Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past—a journey that can be guided only by one's conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context and new meaning to an American classic.

    . .Annette Goode is a shy, awkward, overweight child with a terrible secret. Frightened and ashamed, Annette withdraws into a world of books and food. But the summer Annette turns thirteen, something incredible happens: Rhoda Nelson chooses her as a friend. Dazzling, generous Rhoda, who is everything Annette is not--gorgeous, slim, and worldly--welcomes Annette into the heart of her eccentric family, which includes her handsome and dignified father;her lovely, fragile "Muh'Dear;" her brooding, dangerous brother Jock;and her colorful white relatives--half-crazy Uncle Johnny, sultry Aunt Lola, and scary, surly Granny Goose.With Rhoda's help, Annette survives adolescence and blossoms as a woman. But when her beautiful best friend makes a stunning confession about a horrific childhood crime, Annette's world will never be the same."A coming-of-age journey depicted with wit, poignancy and bite." --Publishers Weekly

    About dating the enemy that is. They were true to their hearts.Kaitlin Malone know what it's like to date the enemy. She was raised to hate the Crutchfields, and absolutely does - until she meets Bram Crutchfield. It turns out he's a great guy - one she could talk to, share things with...even love. But when Kaitlin gives her heart to Bram, her world spins out of control. Soon the Crutchfields are her friends and she's a traitor to her own family.To make things worse ,Bram was raised to hate the Malones,especially Kaitlin's father - who murdered Bram's dad. Bram doesn't know Kaitlin is a Malone. If he did he would hate her, too.What's a star-crossed lover to do?

    Rumor has it he burned down his old school and got kicked out of every school in his home state.Only one place will take him now, and that's a home school run by the Applewhites, a chaotic and hilarious family of artists. The only one who doesn't fit the Applewhite mold is E.D.—a smart, sensible girl who immediately clashes with the unruly Jake.Jake thinks surviving this one will be a breeze . . . but is he really as tough or as bad as he seems?

    In fact, he would say he is extraordinary…Synaesthesia paints the sounds of his world in a kaleidoscope of colours that no one else can see. But on Friday, he discovered a new colour – the colour of murder.He’s sure something has happened to his neighbour, Bee Larkham, but no-one else seems to be taking it as seriously as they should be. The knife and the screams are all mixed up in his head and he’s scared that he can’t quite remember anything clearly.But where is Bee? Why hasn’t she come home yet? Jasper must uncover the truth about that night – including his own role in what happened…

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    How it was lost is a mystery that Ren has been trying to solve for his entire life, as well as who his parents are, and why he was abandoned as an infant at Saint Anthony’s Orphanage for boys. He longs for a family to call his own and is terrified of the day he will be sent alone into the world. But then a young man named Benjamin Nab appears, claiming to be Ren’s long-lost brother, and his convincing tale of how Ren lost his hand and his parents persuades the monks at the orphanage to release the boy and to give Ren some hope. But is Benjamin really who he says he is? Journeying through a New England of whaling towns and meadowed farmlands, Ren is introduced to a vibrant world of hardscrabble adventure filled with outrageous scam artists, grave robbers, and petty thieves. If he stays, Ren becomes one of them. If he goes, he’s lost once again. As Ren begins to find clues to his hidden parentage he comes to suspect that Benjamin not only holds the key to his future, but to his past as well.

    The boyed-up basketball girl barely moves. The others, her girls, step aside. It's okay if they don't speak. I know how it is. They can't all be Trina.Dominique: Some stupid little flit cuts right in between us and is like, "Hey." Like she don't see I'm here and all the space around me is mines. I slam my fist into my other hand because she's good as jumped.Leticia: Why would I get involved in Trina's life when I don't know for sure if I saw what I thought I saw? Who is to say I wasn't seeing it from the wrong angle?Acclaimed author Rita Williams-Garcia intertwines the lives of three very different teens in this fast-paced, gritty narrative about choices and the impact that even the most seemingly insignificant ones can have. Weaving in and out of the girls' perspectives, readers will find themselves not with one intimate portrayal but three.

    She was born into a world where being a girl is a dangerous thing. In the mountains of Guerrero, Mexico, women must fend for themselves, as their men have left to seek opportunities elsewhere. Here in the shadow of the drug war, bodies turn up on the outskirts of the village to be taken back to the earth by scorpions and snakes. School is held sporadically, when a volunteer can be coerced away from the big city for a semester. In Guerrero the drug lords are kings, and mothers disguise their daughters as sons, or when that fails they “make them ugly” – cropping their hair, blackening their teeth- anything to protect them from the rapacious grasp of the cartels. And when the black SUVs roll through town, Ladydi and her friends burrow into holes in their backyards like animals, tucked safely out of sight. While her mother waits in vain for her husband’s return, Ladydi and her friends dream of a future that holds more promise than mere survival, finding humor, solidarity and fun in the face of so much tragedy. When Ladydi is offered work as a nanny for a wealthy family in Acapulco, she seizes the chance, and finds her first taste of love with a young caretaker there. But when a local murder tied to the cartel implicates a friend, Ladydi’s future takes a dark turn. Despite the odds against her, this spirited heroine’s resilience and resolve bring hope to otherwise heartbreaking conditions. An illuminating and affecting portrait of women in rural Mexico, and a stunning exploration of the hidden consequences of an unjust war, PRAYERS FOR THE STOLEN is an unforgettable story of friendship, family, and determination.

    In 1980s New York City, seventeen-year-old Caitlin tries to overcome her mother's abuse and father's abandonment by losing herself in nights of clubbing and drugs, followed by days of stumbling aimlessly through school.

    She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    But the thing never moved. It merely waited. Waited for him to come to it. In Palmer LaRue's hometown of Waymer, turning ten is the biggest event of a boy's life. It marks the day when a boy is ready to take his place as a wringer at the annual Family Fest. It's an honor and a tradition.But for Palmer, his tenth birthday is not something to look forward to, but something to dread. Because -- although he can't admit this to anyone -- Palmer does not want to be a wringer. But he can't stop himself from getting older, any more than he can stop tradition.Then one day, a visitor appears on his windowsill, and Palmer knows that this, more than anything else, is a sign that his time is up. Somehow, he must learn how to stop being afraid and stand up for what he believes in.

    Unknown to Molly, a middle school tragedy in which they were all complicit continues to reverberate for her kids: Nick, the brilliant scam artist; Emma, the gifted dancer and party girl; Dave, the B student who strives to meet his parents' expectations; Calista, the hippie outcast who hides her intelligence for reasons of her own. Theirs is a world in which every action may become public: postable, shareable, indelible. With the rare talent that transforms teenage dramas into compelling and urgent fiction, Lindsey Lee Johnson makes vivid a modern adolescence lived in the gleam of the virtual, but rich with the sorrow, passion, and beauty of life in any time, and at any age.

    We'd been so sure someone would find us by now. Emma had always orbited Henri, her fierce, magnetic queen bee of an older sister, and the two had always been best friends. Until something happened that wrecked them. I'd trusted Henri more than I'd trusted myself. Wherever she told me to go, I'd follow. Then the unthinkable occurs—a watery nightmare off the dazzling coast. The girls wash up on shore, stranded. Their only companion is Alex, a troubled boy agonizing over his own secrets. Trapped in this gorgeous hell, Emma and Alex fall together as Emma and Henri fall catastrophically apart. For the first time, I was afraid we'd die on this shore. To find their way home, the sisters must find their way back to each other. But there’s no map for this—or anything. Can they survive the unearthing of the past and the upheaval of the present?

    Her problems seem overwhelming: New York, after life on her sunlit West Indies island, is cold, cruel and filthy. She is insulted daily and is beaten up by classmates. What Phyllisia needs, God not being interested, is a friend.Edith Jackson--She is fifteen. Her clothes are unpressed, her stockings bagging with big holes. Her knowledge of school is zero. She has no parents, she swears and she steals. But she is kind and offers her friendship and protection to Phyllisia. "And so begins the struggle that is the heart of this very important book: the fight to gain perception of one's own real character; the grim struggle for self-knowledge."--Alice Walker, The New York Times