However, just days before the programme was due to air, it was cancelled; a move that not only angered those women, but further fuelled rumours of a wider conspiracy, as even after his death, it seemed that any mention of wrongdoing on the part of “Old Jimmy” would inevitably only be met by a cold, eerie silence. A silence all too familiar for his victims. A year later, a rival TV company decided to make their own documentary concerning the Savile abuse claims. After some initial reluctance, Kat Ward agreed to speak to them. This time, the programme did air – and the story was huge. Literally overnight, a man, who was, in the eyes of the British public, a national institution - as harmless as afternoon tea for many - now stood accused of crimes so heinous, that a collective air of disbelief began to descend, as people struggled to reconcile the claims with his cheery image as a children’s champion and charity fundraiser. However, over the following days, more women came forward. Any disbelief soon vanished. Within a week, the list of potential victims had soared into the hundreds. Prime Minister David Cameron sought to appease a growing public demand for the posthumous revocation of his knighthood, and the Metropolitan Police publicly acknowledged Savile as a “predatory sex offender”. No tears were shed as his gravestone was demolished. His victims must have thought they’d never see the day. But Kat Ward had long given up hope of justice anyway. After suffering a tormented early childhood, in which she was abused by her family, she eventually found herself shuttled between care homes and approved schools; institutions that promised a sanctuary from abuse, but all too often seemed to sponsor it. Many decades later, and after a life marred by depression, she was persuaded by a psychiatrist to write about her experiences, in the hope that doing so might be cathartic. She obliged, and last year her debut offering, “KERI” - in which she recounts her earliest years - took literary circles by surprise, as it became an international bestseller. And now, in this much-anticipated volume, she recounts her early-mid teen years; no longer a small child, but a girl on the cusp of adolescence. Still traumatized by her early experiences, but not entirely without that sense of vague hope that is the inalienable property of youth. Now at Duncroft Approved School for “emotionally disturbed girls”, her life had come to resemble that of a prisoner; a good day was a bad one and a bad day was horrific. A pattern interrupted only by the periodic visits of a certain creepy old man in a shiny tracksuit, with a pocket full of a cigars and a caravan full of demands. There were Rolls-Royce trips to London. There were jaunts to TV studios. And, of course, for Kat, as with most of the girls, there were dreams of a brighter future. But despite all the promises, there was simply no way out. For at almost every turn, another nefarious character was waiting to take advantage of the girls that no-one would believe anyway. Now you can read her full story here. No punches pulled; no stone left unturned. Just the truth, committed to paper over many years, in the hope that it might help inspire the brave, enlighten the misled and heal the abused… WARNING: contains passages some readers may find disturbing.

    

    

    The second essay appears in Springsteen's forthcoming releases, The Promise and The Promise: The Darkness On The Edge Of Town Story.

    I did not write this book for sympathy or notoriety; I wrote it in an attempt to shed light on the ghosts that have haunted me for a lifetime, hoping that by putting them down on paper that I could look at them more objectively from a mature point of view and eventually free myself from them.

    All of the cases end in murder. The stories start with The Black Widow of Laporte, Indiana which is the story of.Belle Gunness and her use of the want ads in the early 1900's. We work our way through the 20th century with The French Bluebeard, The Bogeyman, The Torch Murderer, The Bluebeard of Quiet Dell, The Lonely Hearts Killers, It's A Family Affair, The Lonely Hearts Husband Killer, Harv the Hammer and The Glamour Girl Killer. The final section of the book features nine cases where Craigslist ads have resulted in murder. There are more than 80 pictures throughout the book.

    She is seven; he is fifty-one. When Peter invites her and her mother to his house, the little girl finds a child's paradise of exotic pets and an elaborate backyard garden. Her mother, beset by mental illness and overwhelmed by caring for Margaux, is grateful for the attention Peter lavishes on her, and he creates an imaginative universe for her, much as Lewis Carroll did for his real-life Alice. In time, he insidiously takes on the role of Margaux's playmate, father, and lover. Charming and manipulative, Peter burrows into every aspect of Margaux's life and transforms her from a child fizzing with imagination and affection into a brainwashed young woman on the verge of suicide. But when she is twenty-two, it is Peter -- ill, and wracked with guilt -- who kills himself, at the age of sixty-six. Told with lyricism, depth, and mesmerizing clarity, Tiger, Tiger vividly illustrates the healing power of memory and disclosure. This extraordinary memoir is an unprecedented glimpse into the psyche of a young girl in free fall and conveys to readers -- including parents and survivors of abuse -- just how completely a pedophile enchants his victim and binds her to him.

    But instead, separated from his siblings, young Tommy was thrown to the wolves.Tommy Rhattigan takes us, in his own inimitable way, back to his own childhood of pranks, cruelty and laughter grown from a need to survive his daily torment and to stick two fingers up to the system that was failing him so spectacularly.

    What would happen to her five unintentionally abandoned children? The heartbreak of the devastating loss of my mother was just the beginning of a series of tragic events that shaped my childhood. Lost in the chaos of abuse, I was the unseen collateral damage of domestic violence. I was forced to take on the role of the invisible child for self-preservation. I figured you can’t hurt what you can’t see. Despite all the sadness in this book, my story has a happy ending. Overcoming obstacles that were meant to destroy me taught me many powerful lessons about strength, resilience, and faith. I want to show you that no matter how dark your world seems, there is a light shining right outside the door. You just need to have faith and keep moving forward step by step until you find your peace. Trust me, no matter where your story lies, you can find happiness.

    This honest coming of age memoir begins in the late '60s and spans 30 years, showing how others who've experienced childhood trauma can stay true to themselves and use their pain to build a promising future.

    

    The problem inspired the classic and riveting documentary, "STREETWISE", which was nominated for an Academy Award in 1984.Author Justin Reed Early, a credited participant of the documentary and now successful Los Angeles resident, tells the story of how he survived the arduous streets. We grow with this homeless youth as he relives a harrowing journey into adulthood. Justin introduces us to the characters and dramas of his younger years bringing new life to his street family as many of their lives have been silenced by AIDS, suicide and serial killers (the Green River killer).Join this tragic yet magical journey as Justin honors childhood heroes, pays tribute to many lost friends and learns of forgiveness when the now middle aged Justin is thrust into a life defining experience that will change his world - forever.

    The direct descendent of slaves, she graduated from Princeton University and the Harvard Law School, and she seemed primed for a life of prestige and wealth. Then she left that path for a life of public service and marriage to Barack Obama. Here’s her inspiring story.

    The secret, though, that surrounded my parents’ unhappy life together, was divulged to me by accident . . .’ Hidden under some papers in his father’s bureau, the sixteen-year-old Derek Malcolm finds a book by the famous criminologist Edgar Lustgarten called The Judges and the Damned. Browsing through the Contents pages Derek reads, ‘Mr Justice McCardie tries Lieutenant Malcolm – page 33.’ But there is no page 33. The whole chapter has been ripped out of the book. Slowly but surely, the shocking truth emerges: that Derek’s father, shot his wife’s lover and was acquitted at a famous trial at the Old Bailey. The trial was unique in British legal history as the first case of a crime passionel, where a guilty man is set free, on the grounds of self-defence. Husband and wife lived together unhappily ever after, raising Derek in their wake. Then, in a dramatic twist, following his father’s death, Derek receives an open postcard from his Aunt Phyllis, informing him that his real father is the Italian Ambassador to London . . . By turns laconic and affectionate, Derek Malcolm has written a richly evocative memoir of a family sinking into hopeless disrepair. Derek Malcolm was chief film critic of the Guardian for thirty years and still writes for the paper. Educated at Eton and Merton College, Oxford, he became first a steeplechase rider and then an actor after leaving university. He worked as a journalist in the sixties, first in Cheltenham and then with the Guardian where he was a features sub-editor and writer, racing correspondent and finally film critic. He directed the London Film Festival for a spell in the 80s and is now President of both the International Film Critics Association and the British Federation of Film Societies. He lives with his wife Sarah Gristwood in London and Kent and has published two books – one on Robert Mitchum and another on his favourite 100 films. He is a frequent broadcaster on radio and television and a veteran of film festival juries all over the world.

    She slipped through the net and only just survived. Her childhood was a place of filth and terror. Her prostitute mother abused and neglected Collette; leaving her with clients, starving her and beating her to a pulp.But the worst thing was that the people who were supposed to protect Collette turned a blind eye. This is the story of a little girl who waited years for justice. It's the story of a woman determined to protect other children from suffering her fate.Collette Elliott is a 35-year-old mother of four. She was born in Birmingham to Maureen Batchelor, a prostitute, and suffered years of physical and mental abuse. In April 2013, Birmingham City Council awarded her £20,000 in damages for the anguish she suffered and their failure to protect her. Collette is now happily married, a devoted mother to her girls, and is campaigning on behalf of other child abuse victims.