his ear in a fit of madness, Sunflowers, which were to him a symbol of power and beneficence, and The Starry Night, a painting which clearly expresses intensity and mental turbulence.

    For almost three years, the Federation and the Klingon Empire, allied under the Khitomer Accords, have contended with the nascent coalition on a predominantly cold-war footing. But as Starfleet rebuilds itself, factions within the Typhon Pact grow restive, concerned about their own inability to develop a quantum slipstream drive to match that of the Federation. Will leaders such as UFP President Bacco and RSE Praetor Kamemor bring about a lasting peace across the Alpha and Beta Quadrants, or will the cold war between the two alliances deepen, and perhaps even lead to an all-out shooting war? Raise the Dawn After the disastrous events in the Bajoran system, Captain Benjamin Sisko must confront the consequences of the recent choices he has made in his life. At the same time, the United Federation of Planets and its Khitomer Accords allies have come to the brink of war with the Typhon Pact. While factions within the Pact unsuccessfully used the recent gestures of goodwill—the opening of borders and a joint Federation-Romulan exploratory mission—to develop quantum-slipstream drive, they have not given up their goals. Employing a broad range of assets, from Romulus to Cardassia, from Ab-Tzenketh to Bajor, they embark on a dangerous new plan to acquire the technology they need to take control of the Alpha and Beta Quadrants. While UFP President Bacco and Romulan Praetor Kamemor work feverishly to reestablish peace, Captains Sisko, Jean-Luc Picard, and Ro Laren stand on the front lines of the conflict...even as a new danger threatens the Bajoran wormhole as it once more becomes a flashpoint of galactic history. Brinkmanship The Venette Convention has always remained independent, but it is about to become the flashpoint for a tense military standoff between the two power blocs now dominating interstellar space—the United Federation of Planets and the recently formed Typhon Pact. The Venetan government turns to the Typhon Pact’s Tzenkethi Coalition for protection in the new order, and has agreed to allow three of their supply bases for Tzenkethi use. But these bases—if militarized—would put Tzenkethi weapons unacceptably close to Federation, Cardassian, and Ferengi space. While Captain Ezri Dax and the crew of the U.S.S. Aventine are sent to investigate exactly what is happening at one of the Venette bases, Captain Jean-Luc Picard and the U.S.S. Enterprise are assigned to a diplomatic mission sent to the Venette homeworld in order to broker a mutually acceptable resolution. But the Cardassian delegates don’t seem particularly keen on using diplomacy to resolve the situation, which soon spirals out of control toward all-out war. . .

    Now, for the first time, del Toro reveals the inspirations behind his signature artistic motifs, sharing the contents of his personal notebooks, collections, and other obsessions. The result is a startling, intimate glimpse into the life and mind of one of the world's most creative visionaries. Complete with running commentary, interview text, and annotations that contextualize the ample visual material, this deluxe compendium is every bit as inspired as del Toro is himself.Contains a foreword by James Cameron, an afterword by Tom Cruise, and contributions from other luminaries, including Neil Gaiman and John Landis, among others.

    or what I affectionately like to call it ... the Carnival of the Damned. My name is Pandora, and though my face might not look familiar to you, you do know me. I'm a Nephilim. What does that mean? I'm half demon, what's my other name? Lust. I'm the dark craving that drives you mad, makes you want, makes you reckless and stupid. I'm the drug you'll do anything to get your hands on. But I'm not all bad. I fight for light, for goodness and truth. I love my job, killing vampires and werewolves, zombies, and freaks... it's what makes me happy. But people are starting to disappear and lately I've felt a dark presence lurking around me. I think it might be a death priest ... and that's really bad. There isn't much a demon like me fears, but I fear them. This should have been easy, me killing the fanged freaks, getting rid of my pesky priest problem, but I'm about to be betrayed by the one person I thought I could trust with my life ... but before the night is through I'll be covered in crimson... Book 2:All Hallows Night: Secrets and truths, lies and red herrings… which is which? That’s what Pandora’s trying to figure out. Ever since the death of her best, and probably only friend by her own hands, she’s not sure who to trust anymore. The Priest is dead. The Gray Man is… she’s not even sure what. Luc, well, Luc is Luc.The Order has sent her deep into the heart of Mexico to investigate a potential zombie uprising. She arrives at the start of the Dia de los Muertos festival ... a celebration for the dead and immediately things don’t feel right to her. For one, bodies (the living kind) keep disappearing. They’re not being kidnapped, no, if only things were that simple. Literally there one second, gone the next, she’s not sure what to make of it. On top of that mum’s are floating all over the place. Is that merely symbolism associated with the festival, or is it a clue of something far more sinister? In this explosive sequel to Crimson Night, an old ally returns and a shocking truth is revealed. One that will turn her investigation into The Order’s duplicity on its head ... and make Pandora question everything she ever thought she knew ...

    Stories adapted include "The End of the Time of Leinard," "Rat Hater," "Knox," "The Rough Boys," and "Catman," as well as nine others. Also includes five short stories written especially for the series, with a cover by Leo and Diane Dillon.

     Zadri - What’s a single, pregnant woman supposed to do when her family kicks her out? Go to Preor Choosing Station Tau and hope a dragon shapeshifting alien is her mate, of course. Hatched - Taulan joi Lana Coburn, War Master of the Preor third fleet, is finally having his wishes granted. He has a mate and will soon have two dragonlets to protect and love. But only if he can live to see them born. Or, as his Lana says, hatched. Ivoth - He has to choose—love or honor—because he can’t have both. Did you miss books 1-3? Search for: B01MZEYMJY in the search bar.

    They call me insane, but I just want to live my life with a harem of beautiful cat-girls, bear-girls, fox-girls, snake-girls, and… well, pretty much any type of monster girl. They call me a megalomaniac, but why wouldn’t any red blooded man want to make cute babies with all these beautiful monster girls? They call me evil, but they just don’t realize that I’d destroy anyone who tries to harm my monster girls.

    They could spend the rest of their lives here in peace. But apparently there are many more people who, like them, have been sent to alien systems without a return ticket and without being asked - castaways with uncertain fates who need their help.Their alien rescuers generously offer to take them on a search in one of their spaceships. Although the trio doesn’t know whether their hosts are acting out of altruism, they embark on an odyssey with dangers so unpredictable that the saga is indeed written in the stars.The Proxima Logfiles is a multi-part series based on the Proxima Trilogy, but can be read independently. Star Trek meets Lost in Space – reimagined with the scientific and technical realism of hard science fiction.

    A little work, a little luck, and a kid goes home to his parents and Ray moves on to the next job. When the job becomes bigger than he realized, and bigger than he can handle, Ray is faced with horrors he'd never imagined, a world that by rights should not exist... and only one number to call.Thirteen.

    The Complete BBW Ménage Dark Romance Serial 1-6 SAC 1 Talyn Phisher is a counselor in a world that has been turned on its ear by an unthinkable discovery: vampires roam among humans. If all this upheaval was not enough, Talyn's body is changing. Signs that something is seriously wrong plague her. Having been told she's barren and there's no hope—Talyn still longs for a family of her own, though the stories she hears from clients tell her happiness is a long shot. Talyn wants that shot. She yearns for a man who will put her first—for who she is. Until a stalker's pursuit threatens everything close to Talyn's heart. When Talyn feels her life is in imminent danger, she reaches out in desperation to the Final Enforcement, an elite, fringe group of the police who do more than take the law into their own hands. Only to discover Talyn isn't what she thinks she is. And neither is the one who stalks her. SAC 2 Who can Talyn trust? Certainly not those she thought. As the evidence mounts that something is seriously wrong, Talyn gains strength from the sameness of her life. Only to have it shattered when a seemingly innocent come-on turns out to be the beginning of the end of the life she knows. When the local police disregard the facts, Talyn receives unconventional assistance in the form of Enforcer Narah Adrienne. Until she finds that there is no assisting what plagues her, and that she's more sought after than she could have ever imagined.... SAC 3 Talyn finds herself in a compromised position—literally. Having escaped the supernatural battle raging inside her house, she falls into the wrong set of arms, and soon finds herself alone in a prison constructed of Mutables; a group of shifters that can change into virtually any animal. They too, have a limited female population. Talyn doesn't care. She refuses to become the Lycan Merck and Arden insist she'll become, though her beast is clawing to escape. But a revelation about her lineage makes becoming a Lycan a surety, rather than a choice. The question that haunts Talyn is: who will transition her? Friend, foe—or lover? SAC 4 Talyn wakes to find that she's not with who she started with, and tragedy dogs her every step of the way. Narah works to secure her safety while Mutables make a bid to have her. Can Merck claim her before it's too late? Or will Drake find a way to insert his dominance above all. SAC 5 Talyn's been accidentally poisoned with dragon's blood. Can she allow the cure? While Drake and Merck fight over Talyn, Mutables move toward her like a magnet, seeking her for what she offers them. Will Enforcer Adrienne be able to protect Talyn from a predator who is not what he seems? SAC 6 Talyn escapes the Mutables to an enforcer safe house, and must decide between Merck and Drake—or does she? Half a claim will not be enough to protect her from the Mutable who want to use her to strengthen their shifts. Can she allow a full claim and what it will mean for her future? Or will her bid for freedom cost her more than she realizes? Shifter is

    An examination of Le Guin's career, from her obscure beginnings in the science fiction magazines to her rapid rise to the top in the 1970's.

    And rightly so: in our increasingly visual culture, it is an omnipresent form of creativity, something we are all influenced by whether we like it or not. Every logo, every poster, every CD cover confronts us with graphic design in some shape or form. It is the basis of all visual communication and arguably the most pervasive creative discipline of our times. designers arranged in an A to Z order. Each of the designers is featured over two double-page spreads, which are extensively illustrated with examples of their work. Alongside these examples, a 400 word text by the selecting curator explains his/her choice and illuminates the depicted work. The reproductions are further complemented with extended captions and biographical information on the designer. designers. Showcasing talents from Minneapolis to Macao, Area opens the door to the work of emerging designers practising in more than 25 countries around the world. It reflects a unique multitude of styles, ideas, and influences: an endless range of creativity from the playful, digital graphics of Eboy in Berlin, to the regional aesthetics of Chaz Mavyanne Davies of Zimbabwe or Ahn Sang-Soo of Korea; from the political awareness of Iran's Reza Abedini, to the more sober and traditional designs of the Italy's Leonardo Sonnoli. were also asked to choose what they consider a design 'classic, ' i.e. a piece of printed design from any era that is of particular significance to them. These 'classic' pieces are showcased in the shorter, second part of the book, each accompanied by a brief text explaining how the 'classic' piece fits into the selecting curator's general view and philosophy of graphic design. design, Area promises to be unique in its exciting design, its clear and interesting concept, its truly global scope, and its fresh and unconventional content

    

    The film is scratched and blurry, but she can make out a couple making love. When the film burns out, a door is revealed which leads to a misty town square... and a series of fantastical sexual encounters.But the plot doesn’t really matter. Celluloid is a rare instance (especially among Anglo-Saxons) of a top-flight cartoonist working within erotic — even pornographic, to embrace the word — parameters, with the intent of creating a genuine work of art.As the artist says: “There are so many comics about violence. I’m not entertained or amused by violence, and I’d rather not have it in my life. Sex, on the other hand, is something the vast majority of us enjoy, yet it rarely seems to be the subject of comics. Pornography is usually bland, repetitive and ugly, and, at most, ‘does the job’. I always wanted to make a book that is pornographic, but is also, I hope, beautiful, and mysterious, and engages the mind.”Bringing to bear the astonishing range of illustrative and storytelling skills that have served him so well on his collaborations with Neil Gaiman and such solo projects as the (recently re-released) epic graphic novel Cages, Dave McKean forges into new territory with this unique work of erotica.