While his marriage to Pen was a happy one, they never had children, so his life has narrowed to trips to the shop, occasional visits from his bossy sister Shirl and afternoons in the pub with his old mate Redgum.But one day, everything changes when Angie, a nineteen-year-old single mother, unexpectedly saves his life. George grudgingly acknowledges his debt to her, and later, when Angie asks for a favour, he has no choice but to agree. Gradually George's life begins to blossom, until Angie's fecklessness unexpectedly sets him on the wrong side of the law. It takes all of his love and courage, and friends both old and new, for George to deal with a very unexpected turn of events.A novel about mistakes, accidental families, and the transformative power of love, from the bestselling author of Book of Lost Threads, Tess Evans.

    In the one or two photographs I’ve kept of him I can still see it. He stares out of them almost miserably, as if his loveliness is an affliction. Not that I saw it that way, at least not in the beginning. In the beginning I thought it was a kind of miracle.Arthur Wheeler is haunted by his infatuation with a Japanese youth he encountered in the enemy alien camp where he worked as a guard during WW2. Abandoning his wife and baby son, Arthur sets out on a doomed mission to rescue his lover from forced deportation back to Japan, a country in ruins.Thus begins the secret history of a soldier at war with his own sexuality and dangerously at odds with the racism that underpins the crumbling British Empire.Four decades later Arthur is still obsessed with the traumatic events of his youth. He proposes a last reunion with his lost lover, in the hope of laying his ghosts to rest, but this mission too seems doomed to failure.Like Merry Christmas Mr Lawrence and Snow Falling On Cedars, My Beautiful Enemy explores questions of desire and redemption against the background of a savage racial war. In this context, Arthur’s private battles against his own nature, and against the conventions of his time, can only end in heartache.

    Life on the gold fields is hard, and they soon abandon the diggings and head to nearby Maytown. Once there, Lai Yue finds a job as a carrier on an overland expedition, while Ying finds work in a local store and strikes up a friendship with Meriem, a young white woman with her own troubled past. When a serious crime is committed, suspicion falls on all those who are considered outsiders.Evoking the rich, unfolding tapestry of Australian life in the late nineteenth century, Stone Sky Gold Mountain is a heartbreaking and universal story about the exiled and displaced, about those who encounter discrimination yet yearn for acceptance.

    Two young women are brutally murdered. The killer has never been found. What happened in the house on Easey Street?On a warm night in January, Suzanne Armstrong and Susan Bartlett were savagely murdered in their house on Easey Street, Collingwood – stabbed multiple times while Suzanne’s sixteen-month-old baby slept in his cot. Although police established a list of more than 100 ‘persons of interest’, the case became one of the most infamous unsolved crimes in Melbourne.Journalist Helen Thomas was a cub reporter at The Age when the murders were committed and saw how deeply they affected the city. Now, forty-two years on, she has re-examined the cold case – chasing down new leads and talking to members of the Armstrong and Bartlett families, the women’s neighbours on Easey Street, detectives and journalists. What emerges is a portrait of a crime rife with ambiguities and contradictions, which took place at a fascinating time in the city’s history – when the countercultural bohemia of Helen Garner’s Monkey Grip brushed up against the grit of the underworld in one of Melbourne’s most notorious suburbs.Why has the Easey Street murderer never been found, despite the million-dollar reward for information leading to an arrest? Did the women know their killer, or were their deaths due to a random, frenzied attack? Could the murderer have killed again? This gripping account addresses these questions and more as it sheds new light on one of Australia’s most disturbing and compelling criminal mysteries.‘An overdue examination of the Easey Street murders that adds tantalising new information to known and forgotten facts.’ Andrew Rule, journalist and co-author of UnderbellyHelen Thomas has been a journalist for more than forty years. In 2005, Thomas spent months researching the Easey Street murders for Radio National’s Background Briefing, shedding new light on the investigation. She is the manager of ABC News Radio and author of five books, including Moods: The Peter Moody Saga (2016).

    Senior Constable Andrew Rich claims he ‘had no choice’ other than to shoot 24-year-old Elijah Holcombe — Elijah had run at him roaring with a knife, he tells police.Some witnesses to the shooting say otherwise, though, and this act of aggression doesn't fit with the sweet, sensitive, but troubled young man that Elijah's family and friends knew him to be. The shooting devastates Elijah's family and the police officer alike.So what happened in that Armidale laneway — and how could it have been avoided? Waiting for Elijah is the culmination of journalist Kate Wild's six-year investigation — an investigation that not only seeks to answer these questions, but also poses some vitally important ones of its own: Why is it still taboo to talk about mental illness in our society? Is it fair to expect police to be first responders in mental health crises? If the community insists this job belongs to police, how can these interactions be improved?Written with clear-eyed compassion and a compelling narrative drive, Waiting for Elijah is an account of a tragedy that didn’t have to happen. It is also an intense, forensic deconstruction of the extended legal proceedings that followed, and a heartbreaking portrait of a family’s grief.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    A Few Days in the Country brings together for the first time her stories published in Australian journals in the 1960s and 1970s, along with those from her archives—including ‘Alice’, published for the first time earlier this year in the New Yorker.Essential reading for Harrower fans, these finely turned pieces show a broader range than the novels, ranging from caustic satires to gentler explorations of friendship.Elizabeth Harrower is the author of the novels Down in the City, The Long Prospect, The Catherine Wheel and The Watch Tower—all of which have been republished as Text Classics—and In Certain Circles, which was published in 2014 and in early 2015 was a BBC Radio 4 Book at Bedtime. Elizabeth lives in Sydney.‘Harrower has the disconcerting knack of looking at life and seeing it unadorned.’ Australian Financial Review, Best Books of 2015‘Vital, vivid stories by a master storyteller.’ Joan London, Age/Sydney Morning Herald, Best Books of 2015‘One has to think hard of a book in which so much pleasure has been wrenched from so much pain. While the skies are overcast here, what happens on the ground is brightly lit, hilariously cast by lashings of irony and overstatement...This is the work of an activist in disguise as an entertainer.’ John Freeman, Australian‘Enchanting...That Harrower has, up until recently, been denied a place in the Australian literary canon, is a tragedy—one that can only be remedied by reading her. A Few Days in the Country: And Other Stories is a fantastic place to start.’ Lip Mag‘Lyrical, insightful and finely tuned.’ Otago Daily Times‘The range of stories and styles demonstrates Harrower’s extraordinary literary skill…A Few Days in the Country and Other Stories offers no sure-fire formulas, but through its interrogation of characters’ psychological motivations it affords a deeper understanding of human behaviour.’ Australian Book Review‘[Harrower] reveals an astonishing facility to reveal a world in a few brush strokes.’ West Australian‘A Few Days in the Country continues [Harrower’s] remarkable literary rejuvenation.’ Australian, Best Books of 2015

    Kathy simply wants to live life and experience a world beyond her suburban existence. So when the chance comes for her to dance with an entertainment troop in Vietnam, she slips on her boots, walks away from her convent school and heads off to war. But Kathy soon finds the reality of war is no song and dance. This go-go girl will never be the same again...

    All he wants is to fit in. He wants to sit at the cool bench. He wants to be a star athlete. He wants his first kiss.He also wants his mum to survive.When his mum is suddenly diagnosed with advanced breast and brain cancer, Mike knows it's a long shot, but if he manages to achieve his dreams, maybe it'll give his mum enough strength to beat an incurable disease.In the meantime, he has to live with his African dad whom he doesn't really know, a man who has strange foreign ways - and who Mike doesn't really feel comfortable sharing his teenage desires and deepest fears with. He doesn't even want to think about what it might mean if his mum never comes home from the hospital.Based on his award-winning stand-up show, and the loss of his own mother when he was 12, Matt Okine's coming-of-age novel, Being Black n Chicken and Chips, is a funny, heart-warming, and sometimes surreal look at how young people deal with grief, the loss of loved ones, and becoming an adult - all whilst desperately trying to fit in with the other kids.

    Prime real estate, yet somehow not real estate at all, The Lodge is, like those who live in it, falling apart.Gordon Grimes has become the accidental keeper of this last relic of an endangered world. He lives in The Lodge with his wife Kelly who is trying to leave him, their son Ben who will do anything to save him, his goddaughter Lou who is hiding from her own troubles, and Leonie, the family matriarch who has trapped them here for their own good.But Gordon has no money and is running out of time to conserve his homeland. His love for this way of life will drive him, and everyone around him, to increasingly desperate risks. In the end, what will it cost them to hang onto their past?Acclaimed writer Malcolm Knox has written a classic Australian novel about the myths that come to define families and communities, and the lies that uphold them. It's about a certain kind of Australia that we all recognise, and a certain kind of Australian whose currency is running out. Change is coming to Bluebird, whether they like it or not. And the secrets they've been keeping and the lies they've been telling can't save them now.Savage, funny, revelatory and brilliant, Bluebird exposes the hollowness of the stories told to glorify a dying culture and shows how those who seek to preserve these myths end up being crushed by them.

    'Something truly amazing is going to happen.' 'To us or to the world?' I say. 'To you.' 'To me?' I laugh. 'Nothing ever happens to me, Stella.' 'But today it will.' 'Will it be good?' She looks thoughtful and then frowns. 'I . . . I don't know.'Peach is 19 and pretty happy with the way things are. She has her college work, two wildly different best friends, her sister, Stella, to look after, and a broken heart to mend. But when she takes a summer job at a café in the old convent, her idea of who she is takes a sharp turn into the past. Where once there were nuns, young girls and women who had fallen on hard times, Peach discovers secrets from three generations of her family. As their stories are revealed, Peach is jolted out of her comfort zone. But does she really want to know who she is? Warm and real, intense and provocative, this novel shows in vivid detail how fate and the choices we make ripple and reverberate through time.

    A colonial belle from Tasmania, vivacious and warm-hearted, Julia’s marriage to Tom Arnold in 1850 propelled her into one of the most renowned families in England and into a circle that included Lewis Carroll and George Eliot. Her eldest daughter became a bestselling novelist, while her grandchildren included the writer Aldous Huxley, author of Brave New World, and the evolutionary biologist Julian Huxley.With these family connections, Julia is a presence in many documented and famous lives, but she is a mostly silent presence. When extracted from her background of colonial life, extracted from the covers of marriage and family life, her story reveals an extraordinary woman, a paradox who defied convention as much as she embraced it.What began as a marriage born of desire soon turned into a relationship riven by discord. Tom’s sudden decision to become a Catholic and Julia’s refusal to convert with him plunged their lives into a crisis wherein their great love for each other would be pitted against their profoundly different understandings of marriage and religion. It was a conflict that would play out over three decades in a time when science challenged religion, when industrialisation challenged agrarian forms, when democracy challenged aristocracy, when women began to challenge men. It was a conflict that would shape not only their own lives and that of their children, but also touch the lives of all those who came into contact with them.Told with the pace, depth, and psychological richness of a great novel, An Unconventional Wife is a riveting biography that shines a shaft of light on a hidden but captivating life.

    This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath. As Jasmine immerses herself in the world of her literary idols – including Jane Austen, the Brontë sisters and Virginia Woolf – Della is inspired to rediscover the wisdom of her own culture and storytelling. But sometimes the stories that are not told can become too great to bear.Ambitious and engrossing, After Story celebrates the extraordinary power of words and the quiet spaces between. We can be ready to listen, but are we ready to hear?

    Winning scholarships. Heading to uni. Travelling the world. Everyone except Milo Dark. Milo feels his life is stuck on pause. His girlfriend is 200km away, his mates have bailed for bigger things and he is convinced he's missed the memo reminding him to plan the rest of his life. Then Layla Montgomery barrels back into his world after five years without so much as a text message. As kids, Milo and Layla were family friends who shared everything - hiding out in her tree house, secrets made at midnight, and sunny afternoons at the river. But they haven't spoken since her mum's funeral. Layla's fallen apart since that day. She pushed away her dad, dropped out of school and recently followed her on-again-off-again boyfriend back to town because she has nowhere else to go. Not that she's letting on how tough things have been. What begins as innocent banter between Milo and Layla soon draws them into a tangled mess with a guarantee that someone will get hurt. While it's a summer they'll never forget, is it one they want to remember? A boy-meets-girl-again story from the award-winning author of The Intern and Faking It.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.