She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    While Stephanie struggles with the disorienting effects of sleep deprivation, there’s one thing she knows for certain – she has everything she ever wanted.Then a woman from his past arrives and makes a shocking accusation about his first wife. He always claimed her death was an accident – but she says it was murder.He insists he’s innocent, that this is nothing but a blackmail attempt. But is Patrick telling the truth? Or has Stephanie made a terrible mistake?How will it end?

    Discretion is of the utmost importance. Special conditions apply.When Sarah Larsen finds the notice, posted on creamy card stock in her building's lobby, one glance at the exclusive address tells her she's found her ticket out of a dead-end job--and life.At the interview, the job seems like a dream come true: a glamorous penthouse apartment on the Upper West Side of NYC; a salary that adds several zeroes to her current income; the beautiful, worldly mother of her charge, who feels more like a friend than a potential boss. She's overjoyed when they offer her the position and signs the NDA without a second thought.In retrospect, the notice in her lobby was less an engraved invitation than a waving red flag. For there is something very strange about the Bird family. Why does the beautiful Mrs. Bird never leave the apartment alone? And what happened to the nanny before her? It soon becomes clear that the Birds' odd behaviors are more than the eccentricities of the wealthy.But by then it's too late for Sarah to seek help. After all, discretion is of the utmost importance.

    Palmer, the author of The New Husband.Grace never dreamt she’d visit her teenaged daughter Penny in the locked ward of a decaying state psychiatric hospital, charged with the murder of a stranger. There was not much question of her daughter’s guilt. Police had her fingerprints on the murder weapon and the victim’s blood on her body and clothes. But they didn’t have a motive.Grace blames herself, because that’s what mothers do—they look at their choices and wonder, what if? But hindsight offers little more than the chance for regret.None of this was conceivable the day Penny came into her life. Then, it seemed like a miracle. Penny was found abandoned, with a mysterious past, and it felt like fate brought Penny to her, and her husband Arthur. But as she grew, Penny's actions grew more disturbing, and different "personalities" emerged.Arthur and Grace took Penny to different psychiatrists, many of whom believed she was putting on a show to help manage her trauma. But Grace didn’t buy it. The personas were too real, too consistent. It had to be a severe multiple personality disorder. One determined psychiatrist, Dr. Mitch McHugh, helped discover someone new inside Penny—a young girl named Abigail. Is this the nameless girl who was abandoned in the park years ago? Mitch thinks Abigail is the key to Penny’s past and to the murder. But as Grace and Mitch dig deeper, they uncover dark and shocking secrets that put all their lives in grave danger.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? The mercurial Malcolm Mercer is the director and he’s known for pushing his performers past their limits—on stage and off. Kira’s convinced she can handle Malcolm, but the theater’s cofounder, Joanna Cuyler, is another story. Joanna sees Kira as a threat—to her own thwarted artistic ambitions, her twisted relationship with Malcolm, and the shocking secret she’s keeping about the upcoming production. But as opening night draws near, Kira and Joanna both come to the realization that Malcolm’s dangerous extremes are nothing compared to what they’re capable of themselves. An edgy, addictive, and fiendishly clever tale of ambition, deceit, and power suited for fans of the film Black Swan, Temper “revels in its mind games, delivering twist after twist as it races toward a Shakespearian climax. The final page will leave you gasping” (Amy Gentry, author of Last Woman Standing).

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    And Melissa, a successful interior designer whose casually cruel banker husband is careful not to leave visible bruises; she curates her perfectly thin body so closely she misses everything their teenage daughter is hiding. Then there’s Grace, a young Zimbabwean immigrant, who lives in high-rise housing project with her two children and their English father Martin, an award-winning but chronically broke novelist; she does far more for her family than she should have to.As the weeks go by, the couples become very close; there are barbecues, garden parties, a holiday at a country villa in Greece. Resentments flare. An affair begins. Unnoticed, the children run wild. The couples are busily watching each other, so distracted and self-absorbed that they forget to watch their children. No one sees the five children at their secret games or realize how much their family dynamics are changing until tragedy strikes.The story twists and then twists again while the three families desperately search for answers. It’s only as they begin to unravel the truth of what happened over the summer that they realize evil has crept quietly into their world.But has this knowledge come too late?

    It was supposed to be the perfect summer getaway--until they met Severine, the girl next door. For Kate Channing, Severine was an unwelcome presence, her inscrutable beauty undermining the close-knit group's loyalties amid the already simmering tensions. And after a huge altercation on the last night of the holiday, Kate knew nothing would ever be the same. There are some things you can't forgive, and there are some people you can't forget, like Severine, who was never seen again. Now, a decade later, the case is reopened when Severine's body is found in the well behind the farmhouse. Questioned along with her friends, Kate stands to lose everything she's worked so hard to achieve as suspicion mounts around her. Desperate to resolve her own shifting memories and fearful she will be forever bound to the woman whose presence still haunts her, Kate finds herself buried under layers of deception with no one to set her free.

    She decides to take a moonlight paddle at her divorced parents’ Florida beachside inn to take the edge off her anxiety. Moments later she vanishes in the water without a trace. The police assume death by drowning since sharks had been sighted nearby earlier in the day. They do a cursory investigation and that's it. The community comes out to give support, but days later her mother Emily is still wondering what happened to her beautiful daughter. And why is there no body?In the days that follow, Emily accidentally discovers pornographic images of her daughter on her laptop. Some appear to be selfies taken for someone else's pleasure. Others are clearly taken by a voyeur and sent to Leah. Shockingly, they reveal darkly tantalizing clues to an older man’s involvement. Emily's heartbreak turns to deep rage as she sets out to unmask who this monster is who has stolen her daughter's innocence--and perhaps more. As her suspicion falls on various locals who, as unlikely as they may seem, may have lured Leah into risky, even deadly, behavior--the youth pastor, the long time resident in bungalow 3, his son who visits from New York--she trusts no one. Suddenly her once close knit community, itself its own paradise, has been invaded by evil, an evil that is still lurking in the shadows--one that she is determined to expose.

    But now they’re older, and their bond is stretched by partners, children, and the tightening net of secrets that are threatening to emerge.On the morning of Nick and Lisa’s wedding, their friend Penny is found poised on the hotel window ledge, soaking wet and ready to jump. As the A Team rally around her, they soon realise that none of them are being as honest with themselves – or with each other – as they think they are…Why does Will look at Jen’s daughter so strangely? What is Dan really doing on his long lunch breaks? And what is the real reason that Penny was found on that ledge?Tense, disturbing and clever, My Husband’s Lies is the second domestic noir from Caroline England, perfect for fans of C. L . Taylor and Apple Tree Yard.

    One of them killed him . . .Louise has had to watch her husband, Andrew, start a new family in the four years since he left her. The ‘other woman’ is now his wife – but Louise isn’t ready to let Caz enjoy the life that was once hers, or to let go of the man she still loves.As Louise starts to dig into Caz’s past, the two women’s pretence of civility starts to slip. But in trying to undermine each other, they discover more about the man they both married.And when Andrew is murdered at a family party, both women are found standing over the body.And when Andrew is murdered during the anniversary celebrations, both women are found standing over the body.It’s always the wife. But which one?

    Mothers with strollers still make her flinch; her love of writing has turned into a half-hearted teaching career; and she and her husband, Art, have slipped into the kind of rut that seems inescapable.But then a stranger shows up on their doorstep, telling Gen the very thing she’s always wanted to hear: that her daughter Beth was not stillborn, but was taken away as a healthy infant and is still out there, somewhere, waiting to be found. It’s insane, unbelievable. But why would anyone make that up? A fissure suddenly opens up in Gen’s carefully reconstructed life, letting in a flood of unanswerable questions. Where is Beth now? Why is Art so reluctant to get involved? To save his wife from further hurt? Or is it something more sinister? And who can she trust to help her?Ignoring the warnings of her husband and friends, Gen begins to delve into the dark corners of her past, hopeful she’ll find a clue to her daughter’s whereabouts. But hope quickly turns into fear and paranoia, as she realizes that finding the answers might open the door to something even worse than not knowing. A truth that could steal everything she holds close – even her own life.

    A change of clothes. A wig. An inconspicuous sedan. We doubled back once, twice, then drove south when we were really headed east. In San Francisco we had a girl who looked like me board a plane to Hawaii.Oh, I thought I was so clever.But you probably already know that I'm not.LA IT girl Janie Jenkins has it all. The looks, the brains, the connections. The criminal record.Ten years ago, in a trial that transfixed America, Janie was convicted of murdering her mother. Now she's been released on a technicality she's determined to unravel the mystery of her mother's last words, words that send her to a tiny town in the very back of beyond. But with the whole of America's media on her tail, convinced she's literally got away with murder, she has to do everything she can to throw her pursuers off the scent.She knows she really didn't like her mother. Could she have killed her?

    It was a lapse of judgement. If I could have foreseen the rippling aftershocks that followed I would have acted differently, but by the time I realised the extent of the consequences, it was too late.The MacBrides have always gone to Far Barn in Devon for Bonfire Night, but this year everything is different. Lydia, the matriarch, is dead; Sophie, the eldest daughter, is desperately trying to repair a crumbling marriage; and Felix, the youngest of the family, has brought a girlfriend with him for the first time. The girl, Kerry, seems odd in a way nobody can quite put their finger on - but when they leave her looking after Sophie's baby daughter, and return to find both Kerry and the baby gone, they are forced to ask themselves if they have allowed a cuckoo into their nest...Gripping and chilling, with a killer twist, The Burning Air reaffirms Erin Kelly as one of Britain's foremost psychological thriller writers.