That it culminated in an unlikely World Series win—during a campaign split by the longest player strike in baseball history—is not even the most interesting thing about this team. The Dodgers were led by the garrulous Tommy Lasorda—part manager, part cheerleader—who unyieldingly proclaimed devotion to the franchise through monologues about bleeding Dodger blue and worshiping the “Big Dodger in the Sky,” and whose office hosted a regular stream of Hollywood celebrities. Steve Garvey, the All-American, All-Star first baseman, had anchored the most durable infield in major league history, and, along with Davey Lopes, Bill Russell, and Ron Cey, was glaringly aware that 1981 would represent the end of their run together. The season’s real story, however, was one that nobody expected at the outset: a chubby lefthander nearly straight out of Mexico, twenty years old with a wild delivery and a screwball as his flippin’ out pitch. The Dodgers had been trying for decades to find a Hispanic star to activate the local Mexican population; Fernando Valenzuela was the first to succeed, and it didn’t take long for Fernandomania to sweep far beyond the boundaries of Chavez Ravine.They Bled Blue is the rollicking yarn of the Los Angeles Dodgers’ crazy 1981 season.

    They couldn't be more wrong.In this award-winning book, Alan Schwarz - whom bestselling Moneyball author Michael Lewis calls "one of today's best baseball journalists" - provides the first-ever history of baseball statistics, showing how baseball and its numbers have been inseparable ever since the pastime's birth in 1845. He tells the history of this obsession through the lives of the people who felt it most: Henry Chadwick, the 19th-century writer who invented the first box score and harped endlessly about which statistics mattered and which did not; Allan Roth, Branch Rickey's right-hand numbers man with the late-1940s Brooklyn Dodgers; Earnshaw Cook, a scientist and Manhattan Project veteran who retired to pursue inventing the perfect baseball statistic; John Dewan, a former Strat-O-Matic maven who built STATS Inc. into a multimillion-dollar powerhouse for statistics over the Internet; and dozens more.Schwarz paints a history not just of baseball statistics, but of the soul of the sport itself. Named as ESPN's 2004 Baseball Book of the Year, The Numbers Game will be an invaluable part of any fan's library and go down as one of the sport's classic books.

    Baseball is everything: action, grace, the seasons of our lives. George Vecsey’s book proves it, without wasting a word.”–Lee Eisenberg, author of The NumberIn Baseball, one of the great bards of America’s Grand Old Game gives a rousing account of the sport, from its pre-Republic roots to the present day. George Vecsey casts a fresh eye on the game, illuminates its foibles and triumphs, and performs a marvelous feat: making a classic story seem refreshingly new. Baseball is a narrative of America’s can-do spirit, in which stalwart immigrants such as Henry Chadwick could transplant cricket and rounders into the fertile American culture and in which die-hard unionist baseballers such as Charles Comiskey and Connie Mack could eventually become the tightfisted avatars of the game’s big-money establishment. It’s a celebration of such underdogs as a rag-armed catcher turned owner named Branch Rickey and a sure-handed fielder named Curt Flood, both of whom flourished as true great men of history. But most of all, Baseball is a testament to the unbreakable bond between our nation’s pastime and the fans, who’ve remained loyal through the fifty-year-long interdict on black athletes, the Black Sox scandal, franchise relocation, and the use of performance-enhancing drugs by some major stars. Reverent, playful, and filled with Vecsey’s charm, Baseball begs to be read in the span of a rain-delayed doubleheader, and so enjoyable that, like a favorite team’s championship run, one hopes it never ends.“Vecsey possesses a journalist’s eye for detail and a historian’s feel for the sweep of action. His research is scrupulous and his writing crisp. This book is an instant classic—— a highly readable guide to America’s great enduring pastime.” — The Louisville Courier Journal

    Before the 27 World Series titles -- before Joe DiMaggio, Mickey Mantle, and Derek Jeter -- the Yankees were New York's shadow franchise. They hadn't won a championship, and they didn't even have their own field, renting the Polo Grounds from their cross-town rivals the New York Giants. In 1921 and 1922, they lost to the Giants when it mattered most: in October. But in 1923, the Yankees played their first season on their own field, the newly-built, state of the art baseball palace in the Bronx called "the Yankee Stadium." The stadium was a gamble, erected in relative outerborough obscurity, and Babe Ruth was coming off the most disappointing season of his career, a season that saw his struggles on and off the field threaten his standing as a bona fide superstar. It only took Ruth two at-bats to signal a new era. He stepped up to the plate in the 1923 season opener and cracked a home run to deep right field, the first homer in his park, and a sign of what lay ahead. It was the initial blow in a season that saw the new stadium christened "The House That Ruth Built," signaled the triumph of the power game, and established the Yankees as New York's -- and the sport's -- team to beat. From that first home run of 1923 to the storybook World Series matchup that pitted the Yankees against their nemesis from across the Harlem River -- one so acrimonious that John McGraw forced his Giants to get to the Bronx in uniform rather than suit up at the Stadium -- Robert Weintraub vividly illuminates the singular year that built a classic stadium, catalyzed a franchise, cemented Ruth's legend, and forever changed the sport of baseball.

    In 1968, two remarkable pitchers would dominate the game as well as the broadsheets. One was black, the other white. Bob Gibson, together with the St. Louis Cardinals, embodied an entire generation's hope for integration at a heated moment in American history. Denny McLain, his adversary, was a crass self-promoter who eschewed the team charter and his Detroit Tigers teammates to zip cross-country in his own plane. For one season, the nation watched as these two men and their teams swept their respective league championships to meet at the World Series. Gibson set a major league record that year with a 1.12 ERA. McLain won more than 30 games in 1968, a feat not achieved since 1934 and untouched since. Together, the two have come to stand as iconic symbols, giving the fans “The Year of the Pitcher” and changing the game. Evoking a nostalgic season and its incredible characters, this is the story of one of the great rivalries in sports and an indelible portrait of the national pastime during a turbulent year—and the two men who electrified fans from all walks of life.

    Eliot Asinof has reconstructed the entire scene-by-scene story of the fantastic scandal in which eight Chicago White Sox players arranged with the nation's leading gamblers to throw the Series in Cincinnati. Mr. Asinof vividly describes the tense meetings, the hitches in the conniving, the actual plays in which the Series was thrown, the Grand Jury indictment, and the famous 1921 trial. Moving behind the scenes, he perceptively examines the motives and backgrounds of the players and the conditions that made the improbable fix all too possible. Here, too, is a graphic picture of the American underworld that managed the fix, the deeply shocked newspapermen who uncovered the story, and the war-exhausted nation that turned with relief and pride to the Series, only to be rocked by the scandal. Far more than a superbly told baseball story, this is a compelling slice of American history in the aftermath of World War I and at the cusp of the Roaring Twenties.

    During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates, "and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smiling recognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig--and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassed Babe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. We watch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro League standings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.

    His classic autobiography, written with the talented sportswriter Ed Linn, is an uproarious book packed with information about the history of baseball and tales of players and owners, including some of the most entertaining stories in all of sports literature.

    The Game provides a century's worth of American baseball history, told one decade at a time, with energetic facts and figures about How, Where, and by Whom the game was played. In The Players, you'll find listings of the top 100 players at each position in the major leagues, along with James's signature stats-based ratings method called “Win Shares,” a way of quantifying individual performance and calculating the offensive and defensive contributions of catchers, pitchers, infielders, and outfielders. And there's more: the Reference section covers Win Shares for each season and each player, and even offers a Win Share team comparison. A must-have for baseball fans and historians alike, The New Bill James Historical Baseball Abstract is as essential, entertaining, and enlightening as the sport itself.

    Opening Day was postponed and later played in the shadow of Martin Luther King, Jr.’s funeral. That summer, as the pennant races were heating up, the assassination of Robert Kennedy was later followed by rioting at the Democratic National Convention in Chicago. But even as tensions boiled over and violence spilled into the streets, something remarkable was happening in major league ballparks across the country. Pitchers were dominating like never before, and with records falling and shut-outs mounting, many began hailing ’68 as “The Year of the Pitcher.” In Summer of ’68, Tim Wendel takes us on a wild ride through a season that saw such legends as Bob Gibson, Denny McLain, Don Drysdale, and Luis Tiant set new standards for excellence on the mound, each chasing perfection against the backdrop of one of the most divisive and turbulent years in American history. For some players, baseball would become an insular retreat from the turmoil encircling them that season, but for a select few, including Gibson and the defending champion St. Louis Cardinals, the conflicts of ’68 would spur their performances to incredible heights and set the stage for their own run at history. Meanwhile in Detroit—which had burned just the summer before during one of the worst riots in American history—’68 instead found the city rallying together behind a colorful Tigers team led by McLain, Mickey Lolich, Willie Horton, and Al Kaline. The Tigers would finish atop the American League, setting themselves on a highly anticipated collision course with Gibson’s Cardinals. And with both teams’ seasons culminating in a thrilling World Series for the ages—one team playing to establish a dynasty, the other fighting to help pull a city from the ashes—what ultimately lay at stake was something even larger: baseball’s place in a rapidly changing America that would never be the same. In vivid, novelistic detail, Summer of ’68 tells the story of this unforgettable season—the last before rule changes and expansion would alter baseball forever—when the country was captivated by the national pastime at the moment it needed the game most.

    With four World Series championships in five seasons and a deep bench of legends and comers -- Clemens, Rivera, Williams, Soriano, Jeter, O'Neill -- they dominated the major leagues.For the members of the team, though, baseball Yankees-style was a pressure cooker of anxiety, expectation, and infighting. As the spending and emotion spiraled, careers were made and broken, friendships began and ended, and a sports dynasty rose and fell.In The Last Night of the Yankee Dynasty, Buster Olney tracks the Yankees through these tumultuous seasons and into the scandals and disappointments of 2004, providing insightful portraits of the stars, the foot soldiers, the coaches, the manager, and the Boss himself. With unparalleled knowledge of the game and an insider's familiarity with the team, Olney also advances a compelling argument that the philosophy that made the Yankees great was inherently unsustainable, ultimately harmful to the sport, and led inevitably to that warm autumn night in Arizona -- the last night of the Yankee dynasty.

    That's what Ben Lindbergh and Sam Miller got to do when the Sonoma Stompers, an independent minor-league team in California, offered them the chance to run the team's baseball operations according to the most advanced statistics. The Only Rule Is It Has to Work is unlike any other baseball tale you've ever read.We tag along as Lindbergh and Miller apply their number-crunching insights to all aspects of assembling and running a team. We meet colorful figures like general manager Theo Fightmaster and boundary-breakers like the first openly gay professional player and the first Japanese manager in American professional baseball. Even José Canseco makes a cameo appearance.Will sabermetrics bring the Stompers a championship, or will they fall on their face? Will the team have a competitive advantage or is the old folk wisdom really true after all? Will the players be able to maximize their talents and attract the attention of big-league scouts, or will this be a fast track to oblivion?It's a wild ride, as the authors' infectious enthusiasm and feel for the absurd make the Stompers' story one that will speak to numbers geeks and traditionalists alike. And it proves that you don't need a bat or a glove to make a genuine contribution to the game.

    Midway through the season, a game-changing strike ripped baseball apart, the first time a season had ever been stopped in the middle because of a strike. Marvin Miller and the MLB Players Association squared off against Baseball Commissioner Bowie Kuhn and the owners in a fight to protect players rights to free agency and defend America's pastime.Though a time bomb was ticking as the 1981 season began, the game rose to impressive---and now legendary---heights. Pete Rose chased Stan Musial's National League hit record and rookie Fernando Valenzuela was creating a sensation as the best pitcher in the majors when the stadiums went dark and the players went on strike.For the first time in modern history, there were first- and second-half champions; the two teams with the overall best records in the National League were not awarded play-off berths. When the season resumed after an absence of 712 games, Rose's resumption of his pursuit, the resurgence of Reggie Jackson, the rise of the Montreal Expos, and a Nolan Ryan no-hitter became notable events. The Dodgers bested their longtime rivals in a Yankees-Dodgers World Series, the last classic matchup of those storied opponents.Sourcing incredible and extensive interviews with almost all of the major participants in the strike, Split Season: 1981 returns us to the on- and off-field drama of an unforgettable baseball year.

    Now he returns with a riotous look at the most pivotal season of the decade.America, 1976: colorful, complex, and combustible. It was a year of Bicentennial celebrations and presidential primaries, of Olympic glory and busing riots, of "killer bees" hysteria and Pong fever. For both the nation and the national pastime, the year was revolutionary, indeed. On the diamond, Thurman Munson led the New York Yankees to their first World Series in a dozen years, but it was Joe Morgan and Cincinnati's "Big Red Machine" who cemented a dynasty with their second consecutive World Championship. Sluggers Mike Schmidt and Dave Kingman dominated the headlines, while rookie sensation Mark "The Bird" Fidrych started the All-Star Game opposite Randy "Junkman" Jones. The season was defined by the outrageous antics of team owners Bill Veeck, Ted Turner, George Steinbrenner, and Charlie Finley, as well as by several memorable bench-clearing brawls, and a batting title race that became just as contentious as the presidential race.From Dorothy Hamill's "wedge" haircut to Kojak's chrome dome, American pop culture was never more giddily effervescent than in this year of Jimmy Carter, CB radios, AMC Pacers, The Bad News Bears, Rocky, Taxi Driver, the Ramones, KISS, Happy Days, Hotel California, and Frampton Comes Alive!---it all came alive in '76!Meanwhile, as the nation erupted in a red-white-and-blue explosion saluting its two- hundredth year of independence, Major League Baseball players waged a war for their own liberties by demanding free agency. From the road to the White House to the shorts-wearing White Sox, Stars and Strikes tracks the tumultuous year after which the sport---and the nation---would never be the same.

    Buried beneath these parallel conflicts--one for the soul of baseball, the other for the soul of the city--was the subtext of race. Deftly intertwined by journalist Jonathan Mahler, these braided Big Apple narratives reverberate to reveal a year that also saw the opening of Studio 54, the acquisition of the New York Post by Rupert Murdoch, a murderer dubbed the "Son of Sam," the infamous blackout, and the evolution of punk rock. As Koch defeated Cuomo, and as Reggie Jackson rescued a team racked with dissension, 1977 became a year of survival--and also of hope.