Change is in the air and hope is running high. And for twenty-five-year-old, self-proclaimed cool man Michael Bishop, so is the alcohol and the bluster. Working a dead-end job proofing subtitles on third-rate videos, Michael has kept his future at bay through a stream of boozy nights or by blowing time in front of his Nintendo. That is, until he meets Ivy Chase, the smart, pretty pastor’s daughter whose innocent charm takes his breath away. But Ivy turns out to be much more than Michael bargained for, and in a moment that surprises even him, he makes the decision of his life.Smart, funny, poignant, and very, very timely, Last Call in the City of Bridges is a Bright Lights, Big City for the new millennium. With its memorable characters and unforgettable scenes, this insightful look into twenty-first-century America is a book you won’t want to put down.“Like the comic book heroes he obsesses over, Michael Bishop has an origin story, the story of the first wound that makes his powers necessary. In Last Call in the City of Bridges, Michael at last faces into that tragedy, resurfacing suddenly at the mid-point of his twenties, those years of snark and expectation spent proofreading DVD subtitles, drinking literature-themed cocktails, and pining over preacher’s daughters and college crushes. In this witty and charming debut, Salvatore Pane reminds us that while you can’t retcon your past, you can perhaps learn to live up to its responsibilities, by using your powers not necessarily to save the ones you love from loss, but to care for those left behind in its wake.”–Matt Bell, author of Cataclysm Baby“Quite obviously, Salvatore Pane’s mind has been dunked in video games, social media, comic books, the WebNet, and everything else our august literary authorities believe promote illiteracy. I’d like to hand the authorities Pane’s novel–a funny, moving, melancholy, sad, and immensely literate book about what being young and confused feels like these days–and tell them, ‘See? Things are going to be fine!’”-Tom Bissell, author of Extra Lives and Magic Hours“Last Call in the City of Bridges is Goodbye, Columbus 2.0, a poignant novel about looking for something real in a plastic world where Irony is Everything. This generational anthem is ultimately, despite all the 21st century detritus, an old-fashioned page turner, full of old verities and truths of the heart. Salvatore Pane’s voice is both new and necessary, one I know I’ll be reading for years to come.”–Cathy Day, author of The Circus in Winter and Comeback Season“Salvatore Pane is the acknowledged Hipster Prince of Pittsburgh, PA, which is the acknowledged Paris of Middle America. If his publishers had taken my advice they would have titled his groundbreaking first novel: A Hipster’s Guide to the Galaxy, the Book of Laughter and Longing. His very humorous novel is voice and character driven, a virtual page turner. Yet for all its humor, the novel has an underpinning of real humanity. I was laughing out loud while at the same time gritting my teeth in shared, profoundly recalled embarrassment.”-Chuck Kinder, author of Honeymooners and Last Mountain Dancer“Like his post po-mo Facebook generation, Michael Bishop, the manic narrator of Last Call in the City of Bridges, has reached the end of his irresponsible youth. Stuck and unsure, he looks back at those eight-bit Nintendo years with tender nostalgia while trying to feel his way forward. Like The Moviegoer, Salvatore Pane’s debut novel is a romantic ironist’s plea for authenticity in a fantastic age. It’s telling–and hilarious–that his hero’s model for male adulthood isn’t William Holden but Super Mario.”–Stewart O’Nan, author of The Odds: A Love Story and Snow Angels

    A return to the Florida Keys. Her first love and all the problems she left behind twenty-five years ago — await her. Holly Archer's husband ruined her life. While they made their fortune in Miami real estate, he took a mistress and managed to make enough illegal dealings to absolutely destroy them forever. Now, Holly's lost her real estate license, her house, her husband, her friends, and her life.But Islamorada calls. It's a sunny, white-sand strip of life and love and sun in the Florida Keys, where she grew up with her three siblings, Randy, Rina, and Amy — all of whom she's lost touch with over the past twenty-five years.Now, two years after the death of their father, the Archer House, the Inn where the four of them grew up, is dilapidated and has a financial bleed that she can't put her finger on; their mother has fallen into an intense depression and Holly finds a place where someone in the world actually needs her help. It's also a good place to hide in the wake of what her husband did, a place to pretend her life didn't crumble into nothing.But patching up the Archer family won't be easy. Her brother, Randy, is the only sibling who remains in the Keys, and his love for alcohol keeps him isolated and unwilling to help out. Their other sisters hardly answer the phone. Even as Holly digs in her heels, she creates conflict between herself and her own children, the people she loves the most.All the while, her old high school boyfriend is a mainstay on the island. He's a cop and, as news of Holly's husband's illegal dealings surface in Miami, perhaps he's one of the only people she can trust in the world.Secrets unravel in this first installment in the Archer Family Series.Lose yourself in this new women's fiction series that revolves around friendship, love and loss among the Archer Clan. A heartwarming family saga that has the backdrop of the Florida Keys white sand and crystal blue waters.

    On board the private jet, they are invited to take part in the in-flight entertainment – a new online gaming experience. But this is no ordinary game. Trapped at 30,000 feet and forced to play for their lives and the lives of their loved ones by their mysterious captor, they are about to learn that putting your life on-line can have deadly offline consequences… In PANIC BUTTON, Frazer Lee explores timely fears about online privacy and security, cyber bullying and identity theft.

    Unlike most boys portrayed in fiction he is not an ultrasensitive soul but an ordinary boy, occasionally cowardly, sometimes a liar, tough in his own eyes and often insecure in his dealings with others. In his evocation of the jingles, games, fantasies and nightmares of childhood, Waterhouse brings his tribe of street urchins so vividly to life that the book has taken on the status of a much-loved classic.

    Henry Graham is a ten year-old boy whose father has just left home for good. When the two meet in 1971 at a downtown Pittsburgh bus stop, all they seem to have in common is their love of baseball. But that is enough to begin a life-long friendship that, eventually, enables both men to confront old enemies and heal old wounds. Philip Beard's third and most accomplished novel swings between two narratives the way John Kostka swings through life. The result is a multifaceted meditation on childhood heroes, the beauty of baseball and the power of love to heal a family in crisis. "SWING is at once heartbreaking, uplifting and emotionally resonant. In a word, it’s beautiful." –Pittsburgh Magazine "It wouldn't be fair or accurate to call SWING a sports book. It's too rare for that." –The Sporting News ​"SWING is richly rewarding...a tight, poignant coming of age novel...[that] will stay with you long after you put this book down." –Sports Illustrated “Every character—the absent father, the troubled sister, the mysterious wonder that is John Kostka—feels alive due to Beard‘s skillfully simple prose and dialogue. With SWING, Beard has hit it out of the park.” –Foreword Reviews ". . . just about perfect.” – The Pittsburgh Post-Gazette

    

    Not even Jackson Pollock’s!Your archenemy taunts you with clandestine bacon frying. Your boss feverishly cyberstalks an aging romance novel cover model. Your husband unexpectedly takes in a wayward foreign national. Your best friend reveals a secret relationship with your longstanding workplace crush.Welcome to the life of Nina Lanning, lone and floundering administrator of a prestigious Midwestern art school. Her colleagues are pioneers of contemporary art movements, inspirational orators, creative virtuosos and the source of constant headaches as they rage against the authority Nina represents. They also happen to be her closest friends.When once-a-century flooding threatens to destroy the art building, and the priceless Jackson Pollock trapped inside, Nina and her ragtag band of faculty members undertake to rescue the early work of the splatter master. Propelled by disasters both natural and personal, Nina must confront her colleagues, her husband, and most importantly, herself. Cate Dicharry’s debut novel is a painfully hysterical examination of what is truly worth saving, and mastering the art of letting go.

    At the stroke of midnight she will turn nineteen, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens thirty-two years in the future in her fifty-one-year-old body. Greeted by a friendly stranger in a beautiful house she’s told is her own, Oona learns that with each passing year she will leap to another age at random. And so begins Oona Out of Order...Hopping through decades, pop culture fads, and much-needed stock tips, Oona is still a young woman on the inside but ever changing on the outside. Who will she be next year? Philanthropist? Club Kid? World traveler? Wife to a man she’s never met? Surprising, magical, and heart-wrenching, Margarita Montimore has crafted an unforgettable story about the burdens of time, the endurance of love, and the power of family.

    He is a divorced dad who lives in Chicago, has a sexy girlfriend, and has a major, potentially life-changing audition with an orchestra on the horizon. At least that’s how he appears on paper. But take a closer look and a very different man starts to emerge: an obsessive, self-sabotaging Midwesterner, fumbling through his relationship with his curiously neurotic six-year-old daughter and headed for destruction in his romantic life by grasping at any remotely affectionate warm body, including that of his ex-wife. Instead of playing to sold-out concert halls, he spends his days plucking out "Send in the Clowns" at hotel brunches, and his weekends serenading the captive audience at the local hospice.When his father dies unexpectedly (while listening to a meditation tape), Matt’s life begins to come untethered. In quick succession his ex-wife gets engaged, his girlfriend begins to pull away, and his daughter starts acting out. With his audition rapidly approaching, Matt is paralyzed by panic — why can't he hold it together and follow his dream? And what does that even mean, if you're not sure what it is you really want?

    A globetrotting Irish travel writer, Kathleen de Burca is used to living--and loving--on the run. On the brink of fifty, she decides to leave her job and rethink her life. Intrigued by a divorce case dating back to the days of the Potato Famine, she tries hand at writing about it. The case, called "The Talbot Affair," detailed the clandestine liaison between the wife of a British landlord and an Irish servant in Ireland in the 1850s. After a bitter thirty-year absence, Kathleen returns to Ireland, the land of her troubled childhood and turbulent heritage, in search of answers to her questions about desire and lasting love.

    Disco is over, but punk never happened. They don't have cable. They don't really have pop culture, unless you count grain prices and alcoholism. People work hard and then they die. They hate the government and impregnate teenage girls. But that's not nearly as awful as it sounds; in fact, sometimes it's perfect.Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. She gets free booze and falls in love with a self-loathing bison farmer who listens to Goats Head Soup. Horace Jones has resided in Owl for seventy-three years. He consumes a lot of coffee, thinks about his dead wife, and understands the truth. They all know each other completely, except that they've never met.Like a colder, Reagan-era version of The Last Picture Show fused with Friday Night Lights, Chuck Klosterman's Downtown Owl is the unpretentious, darkly comedic story of how it feels to exist in a community where rural mythology and violent reality are pretty much the same thing. Loaded with detail and unified by a (very real) blizzard, it's technically about certain people in a certain place at a certain time...but it's really about a problem. And the problem is this: What does it mean to be a normal person? And there is no answer. But in Downtown Owl, what matters more is how you ask the question.

    Perpetually anxious, she’s also accumulated a list of semi-reasonable fears: falling air conditioners, the IRS, identity theft, skydiving, and airbag recalls. But never once did Maggie worry that her husband of nearly thirty years would leave her.On the day Adam walks out the door, everything that makes Maggie secure goes with him. Only then does she realize that while she’s been busy caring for everyone else, she’s become invisible to the world—and to herself.Maggie cautiously begins to rebuild her life with a trip to Rome, a new career, and even a rebound romance. But when a fresh crisis strikes and an uncertain future looms, she must decide: How much will she risk to remain the woman she’s just become?

    As a hopeless and struggling indie rock musician, Ray's best chance of discovering any beauty and purpose in his dysfunctional life will come only when he ceases to struggle against life itself. These are his memoirs.Scale chronicles Ray Goldman’s journey downward through the adversarial trials that sometimes prove necessary in facilitating an eventual ascent into truth and happiness. The odd chapters of the novel find Ray, now a 31-year-old guitar player, seeking fulfillment in the wake of a life-altering tragedy while the even chapters see him reflecting on the depravity and selfishness that hastened his descent towards it. Scale is about the relationship between instability and balance, death and resurrection, perception and reality, but ultimately it is about the endless war waged between our disquieted minds and our noble hearts.Fans of pop culture, Americana, Punk Rock music, and Charles Bukowski’s Ham on Rye.

    If only he could tell her his name isn't really Damon. If only he could tell her who he really is. But after he witnesses a friend's murder, a scarlet woman glides into his life, offering the solution to all of his problems. His carefully constructed existence soon shatters like crystal teardrops and he must determine which ghosts won't stay buried-and which ones are trying to kill him-if he wants to learn why Mary has disappeared.Ages 18+ThrillerFiction

    A lonely giant with a haunted past. A beautiful girl with a troubled heart. Strange and darkly magical, How the Hula Girl Sings begins exactly where most pulp fiction usually ends, with the vivid episode of the terrible crime itself. Three years later, Luce Lemay, out on parole for the awful tragedy, does his best to finds hope: in a new job at the local Gas-N-Go; in his companion and fellow ex-con, Junior Breen, who spells out puzzling messages to the unquiet ghosts of his past; and finally, in the arms of the lovely but reckless Charlene. How the Hula Girl Sings is a suspenseful exploration of a country bright with the far-off stars of forgiveness and dark with the still-looming shadow of the death penalty.Paperback reissue of the second novel from the author of the indie-hit Hairstyles of the Damned