It was a summer that marked the beginning of a sports rivalry unequaled in the annals of athletic competition. The awesome New York Yankees and the indomitable Boston Red Sox were fighting for supremacy of baseball's American League, and an aging Joe DiMaggio and a brash, headstrong hitting phenomenon named Ted Williams led their respective teams in a classic pennant duel of almost mythic proportions—one that would be decided in an explosive head-to-head confrontation on the last day of the season.

    (The title of the book is a quote from Casey Stengel, their manager at the time.) Breslin casts the Mets, who lost 120 games out of a possible 162 that year, as a lovable bunch of losers. And, he argues, they were good for baseball, coming as a welcome antidote to "the era of the businessman in sports...as dry and agonizing a time as you would want to see." Although they were written forty years ago, many of Breslin's comments will strike a chord with today's sports fan, fed up with the growing commercialism of the games. Against this trend Breslin sets the exploits of "Marvelous" Marv Throneberry, Stengel, and the rest of the hapless Mets. "Wonderful."--Charles Salzberg, New York Times. "A touching, enjoyable, and interesting addition to anybody's sports reading list."--Patrick Conway

    During his prime he became a legend in Cuba and one of Black America’s most popular figures. Yet even among serious sports fans, Oscar Charleston is virtually unknown today. In a long career spanning from 1915 to 1954, Charleston played against, managed, befriended, and occasionally fought men such as Lou Gehrig, Jimmie Foxx, Lefty Grove, Satchel Paige, Josh Gibson, Jesse Owens, Roy Campanella, and Branch Rickey. He displayed tremendous power, speed, and defensive instincts along with a fierce intelligence and commitment to his craft. Charleston’s competitive fire sometimes brought him trouble, but more often it led to victories, championships, and profound respect. While Charleston never played in the Major Leagues, he was a trailblazer who became the first Black man to work as a scout for a Major League team when Branch Rickey hired him to evaluate players for the Dodgers in the 1940s. From the mid‑1920s on, he was a player‑manager for several clubs. In 1932 he joined the Pittsburgh Crawfords and would manage the club many consider the finest Negro League team of all time, featuring five future Hall of Famers, including himself, Cool Papa Bell, Josh Gibson, Judy Johnson, and Satchel Paige. Charleston’s combined record as a player, manager, and scout makes him the most accomplished figure in Black baseball history. His mastery of the quintessentially American sport under the conditions of segregation revealed what was possible for Black achievement, bringing hope to millions. Oscar Charleston introduces readers to one of America’s greatest and most fascinating athletes.

    They couldn't be more wrong.In this award-winning book, Alan Schwarz - whom bestselling Moneyball author Michael Lewis calls "one of today's best baseball journalists" - provides the first-ever history of baseball statistics, showing how baseball and its numbers have been inseparable ever since the pastime's birth in 1845. He tells the history of this obsession through the lives of the people who felt it most: Henry Chadwick, the 19th-century writer who invented the first box score and harped endlessly about which statistics mattered and which did not; Allan Roth, Branch Rickey's right-hand numbers man with the late-1940s Brooklyn Dodgers; Earnshaw Cook, a scientist and Manhattan Project veteran who retired to pursue inventing the perfect baseball statistic; John Dewan, a former Strat-O-Matic maven who built STATS Inc. into a multimillion-dollar powerhouse for statistics over the Internet; and dozens more.Schwarz paints a history not just of baseball statistics, but of the soul of the sport itself. Named as ESPN's 2004 Baseball Book of the Year, The Numbers Game will be an invaluable part of any fan's library and go down as one of the sport's classic books.

    With four World Series championships in five seasons and a deep bench of legends and comers -- Clemens, Rivera, Williams, Soriano, Jeter, O'Neill -- they dominated the major leagues.For the members of the team, though, baseball Yankees-style was a pressure cooker of anxiety, expectation, and infighting. As the spending and emotion spiraled, careers were made and broken, friendships began and ended, and a sports dynasty rose and fell.In The Last Night of the Yankee Dynasty, Buster Olney tracks the Yankees through these tumultuous seasons and into the scandals and disappointments of 2004, providing insightful portraits of the stars, the foot soldiers, the coaches, the manager, and the Boss himself. With unparalleled knowledge of the game and an insider's familiarity with the team, Olney also advances a compelling argument that the philosophy that made the Yankees great was inherently unsustainable, ultimately harmful to the sport, and led inevitably to that warm autumn night in Arizona -- the last night of the Yankee dynasty.

    Despite remaining popular and profitable into the twenty-first century, the game is losing young fans, among African Americans and women as well as white men. Furthermore, baseball’s greatest charm—a clockless suspension of time—is also its greatest liability in a culture of digital distraction. These paradoxes are explored by the historian and passionate baseball fan Susan Jacoby in a book that is both a love letter to the game and a tough-minded analysis of the current challenges to its special position—in reality and myth—in American culture. The concise but wide-ranging analysis moves from the Civil War—when many soldiers played ball in northern and southern prisoner-of-war camps—to interviews with top baseball officials and young men who prefer playing online “fantasy baseball” to attending real games. Revisiting her youthful days of watching televised baseball in her grandfather’s bar, the author links her love of the game with the informal education she received in everything from baseball’s history of racial segregation to pitch location. Jacoby argues forcefully that the major challenge to baseball today is a shortened attention span at odds with a long game in which great hitters fail two out of three times. Without sanitizing this basic problem, Why Baseball Matters remind us that the game has retained its grip on our hearts precisely because it has repeatedly demonstrated the ability to reinvent itself in times of immense social change.

    The untold story of the time when the New York Yankees were a laughingstock—and how out of that abyss emerged the modern Yankees dynasty, one of the greatest in all of sports

    He won over fans nationwide with his wildly endearing antics such as talking to the ball---and throwing back the ones that "had hits in them"; getting down on his knees to "manicure" the mound of any cleat marks; and shaking hands with just about everyone from teammates to groundskeepers to cops during and after games. Female fans tried to obtain locks of his hair from his barber and even named babies after him.But The Bird was no mere sideshow. The non-roster invitee to spring training that year quickly emerged as one of the best pitchers in the game. Meanwhile, his boyish enthusiasm, his famously modest lifestyle, and his refusal to sign with an agent during the days of labor disputes and free agency made him such a breath of fresh air for fans that not only did attendance in Detroit increase---by tens of thousands---for games he pitched, opposing teams would specifically ask the Tigers to shuffle their rotation so Fidrych would pitch in their cities, too. A rare player who transcended pop culture, Fidrych was named starting pitcher in the All-Star Game as a rookie (the first of his two All-Star nods) and became the first athlete to appear on the cover of Rolling Stone magazine.Baseball researcher Doug Wilson delivers the first biography of this once-in-a-lifetime player. Through extensive interviews and meticulous research, the author recounts Fidrych's meteoric rise from Northborough, Massachusetts, to the big leagues, his heartbreaking fall after a torn knee ligament and then rotator cuff, his comeback attempts with the Tigers and in the Red Sox system, and one unforgettable night when The Bird pitched a swan song for the Pawtucket Red Sox against future star Dave Righetti in a game that remains part of local folklore. Finally, Wilson captures Fidrych's post-baseball life and his roles in the community, tragically culminating with his death in a freak accident in 2009.The Bird gives readers a long-overdue look into the life of a player whom baseball had never seen before---and has never seen since.

    Within the history of the scorecard are some of baseball's greatest moments. From the first scorecard introduced in 1845, to the scoring system devised by direct-marketing genius L. L. Bean; from presidential scoring habits to batting titles decided by official scorers, to Phil Rizzuto's inspired scoring symbol "WW," ("Wasn't Watching"), Dickson delights in his subject, offering unique insights and memorable anecdotes. Among the book's many illustrations is a gallery of historic scorecards, including Don Larsen's perfect game in the 1956 World Series, Babe Ruth's famous "called" home run, and Cal Ripken's record-breaking 2,131st consecutive game.In addition, Dickson provides basic and advanced scoring techniques for beginners and experts alike, a year-by-year timeline of rule changes, a guide to baseball's quirkiest statutes, stories of famous scoring blunders, and many more unexpected rewards. For those who keep or have kept score, this book will be an elixir. For those who haven't, it will be a revelation. For baseball fans everywhere, it is a treasure.

    David Maraniss now brings the great baseball player brilliantly back to life in "Clemente: The Passion and Grace of Baseball's Last Hero," a book destined to become a modern classic. Much like his acclaimed biography of Vince Lombardi, "When Pride Still Mattered," Maraniss uses his narrative sweep and meticulous detail to capture the myth and a real man. Anyone who saw Clemente, as he played with a beautiful fury, will never forget him. He was a work of art in a game too often defined by statistics. During his career with the Pittsburgh Pirates, he won four batting titles and led his team to championships in 1960 and 1971, getting a hit in all fourteen World Series games in which he played. His career ended with three-thousand hits, the magical three-thousandth coming in his final at-bat, and he and the immortal Lou Gehrig are the only players to have the five-year waiting period waived so they could be enshrined in the Hall of Fame immediately after their deaths.

    With players Bobby Bonilla, Vince Coleman, Bret Saberhagen, and Howard Johnson, winning another championship seemed a mere formality. The 1992 New York Mets never made it to Cooperstown, however. Veteran newspapermen Bob Klapisch and John Harper reveal the extraordinary inside story of the Mets’ decline and fall—with the sort of detail and uncensored quotes that never run in a family newspaper. From the sex scandals that plagued the club in Florida to the puritanical, no-booze rules of manager Jeff Torborg, from bad behavior on road trips to the downright ornery practical “jokes” that big boys play, The Worst Team Money Could Buy is a grand-slam classic.

    During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates, "and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smiling recognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig--and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassed Babe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. We watch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro League standings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.

    Michael Bamberger, who has covered the game for twenty years at Sports Illustrated, shows us the big names as we’ve never seen them before: Arnold Palmer, Jack Nicklaus, Tom Watson, Curtis Strange, Fred Couples—and the late Ken Venturi. But he also chronicles the legendary figures known only to insiders, who nevertheless have left an indelible mark on the sport. There’s a club pro, a teaching pro, an old black Southern caddie. There’s a tournament director in his seventies, a TV director in his eighties, and a USGA executive in his nineties. All these figures, from the marquee names to the unknowns, have changed the game. What they all share is a game that courses through their collective veins like a drug. Was golf better back in the day? Men in Green weaves a history of the modern game that is personal, touching, inviting, and new. This meditation on aging and a celebration of the game is “a nostalgic visit and reminiscence with those who fashioned golf history…and should be cherished” (Golf Digest).

    It's a sport that shows us what a human being might be capable of, with extreme dedication--whether we're eating hot dogs in the stands, waiting out a rain delay in our living rooms, or practising the lost art of catching a stray radio signal from an out-of-market broadcast.From learning about America through ball diamond visits to the most famous triple play that never happened on Canadian soil, Forbes invites us to witness the adult conversing with the O Pee-Chee baseball cards of his youth. Tender, insightful, and with the slow heartbreak familiar to anyone who's cheered on a losing team, The Utility of Boredom tells us a thing or two about the sport, and how a seemingly trivial game might help us make sense of our messy lives.

    Millions of American baseball fans are wrong. As They See 'Em is an insider's look at the largely unknown world of professional umpires, the small group of men (and the very occasional woman) who make sure America's favorite pastime is conducted in a manner that is clean, crisp, and true. Bruce Weber, a New York Times reporter, not only interviewed dozens of professional umpires but entered their world, trained to become an umpire, and then spent a season working games from Little League to big league spring training. As They See 'Em is Weber's entertaining account of this experience as well as a lively exploration of what amounts to an eccentric secret society, with its own customs, its own rituals, its own colorful vocabulary. (Know what a "whacker" is? A "pole bender"? "Rat cheese"? Think you could "strap it on" or "take the stick"?) He explains the arcane set of rules by which umps work and details the exasperating, tortuous path that allows only a select few to graduate from the minor leagues to the majors. He describes what it's like to work in a ballpark where not only the fans but the players, the managers and coaches, the announcers, the team owners, and even the league presidents, resent them -- and vice versa. And he asks, quite sensibly, why anyone would do a job that offers the chance to earn only blame and never credit. Weber reveals how umps are tutored to work behind the plate, what they learn to watch for on the bases, and how proper positioning for every imaginable situation on the field is drilled into them. He describes how they're counseled to respond -- or not -- to managers who are screaming at them from inches away with purposeful inanity, and tells us exactly which "magic" words result in an automatic ejection. Writing with deep knowledge of and affection for baseball, he delves into such questions as: Why isn't every strike created equal? Is the ump part of the game or outside of it? Why doesn't a tie go to the runner? And what do umps and managers say to each other during an argument, really? In addition to professional umpires, Weber spoke to current and former players including Alex Rodriguez, Barry Bonds, Tom Glavine, Barry Zito, Paul Lo Duca, Kenny Lofton, Ron Darling, and Robin Yount, as well as former baseball commissioner Fay Vincent, Atlanta Braves manager Bobby Cox, Chicago White Sox manager Ozzie Guillen, Detroit Tigers manager Jim Leyland, and many others in the professional game. He attended the 2006 and 2007 World Series, interviewing the umpire crews who called those games and who spoke candidly about the pressure of being scrutinized by millions -- maybe billions! -- of fans around the world, all of them armed with television's slo-mo, hi-def instant replay. As fans know, in 2008, a rash of miscalled home run balls led baseball, for the first time, to use replay to help big league umps make their decisions.Weber discusses these events and the umpires' surprising reaction to them. Packed with fascinating reportage that reveals the game as never before and answers the kinds of questions that fans, exasperated by the clichés of conventional sports commentary, pose to themselves around the television set, Bruce Weber's As They See 'Em is a towering grand slam.