It has only very recently been published. Although it has been written as a novel, it details events, which were all too tragically true.Edith Hofmann is a survivor of the Holocaust, born in Prague in 1927 as Edith Birkin. In 1941, along with her parents, she was deported to the Lodz Ghetto, where within a year both her parents had died. At 15 she was left to fend forherself.The Lodz Ghetto was the second-largest ghetto to Warsaw, and was established for Jews and Gypsies in German-occupied Poland. Situated in the town of Lodz in Poland and originally intended as a temporary gathering point for Jews, the ghetto was transformed into a major industrial centre, providing much needed supplies for Nazi Germany and especially for the German Army.Because of its remarkable productivity, the ghetto managed to survive until August 1944, when the remaining population, including Edith, was transported to Auschwitz and Chelmno extermination camp in cattle trucks. It was the last ghetto in Poland to be liquidated due to the advancing Russian army. Edith was only 17, and one of the lucky ones.For the majority, it was their final journey. A small group of them were selected for work. With her hair shaved off and deprived of all her possessions, she travelled to Kristianstadt, a labour camp in Silesia, to work in an underground munitions factory.

    I jolted back in surprise as a hot, thrilling, tingling sensation ran up my arm when my bare skin brushed against his… Did he feel that sensation too? How does that happen from touching someone? University student, Wiley Cayton’s world turns upside down when she meets college newcomer Cameron Wilks. With his irresistible good looks, he seems to be nothing but a party-boy and a constant distraction. But is there more to the hottest guy on campus? Even when Wiley finds out about Cameron’s troubled past, she’s determined to keep her distance and her previously shattered heart protected. But with him studying the same degree and falling in with her group of friends, she’s drawn to him in unexplainable, illogical ways. How can one’s heart overrule one’s mind? Inevitably she falls for his charismatic charm and her insecurities take hold. Her life spirals out of control and she struggles to find balance between partying, sex and maintaining her scholarship grades. With her future at risk, her family battle to keep her and Cameron apart, but that only weaves their relationship tighter together. When a college prank goes horribly wrong – threads snap, and just when she needs him most, Cameron disappears. Is their tumultuous romance meant to be or is it just a temporary distraction?

    I wanted not a tract, but a tapestry in which making is seen in the context of the other processes—sexuality, mortality—inseparable from it.""Bidart has patiently amassed as profound and original a body of work as any now being written in this country. He has given form for our age to what is most urgent and most private in the human soul: the ordeals of solitude and mortality and hunger and, recently, that action through which being speaks: the drive to make or create. Bidart’s poems sound like no one else’s; they look like no one else’s. . . . He is, in the feeling of our jury, one of the great poets of our time."—Louise Glück, jury chair, 2001 Wallace Stevens Award The Academy of American PoetsThe inaugural edition in Sarabande's Quarternote Chapbook Series which will feature a select group of poets by invitation onlyFrank Bidart's collections of poetry include Desire (1997), which received the 1998 Bobbitt Prize for Poetry from the Library of Congress and the Theodore Roethke Memorial Poetry Prize, and was nominated for the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize; In the Western Night: Collected Poems 1965-90 (1990); The Sacrifice (1983); The Book of the Body (1977); and Golden State (1973). Among his many honors are the Lila Acheson Wallace/Reader’s Digest Fund Writer’s Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and the Lannan Literary Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

    It opens with the horrifying moment in July 1942 when the author’s father, the rabbi of a small synagogue, was dragged by police from the family home on Rue Ordener in Paris, then transported to Auschwitz—“the place,” writes Kofman, “where no eternal rest would or could ever be granted.” It ends in the mid-1950s, when Kofman enrolled at the Sorbonne. The book is as eloquent as it is forthright. Kofman recalls her father and family in the years before the war, then turns to the terrors and confusions of her own childhood in Paris during the German occupation. Not long after her father’s disappearance, Kofman and her mother took refuge in the apartment of a Christian woman on Rue Labat, where they remained until the Liberation. This bold woman, whom Kofman called Mémé, undoubtedly saved the young girl and her mother from the death camps. But Kofman’s close attachment to Mémé also resulted in a rupture between mother and child that was never to be fully healed.This slender volume is distinguished by the author’s clear prose, the carefully recounted horrors of her childhood, and the uncommon poise that came to her only with the passage of many years.

    Based on Bentley and Ziegler's best-selling, comprehensive survey text, this book provides a streamlined account of the cultures and interactions that have shaped world history.

    As the world changes around her, Kläre is forced to make a number of seemingly impossible choices in order to protect the people she loves—and to save herself.Based on a true story, Even in Darkness highlights the intimate experience of Kläre’s reinvention as she faces the destruction of life as she knew it, and traces her path beyond survival to wisdom, meaning, and—most unexpectedly—love.

    By the time it ends in January 1945, over half a million Jews will have been murdered. "Gratitude "tells the story of that period, through the eyes of the wealthy Beck family, whose lives and loves are saved and lost. At the center of it all is Paul Beck, a young lawyer whose chance meeting with a visiting Swede, Raoul Wallenberg, may alter the inevitability of the Jews' fate. Like "The Garden of the Finzi-Continis," "Gratitude "captures forever the pain and passion of one's family precious moment in time.

    Their similarities stop there. Jaz is independent and likes variety in men. Lily’s secret health problems keep her from processing emotions normally, causing the other girls to think she’s weird. Rikke is the only one in a monogamous relationship, though Adam’s attitude leaves a lot to be desired. Lorna is shy and reserved, only coming out of her shell when she’s partaking in her secret passion. None of the girls are friends. None of them even particularly like each other, but as they all face individual demons that sometimes intersect with each other’s lives, they learn from each other and learn about themselves. Will the girls learn the difference between love and lust? Will they learn social acceptance? Will they become friends, or are they destined to be nothing more than roommates.