In Vanishing Rooms, the author amply demonstrates his literary promise with a compelling love story of interracial sex and urban violence set in Manhattan’s West Village in the 1970s.

    Harris has spent much of her life researching the food and foodways of the African Diaspora. High on the Hog is the culmination of years of her work, and the result is a most engaging history of African American cuisine. Harris takes the reader on a harrowing journey from Africa across the Atlantic to America, tracking the trials that the people and the food have undergone along the way. From chitlins and ham hocks to fried chicken and vegan soul, Harris celebrates the delicious and restorative foods of the African American experience and details how each came to form such an important part of African American culture, history, and identity. Although the story of African cuisine in America begins with slavery, High on the Hog ultimately chronicles a thrilling history of triumph and survival. The work of a masterful storyteller and an acclaimed scholar, Jessica B. Harris's High on the Hog fills an important gap in our culinary history. Praise for Jessica B. Harris: "Jessica Harris masters the ability to both educate and inspire the reader in a fascinating new way." -Marcus Samuelsson, chef owner of Restaurant Aquavit

    In "Some Are Born to Sweet Delight, " a girl's innocent love for an enigmatic foreign lodger in her parents' home leads her to involve others in a tragedy of international terrorism. "The Moment Before the Gun Went Off" reveals the strange mystery behind an accident in which a white farmer has killed a black boy. "Once Upon a Time" is a horrifying fairy tale about a child raised in a society founded on fear.

    the Pre-Dad-meand I ended up in her bed.She lives in the apartment downstairs…It’s just a matter of time before we run into each other But… now I can’t get her off my mindOne Night Next Door is a steamy romance between two neighbors, one is a single dad and one has sworn off men forever. This romance stands alone with no cheating or cliffhangers and ends with an awesome happily ever after.

    David J. Schow ... Thomas Tessier... F. Paul Wilson... Richard Christian Matheson ... Nancy A. Collins... Graham Masterton ... Pay Garton ... Rex Miller ... and ten other stars of today's shock fiction know what metalheads and moralists, punksters and preachers have known all along. Rock and roll. With its hot licks and raw glitter, has a dark side too - where the party stops and the terror begins.Put on your headphones. Open this electrifying book. Rock to the world of horror where martyred musical super-legends return from the dead at 120 decibels... where radio stations sponsor ghastly giveaways that no living soul could want ... where other-earthly pirates bootleg not records, but human souls... where people are strange ... and the devil rocks all night.THE NEW SOUND OF HORRORCONTENTSStephen King - You Know They've Got a Hell Of A BandF. Paul Wilson - Bob Dylan, Troy Jonson, and The Speed QueenDavid J. Schow - OdeedNancy A. Collins - Vargr RuleRonald Kelly - Blood Suede ShoesDon D'Ammassa - The Dead Beat SocietyGraham Masterton - Voodoo ChildPaul Dale Anderson - Rites Of SpringMichael E. Garrett - Dedicated To The One I LoatheBrian J. Hodge - RequiemR. Patrick Gates - Heavy MetalRex Miller - BunkyBill Mumy & Peter David - The Black '59Richard Christian Matheson - GroupiesMichael Newton - ReunionMark Verheiden - BootlegRay Garton - Weird GigJohn L. Byrne - Hide In Plain SightThomas Tessier - Addicted To loveJohn Shirley - Flaming Telepaths

    Faced with constant attack from all the peoples who followed them, the last of the Bushmen have retreated to the scorching depths of the Kalahari Desert in southern Africa. After a gruelling trek, van der Post finds the Bushmen, thriving in one of the world’s most inhospitable landscapes, with their physical peculiarities, their cave art and their joyful music-making intact.

    Each sign is given a lengthy description of its characteristics, as well its creation myth. Greene then expands upon the sign's shadowy side, and finally explicates the fine points of the individual sign as a lover. Astrology for Lovers will teach readers not only critical aspects of their own motivations, but also provide invaluable insight into the inner workings of their lovers.

    Different kinds of institutions allow individuals to think different kinds of thoughts and to respond to different emotions. It is just as difficult to explain how individuals come to share the categories of their thought as to explain how they ever manage to sink their private interests for a common good. Douglas forewarns us that institutions do not think independently, nor do they have purposes, nor do they build themselves. As we construct our institutions, we are squeezing each other's ideas into a common shape in order to prove their legitimacy by sheer numbers. She admonishes us not to take comfort in the thought that primitives may think through institutions, but moderns decide on important issues individually. Our legitimated institutions make major decisions, and these decisions always involve ethical principles.

    A master of magic and a superb story-teller, Tuhami lives in a dank, windowless hovel near the kiln where he works. Nightly he suffers visitations from the demons and saints who haunt his life, and he seeks, with crippling ambivalence, liberation from 'A'isha Qandisha, the she-demon. In a sensitive and bold experiment in interpretive ethnography, Crapanzano presents Tuhami's bizarre account of himself and his world. In so doing, Crapanzano draws on phenomenology, psychoanalysis, and symbolism to reflect upon the nature of reality and truth and to probe the limits of anthropology itself. Tuhami has become one of the most important and widely cited representatives of a new understanding of the whole discipline of anthropology.

    Buried there lie answers about the origins of humankind. After a century of investigation, scientists have transformed our understanding about the beginnings of human life. But vital clues still remain hidden. In Born in Africa, Martin Meredith follows the trail of discoveries about human origins made by scientists over the last hundred years, recounting their intense rivalry, personal feuds, and fierce controversies as well as their feats of skill and endurance.The results have been momentous. Scientists have identified more than twenty species of extinct humans. They have firmly established Africa as the birthplace not only of humankind but also of modern humans. They have revealed how early technology, language ability, and artistic endeavour all originated in Africa; and they have shown how small groups of Africans spread out from Africa in an exodus sixty thousand years ago to populate the rest of the world. We have all inherited an African past.

    . . a fine biography that gets beyond the public icon to a portrait of the real woman."-- Chicago Sun-Times At the age of twenty-three, in the 1920s, Margaret Mead traveled alone to the South Sea and wrote of adolescent sexuality and guilt-free love in her now classic Coming of Age in Samoa. For the next half-century, Mead would act as a powerful participant and opinion maker in the largest issues of her time: culture and religion, education and child rearing, sex and freedom, world hunger, war, and the politics of peace.Outrageous and extravagant, Mead was, in every sense of the word, spirited. Friendships and families of many kinds were at the core of her personal life, and she was both loyal and demanding with people, always challenging them to move in new directions.An inveterate world traveler, a teacher at Columbia University, and curator of The Museum of Natural History, Mead wrote thirty-four books, made ten films, and was granted twenty-eight honorary degrees and numerous awards. This intimate and fascinating story is an astonishing record of the personal and scientific life of an extraordinary human being.Praise for Margaret Mead"Mead was, as Miss Howard's abundantly and unfailing lively account shows, a very American individual. . . . Miss Howard writes not as an anthropologist but as the superb reporter she is."-- The Wall Street Journal "A triumph of industry, imagination, and literary grace."--The Washington Post

    Anarchists repeatedly appeal to anthropologists for ideas about how society might be reorganized on a more egalitarian, less alienating basis. Anthropologists, terrified of being accused of romanticism, respond with silence . . . . But what if they didn't?This pamphlet ponders what that response would be, and explores the implications of linking anthropology to anarchism. Here, David Graeber invites readers to imagine this discipline that currently only exists in the realm of possibility: anarchist anthropology.

    Even that which appears to be dissimilar fails to contradict mimetic theory, but instead corresponds to the minimum of illusion without which sacrifice becomes impossible.      The Bible reveals collective violence, similar to that which generates sacrifice everywhere, but instead of making victims guilty, the Bible and the Gospels reveal the persecutors of a single victim. Instead of elaborating myths, they tell the truth absolutely contrary to the archaic sense. Once exposed, the single victim mechanism can no longer function as the model for would-be sacrificers.      Recognizing that the Vedic tradition also converges on a revelation that discredits sacrifice, mimetic theory locates within sacrifice itself a paradoxical power of quiet reflection that leads, in the long run, to the eclipse of this institution which is violent but nevertheless fundamental to the development of human culture. Far from unduly privileging the Western tradition and awarding it a monopoly on the knowledge and repudiation of blood sacrifice, mimetic analysis recognizes comparable, but never truly identical, traits in the Vedic tradition.

    This invasion of the world by what Marc Auge calls ‘non-space’ results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Auge uses the concept of ‘supermodernity’ to describe the logic of these late-capitalist phenomena—a logic of excessive information and excessive space. In this fascinating and lucid essay he seeks to establish and intellectual armature for an anthropology of supermodernity. Starting with an attempt to disentangle anthropology from history, Auge goes on to map the distinction between place, encrusted with historical monuments and creative social life, and non-place, to which individuals are connected in a uniform manner and where no organic social life is possible.Unlike Baudelairean modernity, where old and new are interwoven, supermodernity is self-contained: from the motorway or aircraft, local or exotic particularities are presented two-dimensionally as a sort of theme-park spectacle. Auge does not suggest that supermodernity is all-encompassing: place still exist outside non-place and tend to reconstitute themselves inside it. But he argues powerfully that we are in transit through non-place for more and more of our time, as if between immense parentheses, and concludes that this new form of solitude should become the subject of an anthropology of its own.

    Monique Dembele saved lives and dispensed hope in a place where childbirth is a life-and-death matter. This book tells of her unquenchable passion to better the lives of women and children in the face of poverty, unhappy marriages, and endless backbreaking work. Monique's buoyant humor and willingness to defy tradition were uniquely hers. In the course of this deeply personal narrative, as readers immerse themselves in the rhythms of West African village life, they come to know Monique as friend, mother, and inspired woman.