By daybreak, her world has shifted. Max Carlisle, a troubled AFL star, can't stop what comes next. And Ruby, a single woman from the apartment block, is left with questions when she sees Jordi leave.In this remarkable novel, Rachel Matthews captures the characters of Jordi and her family, the players, and the often loveable inhabitants of a big city with a deceptive lightness of touch that seduces the reader. Siren reveals the often unnoticed life of a city while simultaneously drawing us deep into a dark and troubling world. What happens has an unexpected effect on all those who are both directly and indirectly involved.The result is a powerful and haunting novel about cultural stereotypes and expectations, love, loneliness, family and our struggle to connect. In so many ways, Matthews subtly sounds the siren on sexual violence and its prevalence in our culture.

    A whirlwind romance follows, and the next thing Rilee knows she's married and living on her husband's family property in a small rural community.Never one to shy from a challenge, Rilee is determined to win over her in-laws and the townsfolk of nearby Pallaburra, but her city ways and outspoken views only seem to alienate her further.Opening her own naturopathy practice has always been her dream. Although Pallaburra isn't Sydney, and despite the fact she's not exactly inundated with new clients, she's not ready to give up. Things get even worse for Rilee when she champions the issue of teen pregnancies in the deeply conservative town.Worn down by the ill-will towards her and what she sees as Dan's lack of support, Rilee flees the station to think about the future. Can her marriage survive - or is she destined to leave Dan and move back to the city?Six Ways to Sunday is a rip-roaring tale about a woman determined to stand up for her convictions even at the risk of jeopardising the future she envisaged with the man she loves.

    Where other people see junk he sees potential ... My dad collects broken people too ... Vincent is nearly forty years old, with little to show for his life except his precious sixteen-year-old daughter, Gemma: sensitive, insightful and wise beyond her years. When a stranger crashes her car outside Vincent and Gemma's bush home, their lives take a dramatic turn. In an effort to help the stranded woman, father and daughter are drawn into a world of unexpected and life-changing consequences. DARKNESS ON THE EDGE OF TOWN is a haunting tale that beguiles the reader with its deceptively simple prose, its gripping and unrelenting tensions, and its disturbing yet tender observations.

    Since her mother’s death when Neve was seven, she’s learned to look after herself and to keep her cards close. But now her deliberately constructed world has collapsed: her partner’s left her when she was eight months pregnant. And so, alone with her newborn son, she’s retreated to her cliff-top holiday house in coastal Flinders.There, another child comes into her life. The first time Neve sees Jessie, the small girl is playing on an empty stretch of beach. On the cold autumn day, she is bare-legged and alone, while her mother is distracted by her own troubles. At once, almost despite herself, Neve is intrigued and concerned, and Jessie is drawn to Neve’s kindness – and to her home. To Neve’s surprise, Jessie becomes an unlikely source of much needed care for her and her baby. Having been lost in the sleepless haze of new motherhood, Neve is touched, and finds herself grappling with how to best help the forgotten girl. She has the spacious house, the full pantry, the resources . . . But how much can you – should you – do for a stranger’s child?

    Forced to take her life in a new direction when an injury ends her ballet career, Emma returns to her home in Australia and learns that she has inherited an isolated sheep station from a late grandmother who would impart key lessons about love and motherhood.

    Her distinguished career ended under a cloud over a decade earlier, following an unspecified scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite. Initially extremely resentful and hostile towards Frank and Evelyn, the young couple who buy the new house, she develops a flirtatious friendship with Frank, and then a grudging affinity for his 12-year-old niece, Kim, who lives with them. Thea has never liked children, but she discovers an unexpected bond with  the solitary, half-Vietnamese Kim, an awkward, bookish child from a very deprived background. As Thea and Kim become close, Thea begins to find  Frank's behavior increasingly irresponsible, and to harbor worries that all is not well in the house. Her growing suspicions, which may or may not be irrational, start to dominate her life, and build to a catastrophic climax.

    It tracks their individual journeys during that first crucial year—and the group’s collective one—as they navigate motherhood and the shifting ground of their relationships with their partners. Each woman struggles in her own way to become the mother she wants to be, and finds herself becoming increasingly reliant on the friendship and support of the mother’s group members. Until one day, when an unthinkably shocking event changes everything.The Mother’s Group is an unflinching and compelling portrait of love, sex, marriage and parenting in an increasingly complicated world. Moving, provocative, tender and utterly gripping, it will draw you in and never let you go.

    Two gorgeous children, a handsome husband, destiny under control. For her real-life alter-ego Beth, things are unravelling. Tensions are simmering with her husband, mother-in-law and even her own mother. Her teenage daughters, once the objects of her existence, have moved beyond her grasp and one of them has shown signs of, well, thoughtlessness ...Then a classmate of one daughter is callously bullied and the finger of blame is pointed at Beth's clever, beautiful child. Shattered, shamed and frightened, two families must negotiate worlds of cruelty they are totally ill-equipped for.This is a novel that grapples with modern-day spectres of selfies, selfishness and cyberbullying. It plays with our fears of parenting, social media and Queen Bees, and it asks the question: just how well do you know your child?

    THE MAN FROM SNOWY RIVER is a box office hit and Paul Hogan is on the TV. In a seaside suburb, housewife Theresa takes up swimming. She wants to get fit; she also wants a few precious minutes to herself. So at sunrise each day she strikes out past the waves.From the same beach, the widowed Marie swims. With her husband gone, bathing is the one constant in her new life.After finding herself in a desperate situation, 25-year-old Leanne only has herself to rely on. She became a nurse to help others, even as she resists help herself.Elaine has recently moved from England. Far from home and without her adult sons, her closest friend is a gin bottle.In the waters of Shelly Bay, these four women find each other. They will survive bluebottle stings and heartbreak; they will laugh so hard they swallow water, and they will plunge their tears into the ocean's salt. They will find solace and companionship, and learn that love takes many forms. Most of all, they will cherish their friendship, each and every day. 'Reading this book was like snuggling beneath a warm beach towel after a bracing dip in the ocean.' - JOANNA NELLPraise for Sophie Green's THE INAUGURAL MEETING OF THE FAIRVALE LADIES BOOK CLUB'Tender, intimate, heartwarming, fulfilling and Australian as a lamb roast and full-bodied shiraz' The Australian Women's Weekly'An absolute gem of a novel, with the most evocative sense of place . . . A treat for any book club' BETTER READING

    It’s November 1948, and the widowed Hanora Sparrow and her teenage daughters, Aria and Rosy, have fallen on tough times; when they move into a housing commission camp on the outskirts of Sydney, their spirits are low and their prospects few. While Hanora copes via various pharmaceutical offerings and Rosy with nothing other than indignity, the spirited Aria rises immediately to the challenge of keeping the family together in such trying circumstances. With her endless curiosity and lively sense of humor, Aria draws the Sparrow women into close friendships with other camp residents and supports her family through her work as a photographic model in the city. Despite the setbacks, Aria strives toward their eventual salvation.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    Worries I’ve never shared. Thoughts that circle and collide and die screaming because they never make it outside my head. Stuff like that, if you let it go—it’s a survival risk.Sixteen-year-old Nate McKee is doing his best to be invisible. He’s worried about a lot of things—how his dad treats Nance and his twin half-brothers; the hydro crop in his bedroom; his reckless friend, Merrick.Nate hangs out at the local youth centre and fills his notebooks with things he can’t say. But when some of his pages are stolen, and his words are graffitied at the centre, Nate realises he has allies. He might be able to make a difference, change his life, and claim his future. Or can he?This Is How We Change the Ending is raw and real, funny and heartbreaking—a story about what it takes to fight back when you’re not a hero.

    Heartbroken, Ash suddenly finds herself living a double life - one week with her children, the next cohabiting with her happily single sister-in-law. Her friends think the modern custody solution is an exciting opportunity for her to spread her wings, but all Ash wants is her family back together.An offer to renovate a seaside cottage seems like the perfect distraction for Ash while waiting for Adrian to come to his senses. She's determined to fix her marriage as well as the cottage, but life gets even more complicated when she meets local fisherman Dan Emerson.Soon, each home-stay becomes more dysfunctional, while for the other week Ash enjoys the peaceful life of the beachside community. The more time Ash spends in Ragged Point, the more she questions what she really wants. Is a sea-change the fresh start she needs to move on?When tragedy calls Ash back to the city, she's torn between the needs of her family and her future. Can her family life fit in with a permanent move to the beach or could Ash's new-found independence attract Adrian back to the nest?

    'That,' she announced, 'is a seriously glamorgeous name.'From the day Annabelle Andrews sashays into her classroom, Tallulah 'Lulu' de Longland is bewitched by Annabelle, by her family, and their sprawling, crumbling house tumbling down to the river.Their unlikely friendship intensifies through a secret language where they share confidences about their unusual mothers, first loves, and growing up in the small, coastal town of Juniper Bay. Their lives become as entwined as Annabelle's initials engraved beneath the de Longland kitchen table.But the euphoria of youth rarely lasts, and the implosion that destroys their friendship leaves lasting scars and a legacy of self-doubt that haunts Lulu into adulthood.Years later, Lulu is presented with a choice: remain the perpetual good girl who misses out, or finally step out from the shadows and do something extraordinary. And possibly unforgiveable.It's not how far you fall, but how high you bounce.

    Two photographers document a nation’s guilt in pictures of its people’s hands. An underground club in Western Australia plays jazz to nostalgic patrons dreaming of America’s Deep South. A young woman struggles to define herself among the litter of objects an ex-lover has left behind. In short vignettes and longer stories, Josephine Rowe explores the idea of things that are left behind: souvenirs, scars, and prejudice. Rowe captures everyday life in restrained poetic prose, merging themes of collective memory and guilt, permanence and impermanence, and inherited beliefs. These beautifully wrought, bittersweet stories announce the arrival of an exciting new talent in Australian fiction.